Resisto 

21 creative works found

• Resisto's Challenge
  by Pilgrim

  I see that there are a couple of great responses to resisto’s challenge to…

  I see that there are a couple of great responses to resisto’s challenge to see how a single image may be manipulated. One by Tom which is here and one by by Cliff here It is amazing how you can take good initial ingredients and come to so different conclusions. I look forward to seeing more interpretatons. The original image can be found :here”:http://redbubble.com.au/bubblewrap/3/images/photo_challenge.jpg And remember to tag your work “tweaker07” so it can be found.

• The Real Scott (Resisto) Robinson Interview
  by Danny

  Scott Robinson Illustrator, tee shirt designer and Red Bubble stalwart. Queenslander Scott has crammed a lot into his 31 years most of it…

  Scott Robinson Illustrator, tee shirt designer and Red Bubble stalwart. Queenslander Scott has crammed a lot into his 31 years most of it based around his two great loves; drawing and skateboarding. / From owning and running two small skate shops in Brisbane to be a major contributor as lead artist for works working with young people done in conjunction with The Queensland Art Council. Scott has mixed his two passions seamlessly. / Scott also has 20 plus skateboard designs in production and has been highly active in exhibitions in Brisbane and recently sold one of his designs in auction to raise funds for NSW Cancer Council at the Across the board Art Expo. / I thought I’d sit down with Scott (in a literal sense) to find out a bit more about what makes him tick? Danny: Skateboarding and art- where they always linked or one passion grew before or with the other? Scot: Well, for me they’re inseparable – I once surmised that “skateboarding is art for the body, art is skateboarding for the mind”. / By that, I mean that skateboarding is a free flowing art form, self evaluated, and self inspired. You don’t rely on a team or an organisation, it’s just you and your board, and however you want to approach the world on it. / Much like a canvas really. Art is skateboarding for the mind, because it gives you a method in which to express yourself, and it takes you wherever you want to go. Again, self motivated, self assessed. / / That, and skateboards themselves have always had a graphic element to them. It’s truly what separates skateboarding from other sports, all boards have graphics, and the art contained on them have always been a HUGE influence on me. So skateboarding and art have always gone hand in hand. / I still think that Skate artists like Vance Courtney Johnson and Jeff Phillips are some of the finest artists of their time. / / Which came first? I think I’ve always drawn, since I could hold a crayon, I’ve been skateboarding seriously since I was 10 years old (I’ve always been a quiet and quite shy kind of person, and liked things I could do by myself,), but i also think that skateboarding made me want to work on drawing to be able to create something that could be seen as “skate graphic worthy” I suppose you mimic those you admire, and I’ve always admired skate artists, and skateboarders in general. Skateboarding, Life, Music, Freinds,..All things influence me really, my art is just me reflecting on either ideas, or inspiration from the world around me.. Danny: Business- are you still involved – Art or skateboarding? Scott: Well, yes and no for both… I still have dealing with Skate Companies for graphics, but I’m not behind the counter anymore. And I do freelance graphic design for a few different places, but it’s more when I want to, than have to. Danny: Anyone with eyes can tell the technical expertise of your drawings, are you a draughtsmen or had any training? Scott: Not really. I’ve never done any real studies in that regard. But one of my first “artistic” jobs out of design school was as a technical illustrator. I worked for a automotive parts manufacturer, and my job was to create instruction manuals. How to fit the parts on etc, etc,. Being as most of their market was overseas, drawings are more universally understandable. Was fun for a while too, but I never want to draw another headlight cover in my life. While i do enjoy manipulating images, nothing comes even close to being as fun and rewarding as picking up some A3 paper and a pencil… Danny: Is Brisbane an artistic environment? Scott: Hell yes! Brisbane’s art scene is so strong right now, and it just motivates me to do anything I can to promote it further. Lot of little independent galleries, all running obscure shows, New art “zines” popping up all the time.. There’s always something arty to find yourself at if you look for them. Even the more commonplace galleries are full. It’s a great place to be artistically right now. / And just to plug some events, recently we had the Paintskate Experiment and the Dex exhibition at the powerhouse in Brisbane, and then we have the upcoming FreQee exhibition held by the same group of artists. (All of these by the way: Scott was a showcased artist). Danny: Skateboarding can’t last forever, bones get brittle- how are you preparing for this? Scott: Flat out denial! Well, that’s not entirely true. The drive to learn new tricks, extend myself further in skateboarding has kind of died of over the last 4 years or so, but the desire to roll, and by that i mean no tricks, just skating in the sunshine, rolling down the street is still as strong as ever.. It`s a beautiful feeling, and I’ve likened it to my own personal magic carpet ride. I don’t ever want to be without that feeling..I should be able to skate like that for as long as I can stand up without falling over. Danny: Red Bubble influence on art. lifestyle? Scott: Well, I do love the T-shirt function, so that’s been a bit of a design consideration for me. And I do love being surrounded with such vibrant personalities and artworks. No man is an island, so I’m sure that it is influencing me to some degree.. / My lifestyle remains the same though; I stick to what I love. August 2007

