Revad
2 members found
29 creative works found
-
Original 60cm x 60cm, 2007. Archival pigment ink on stretched canvas. No border. Handled and signed. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of signed installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. This image explores another interesting line of enquiry, well actually (to be entirely accurate) it combines two. First, it explores the Fibonacci number system; 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89… Second, it demonstrates an important technique. A technique based on combining component works in the digital domain to produce an entirely new outcome in the real world. A technique I call Fusion. In this instance three component images have been layered. First a scanned acrylic on paper painting; second a photograph of an oil pastel on paper painting taken with deliberate camera movement; and third an original digital painting. All these components were made with this specific outcome in-mind, but this is not always the case. Indeed all outcomes – both analogue and digital – are stored in a library and have the potential of being a component in a future Fusion. http://blog.codedimages.com / http://codedimages.com / http://revad.com
-
Original 70cm x 50cm, 2009. Archival print face mounted to perspex with a Dibond backing. No border. Handled and signed. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of signed installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. I am fortunate to be the featured artist at The Deepening, and I have released two works to celebrate this. The first – shown here – is an image continuing the exploration of my gestural line of enquiry. You can see it has inherited much from my code leak image. The second is a web kinetic installation (enthralled by the deepening), which you can view exclusively at The Deepening. I say ‘web kinetic’, you might say video, but can an animated GIF ever be a video? (A question for another time maybe) The inspiration for both – apart from the honour of being the featured artist – was to explore the letters and words of the name. I also wanted to include some element of mystery and intrigue; key elements so often contained in the excellent books published at The Deepening. This work is also another in a line of enquiry exploring the artistic potential of a relatively new method of computer input interface, the ATOMIC keyboard. I have blogged about this enquiry several times and you could also Google atomik keyboard if you want to know more. http://blog.codedimages.com / http://codedimages.com / http://revad.com
-
Original 50cm x 70cm, 2007. Archival pigment ink on stretched canvas. No border. Handled and signed. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of signed installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. Inspired by Fibonacci and the idea of 50%. Two acrylic on paper paintings have been fused together in the digital domain to create this outcome. The key here is line and colour with colour being the thing uppermost in my mind during the process of creation. Other images in the phi line of enquiry can be viewed on the blog. http://blog.codedimages.com / http://codedimages.com / http://revad.com
-
Original 50cm x 70cm, 2007. Archival pigment ink on stretched canvas. No border. Handled and signed. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of signed installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. Inspired by Fibonacci’s phi (golden section). To create this outcome, two scans of an original acrylic on paper painting (taken at different stages in the construction) have been fused together in the digital domain. The key here is line, colour and composition with composition being uppermost in my mind during the process of creation. Other images in the phi line of enquiry can be viewed on the blog. http://blog.codedimages.com / http://codedimages.com / http://revad.com
-
Original 80cm x 80cm, 2009. Archival print face mounted to perspex with a Dibond backing. No border. Handled and signed. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of signed installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. http://blog.codedimages.com / http://codedimages.com / http://revad.com An outcome created at the cross-over between three lines of enquiry: phi, circle and square, and gesture.
-
Original 80cm x 80cm, 2009. Archival pigment ink on stretched canvas. No border. Handled and signed. One of 9 images intended to be viewed together as a single installation. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of signed installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. One of a series of outcomes based on two lines of enquiry: circle and square and phi. This new enquiry goes on to explore variations in composition based on position and colour. There are a number of related posts on the coded images blog. This image is the first random mix of the eight primary images. http://blog.codedimages.com / http://codedimages.com / http://revad.com
-
Original 80cm x 80cm, 2009. Archival pigment ink on stretched canvas. No border. Handled and signed. One of 9 images intended to be viewed together as a single installation. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of signed installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. One of a series of outcomes based on two lines of enquiry: circle and square and phi. This new enquiry goes on to explore variations in composition based on position and colour. There are a number of related posts on the coded images blog. http://blog.codedimages.com / http://codedimages.com / http://revad.com
-
Original 80cm x 80cm, 2009. Archival pigment ink on stretched canvas. No border. Handled and signed. One of 9 images intended to be viewed together as a single installation. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of signed installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. One of a series of outcomes based on two lines of enquiry: circle and square and phi. This new enquiry goes on to explore variations in composition based on position and colour. There are a number of related posts on the coded images blog. http://blog.codedimages.com / http://codedimages.com / http://revad.com
-
Original 80cm x 80cm, 2009. Archival pigment ink on stretched canvas. No border. Handled and signed. One of 9 images intended to be viewed together as a single installation. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of signed installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. One of a series of outcomes based on two lines of enquiry: circle and square and phi. This new enquiry goes on to explore variations in composition based on position and colour. There are a number of related posts on the coded images blog. http://blog.codedimages.com / http://codedimages.com / http://revad.com
-
Original 80cm x 80cm, 2009. Archival pigment ink on stretched canvas. No border. Handled and signed. One of 9 images intended to be viewed together as a single installation. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of signed installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. One of a series of outcomes based on two lines of enquiry: circle and square and phi. This new enquiry goes on to explore variations in composition based on position and colour. There are a number of related posts on the coded images blog. http://blog.codedimages.com / http://codedimages.com / http://revad.com
-
Original 80cm x 80cm, 2009. Archival pigment ink on stretched canvas. No border. Handled and signed. One of 9 images intended to be viewed together as a single installation. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of signed installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. One of a series of outcomes based on two lines of enquiry: circle and square and phi. This new enquiry goes on to explore variations in composition based on position and colour. There are a number of related posts on the coded images blog. http://blog.codedimages.com / http://codedimages.com / http://revad.com
-
Original 80cm x 80cm, 2009. Archival pigment ink on stretched canvas. No border. Handled and signed. One of 9 images intended to be viewed together as a single installation. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of signed installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. One of a series of outcomes based on two lines of enquiry: circle and square and phi. This new enquiry goes on to explore variations in composition based on position and colour. There are a number of related posts on the coded images blog. http://blog.codedimages.com / http://codedimages.com / http://revad.com
-
Original 80cm x 80cm, 2009. Archival pigment ink on stretched canvas. No border. Handled and signed. One of 9 images intended to be viewed together as a single installation. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of signed installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. One of a series of outcomes based on two lines of enquiry: circle and square and phi. This new enquiry goes on to explore variations in composition based on position and colour. There are a number of related posts on the coded images blog. http://blog.codedimages.com / http://codedimages.com / http://revad.com
-
Original 80cm x 80cm, 2009. Archival pigment ink on stretched canvas. No border. Handled and signed. One of 9 images intended to be viewed together as a single installation. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of signed installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. One of a series of outcomes based on two lines of enquiry: circle and square and phi. This new enquiry goes on to explore variations in composition based on position and colour. There are a number of related posts on the coded images blog. http://blog.codedimages.com / http://codedimages.com / http://revad.com
-
Original 80cm x 80cm, 2009. Archival print face mounted to perspex with a Dibond backing. No border. Handled and signed. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of signed installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. http://blog.codedimages.com / http://codedimages.com / http://revad.com An outcome created at the cross-over between three lines of enquiry: phi, circle and square, and gesture.