• The Scott (Resisto) Robinson Interview with added Robot
  by Danny

  “Yeah doesn’t always turn out like that, once my mum came with Grandma and I took ‘em both out 7-10 split. Awesome”

• Bubblerock - Resisto
  by Bubblerock

  / Robotically precise beats, with more than a dash of funk? Name: FRD aka Funky Robo D…

  / Robotically precise beats, with more than a dash of funk? Name: FRD aka Funky Robo Drummer / Instrument: Drums / Eyes: None / Hair: None, Glass Smooth / Description: 4 armed robot, with built-in speaker and light show.. / Heroes: The drummer from Def Leppard, The Mos Eisley band. / Signature Move: Extended drum solo tornado, / Motto: 010001111 010111 0101010101 !! Check my style

• One more thing now I'm back The big Interview Part Two
  by Danny

  God knows what they were doing in there but those that weren’t partially naked were covered in all kinds of sticky , wet or just plain di…

• Artist Profile: Scott (Resisto) Robinson
  by community

  ...

  Scott Robinson Illustrator, tee shirt designer and Red Bubble stalwart. Queenslander Scott has crammed a lot into his 31 years most of it based round his two great loves; drawing and skateboarding. From owning and running two small skate shops in Brisbane to be a major contributor as lead artist for works working with young people done in conjunction with The Queensland Art Council. Scott has mixed his two passions seamlessly. Scott also has 20 plus skateboard designs in production and has been highly active in exhibitions in Brisbane and recently sold one of his designs in auction to raise funds for NSW Cancer Council at the Across the board Art Expo. I thought I’d sit down with Scott (in a literal sense) to find out a bit more about what makes him tick? Danny: Skateboarding and art – were they always linked or one passion grew before or with the other? Scott: Well, for me they’re inseparable – I once surmised that “skateboarding is art for the body, art is skateboarding for the mind”. By that, I mean that skateboarding is a free flowing art form, self evaluated, and self inspired. You don’t rely on a team or an organisation, it’s just you and your board, and however you want to approach the world on it. Much like a canvas really. Art is skateboarding for the mind, because it gives you a method in which to express yourself, and it takes you wherever you want to go. Again, self motivated, self assessed. That, and skateboards themselves have always had a graphic element to them. It’s truly what separates skateboarding from other sports, all boards have graphics, and the art contained on them have always been a HUGE influence on me. So skateboarding and art have always gone hand in hand. I still think that Skate artists like Vance Courtney Johnson and Jeff Phillips are some of the finest artists of their time. Which came first? I think I’ve always drawn, since I could hold a crayon, I’ve been skateboarding seriously since I was 10 years old (I’ve always been a quiet and quite shy kind of person, and liked things I could do by myself,), but i also think that skateboarding made me want to work on drawing to be able to create something that could be seen as “skate graphic worthy” I suppose you mimic those you admire, and I’ve always admired skate artists, and skateboarders in general. Skateboarding, Life, Music, Freinds,..All things influence me really, my art is just me reflecting on either ideas, or inspiration from the world around me.. Danny: Business – are you still involved – art or skateboarding? Scott: Well, yes and no for both… I still have dealing with Skate Companies for graphics, but I’m not behind the counter anymore. And I do freelance graphic design for a few different places, but it’s more when I want to, than have to. Danny: Anyone with eyes can tell the technical expertise of your drawings, are you a draughtsmen or had any training? Scott: Not really. I’ve never done any real studies in that regard. But one of my first “artistic” jobs out of design school was as a technical illustrator. I worked for a automotive parts manufacturer, and my job was to create instruction manuals. How to fit the parts on etc, etc,. Being as most of their market was overseas, drawings are more universally understandable. Was fun for a while too, but I never want to draw another headlight cover in my life. While i do enjoy manipulating images, nothing comes even close to being as fun and rewarding as picking up some A3 paper and a pencil… Danny: Is Brisbane an artistic environment? Scott: Hell yes! Brisbane’s art scene is so strong right now, and it just motivates me to do anything I can to promote it further. Lot of little independent galleries, all running obscure shows, New art “zines” popping up all the time.. There’s always something arty to find yourself at if you look for them. Even the more commonplace galleries are full. It’s a great place to be artistically right now. And just to plug some events, recently we had the Paintskate Experiment and the Dex exhibition at the powerhouse in Brisbane, and then we have the upcoming FreQee exhibition held by the same group of artists. (All of these by the way: Scott was a showcased artist). Danny: Skateboarding can’t last forever, bones get brittle – how are you preparing for this? Scott: Flat out denial! Well, that’s not entirely true. The drive to learn new tricks, extend myself further in skateboarding has kind of died of over the last 4 years or so, but the desire to roll, and by that i mean no tricks, just skating in the sunshine, rolling down the street is still as strong as ever.. It`s a beautiful feeling, and I’ve likened it to my own personal magic carpet ride. I don’t ever want to be without that feeling..I should be able to skate like that for as long as I can stand up without falling over. Danny: Red Bubble influence on art, lifestyle? Scott: Well, I do love the T-shirt function, so that’s been a bit of a design consideration for me. And I do love being surrounded with such vibrant personalities and artworks. No man is an island, so I’m sure that it is influencing me to some degree.. My lifestyle remains the same though; I stick to what I love. - Danny

• 

  Scott Robinson/Resisto Lisa Defazio/Lisadee Collaboration: The Journey 2
  by Lisa Defazio

  When I asked Scott Robinson to rework this image I thought it might prove difficult him handling such a ‘soft’ image.How wrong I was. I love this even more than I can explain, this is my first collaboration and had no idea how blown away I would be by the experience. I have a new level of respect and admiration for you Scott and it was pretty lofty to begin with. A heartfelt Thank you. Scott Robinson

• Scott Robinson: T-SHIRTS to SKATEBOARDS to DJ GEAR!?
  by jumpy

  What happens When Skate art meets DJ Gear Welcome to the Mixmax… / a nifty 2 channel analogue mixer for those on a budget. Offerin…

  What happens When Skate art meets DJ Gear Welcome to the Mixmax… / a nifty 2 channel analogue mixer for those on a budget. Offering inputs for 2 CD decks and 2 turntables plus microphone talkback. At a trifling $139 RRP the mixmax has been designed to hook up with the new CDJPRO CD Player providing a snappy DJ setup for minimal layout. / Brisbane skate graphic svengali and Redbubble vector extraordinaire Scott Robinson has provided a unique one off design lending his edgy street graphics to the mixmax in a limited edition face plate. When i asked Scott what he thought about designing a DJ Mixer he told me / “I thought it was great, Really very different than anything I`d done before.. I wondered how it would be received really.” Wait no more Scott because the MIXMAX is available this summer from Lightsounds and all good DJ gear outlets. MANY thanks go to Scott for the first in a series of original artist faceplates on E-Systems Pro DJ gear. JumPy