-
Original 50cm x 70cm, 2006. Archival pigment ink on stretched canvas. No border. Handled and signed. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of signed installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. An early exploration (circa 2006) of the fusion technique. Here I have merged together: a scan of the texture from a relief painting made from layers of mount board, then painted using a dab technique in acrylic; and an expressive water colour painting, painted to music. The layers of board used for this work were those removed while making the contrasting work the in. http://blog.codedimages.com / http://codedimages.com / http://revad.com
-
Original 100cm x 100cm, 2009. Archival pigment ink on stretched canvas. No border. Handled and signed. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. An intersection of: my series circle and square phi ; / a photographer’s eye for a crop; / and inspiration from an article about Ellsworth Kelly (Art World, June/July 2009). The thoughts behind this series are recorded on the blog. http://blog.codedimages.com / http://codedimages.com / http://revad.com
-
Original 77cm x 60cm, 2009. Archival pigment ink on stretched canvas. No border. Handled and signed. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. One outcome from a line of enquiry rooted in the use of code and office materials. There are several relevant threads on the blog: office materials / fruit of the seed / code http://blog.codedimages.com / http://codedimages.com / http://revad.com
-
Original 60cm x 60cm, 2007. Archival pigment ink on stretched canvas. No border. Handled and signed. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of signed installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. Working with a simple mathematical progression based on 50%, plus a feathered contrast between vivid colour and grey graduations. An exploration of colour, tone and composition. http://blog.codedimages.com / http://codedimages.com / http://revad.com
-
Original 80cm x 80cm, 2009. Archival print face mounted to perspex with a Dibond backing. No border. Handled and signed. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of signed installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. http://blog.codedimages.com / http://codedimages.com / http://revad.com An outcome created at the cross-over between three lines of enquiry: phi, circle and square, and gesture.
-
Original 50cm x 70cm, 2006. Archival pigment ink on stretched canvas. No border. Handled and signed. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of signed installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. An early exploration (circa 2006) of the fusion technique. Here I have merged together: a scan of the texture from a relief painting made from layers of mount board, then painted using a dab technique in acrylic; and an expressive water colour painting, painted to music. The layers of board removed for this work were then used to make the contrasting work the out. http://blog.codedimages.com / http://codedimages.com / http://revad.com
-
Original 100cm x 100cm, 2009. Archival pigment ink on stretched canvas. No border. Handled and signed. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of signed installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. An intersection of: my series circle and square phi / a photographer’s eye for a crop; / and inspiration from an article about Ellsworth Kelly (Art World, June/July 2009). The thoughts behind this series are recorded on the blog. http://blog.codedimages.com / http://codedimages.com / http://revad.com
-
Original 100cm x 100cm, 2009. Archival pigment ink on stretched canvas. No border. Handled and signed. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. An intersection of: my series circle and square phi / a photographer’s eye for a crop; / and inspiration from an article about Ellsworth Kelly (Art World, June/July 2009). The thoughts behind this series are recorded on the blog. http://blog.codedimages.com / http://codedimages.com / http://revad.com
-
Original 120cm x 45cm, 2009. Archival pigment ink on stretched canvas. No border. Handled and signed. Edition of 8 + 1 artist proof for my collection. In recognition of the flexibility of digital media, here an edition equals a maximum number of signed installations of this specific work. The artist proof (AP) is as per the stated original, in terms of size and materials. All other installations will be produced to meet the requirements of the specific location. So size and materials can be negotiated to suit a specific need. Think of each installation as a separate commission, where all things are negotiable. Under no circumstances will the edition size be breached. http://blog.codedimages.com / http://codedimages.com / http://revad.com A palette of twenty four colours derived while exploring my circle and square phi series. For more details (about how the palette was derived) see the blog.
RedBubble is a great place to find art, design, photos and writing from over 80,000 talented people.
You can buy their stuff
On stunning greeting cards, awesome t-shirts or beautiful prints to hang on your walls.
Risk Free Returns
It’s really simple. If you’re not happy with your purchase for any reason, we’ll fix it.
About RedBubble
Since February 2007 we’ve shipped over 243,600 items to more than 70 countries around the world.
Join In
Sign up for your free account, upload your work, join some groups and share your creative genius with the world.