• 

  Pride & Joy Alternative Version
  by Danny

  I’ve talked to Scott a bit about this image and decided to go in the opposite direction. / Where I interrupt Scott’s image as the Former Soviet Republic’s(USSR) version of embracing the bomb and how it affected the country, my version is how the US loved the bomb. / After the dropping of the 2nd A Bomb and the end of WW2, the US had unprecedented economic growth and prosperity. / That’s what this picture is trying to represent. / It’s a total rework of an ancient Australian cartoon from the late 1940s. / I’m still searching for the artists name though you wouldn’t recognise the original if you ever found it / I needed it for the advertising style and feel of the pic. / The shitty recolouring and clone-brushing is a testament to my paintshop skills. / That should do for this year I reckon. Detail of Scott’s work /

• A Crack in the Chain
  by Cathryn Swanson

  I got a new stick of deodorant today. The instructions said, Remove cap and push up bottom. I can barely walk, but whenever I fart the r…

  Official A.R.S.E winner March challenge 2008 I may have bitten off more than I can chew with this one….. / But when have I let a good idea get in the way of quality ;) Plus my T-designs suck, so I had to write something instead. You will find the last installment of the real Danny Gonzo stories here Though I highly recommend you go here first

• The Dan from N.O.L.A.N
  by Cathie Tranent

  How did you discover Redbubble, and what made you stay? The same as a lot of people in the early days, via Annelli’s Blog on The Age…

  When Jo explained the concept of the survey questions to me, I knew immediately who I wanted my first interview to be. One of the very first people I didn’t previously know to comment on my work was this man. During the last twelve months, he has inspired me, teased and tormented me, commented honestly on my work, and made me think. When I approached him, to ask whether he would be interviewed his response was no. And then came “I want you to ask some other questions”. And so the “bloody photographer” was made stretch again – what do you ask someone responsible for “Fear and Loathing at Redbubble”, the wicked Scott Robinson interviews and indeed an interview with Pilgrim himself? I hope you all enjoy reading this … I know I found out some things I didn’t know about a man I respect, admire, don’t always understand, but am proud to consider a friend.

• The Man from N.O.L.A.N
  by Cathie Tranent

  When Jo explained the concept of the survey questions to me, I knew immediately who I wanted my first interview to be. _One of the v…

  When Jo explained the concept of the survey questions to me, I knew immediately who I wanted my first interview to be. One of the very first people I didn’t previously know to comment on my work was this man. During the last twelve months, he has inspired me, teased and tormented me, commented honestly on my work, and made me think. When I approached him, to ask whether he would be interviewed his response was no. And then came “I want you to ask some other questions”. And so the “bloody photographer” was made stretch again – what do you ask someone responsible for “Fear and Loathing at Redbubble”, the wicked Scott Robinson interviews and indeed an interview with Pilgrim himself? I hope you all enjoy reading this … I know I found out some things I didn’t know about a man I respect, admire, don’t always understand, but am proud to consider a friend, Danny Nolan How did you discover Redbubble, and what made you stay? The same as a lot of people in the early days, via Annelli’s Blog on The Age web site. / It kind of hit a chord. It was easy and not pretentious and just wanted you to contribute what you thought was your best. It was great back then even though it didn’t have a fraction of what we have now. It was very friendly and encouraging and dare I saw it, predominately Aussie. What made you stay? Two things. / Firstly, the friendships I had made with the characters on my computer screen, and secondly great moments of inactivity at work. No, I kid. / It would probably be the million ideas and thoughts that invade my head since joining the ‘bubble and the ability to use Redbubble as an outlet to express them. / Sort of like an ideas box (or toilet). Were you one of those kids at school who did caricatures of the teachers and excelled in Art Class or English? Or did you discover your talent later on in life? I did do caricatures of teachers for the school magazine two years in a row and if you find an Ashwood High Yearbook 1977 & 1978, you’ll see them. / I was a lazy student and didn’t try hard enough, even though I was constantly told I didn’t live up to my potential, whatever that meant. / I don’t have any regrets. Everything I have and do now is a culmination of what I’ve done in the past and it’s turned out pretty good. Who on the bubble inspires you – or do you admire? I’m inspired by lots of things but the people who have really made me feel like there are no boundaries on Red Bubble are also friends. / Scott Robinson has been an inspiration, whether it be supporting my work or asking his advice, even taking my ideas to a whole new level. A great talent and person. / His Wound up tee is brilliant and is worn with pride around our house. Scott’s whole profile is excellent. The one once known as Lucan has inspired me to do so many different things I don’t even think the same any more. He is one of the only true geniuses I have met. Some chick called CathieT because she is so enthusiastic it’s contagious. The writings, ramblings and quick wit of Mr Khan was a find on this site; he also is a very clever man. TheWarOfTheRoses / doesn’t contribute much but what they have has been nothing short of shockingly brilliant. Stories to make you shake your head in disbelief. That’s five but there’s heaps more: Ange, Anne Van Alkemade, Empress, the wonderful sjem who is one the nicest people on the planet and the Super Duper Multi Talented (and also nice) Glen Smith and shares his art with the world. I can’t forget the amazing Ronnie Purcell who with all her widgetry and bloggery and podcasting ideas has made me explore whole new areas in story telling. There are countless pieces of people and art I admire but you’d have to check out my watchlist and favourites. If there was one artistic talent you could have – and do jawdroppingly well all the time – what would it be? To draw like Ralph Steadman or Gerald Scarfe Your work is incredibly diverse. What gives you inspiration? Anything and everything. / I can get so excited over an idea and it leads to other things (technical & gadgetry stuff) and then onto learning new skills to make it better. Red Bubble has helped me find out how to scratch that itch, then when that’s exhausted, just when you think that’s all you can do, Bingo – something else comes along. There is no one specific thing I can mention, it just comes in one big coincidental roller coaster. I have said heaps of times, I find a lot of story ideas in my pillow and that’s so true. I wake up early and have all these wonderful things bouncing around in my head, some silly, many with a twist, a few of them sad. That’s why I keep a journal next to my bed because I lost as many as I’ve written down. What would you consider your best piece of work and why? Hard to say, because everything was done for different reasons, some had a lot of effort and some had none. I love Binalong Ave because it wrote itself when I was in bed wondering what a world without Mum would be like (morbid & strange I know, but I can’t remember how I got to that thought) and I started to go through a super fast history of the place I grew up in. It fell into the pillow and I wrote down that morning and posted it on Red Bubble. It has since been published on Australianreader.com. I still get a bit emotional when I read it. Fear and Loathing at Red Bubble is another all time favourite. After communicating a couple of times with the character Lucan I thought he’d make a great interview (I’d done a couple of profiles by this time) but I knew he wouldn’t be in it, so I made one up in the Gonzo style. It just so happens he was a big Thompson and Steadman fan so he approved. I eventually met Lucan a couple of times and I now honestly believe the character in the interview could possible be him by the time he is 60. Hahaha. Epic was fun because it started from nowhere and morphed into this crazy real-time story, something that could only be done on the Bubble. When it was finished and people commented at the end and realised it was a piece of fiction it was very satisfying. It was also the first appearance of the total and utter bastard Ruin. Pious and Mole’s Adventures in Rattown was the realisation of a project that was in limbo for years and great to see finished and my latest effort Monk Rock was incredibly fun to make and I would love to see more of this type of story telling on Red Bubble. Five things about you that might surprise people? I can’t leave a book at a page that ends in 36 or 66 / I am a recovering sufferer of Cynophobia / I raised my 3 children by myself / I have a hobbit hole in my back yard / I ‘m getting married in September What do you dislike about Red Bubble? Two things: One is the way people criticise RB for not having done this or that. I’ve been here for a year and I still can’t believe I get all this free. Peter, Paul and Martin should be given medals for being so generous. Second is the mob mentality that happens sometimes and turns into a witch hunt. Very sad when that happens. What would change about Red Bubble? When sjem, sonofsjem, the zombieLucan and I broke into the RB offices recently I was shocked not to find an inspiring garret type artist commune but a boring old office. We tried to set fire to it but it everything was so wishy-washy that we couldn’t get anything to burn. If the cash situation improves I’d buy them better offices. Five things you want to achieve before you die? Go to Disneyland 5 times…..sorry it’s nothing I really think about, If I had one wish it would be that all my children outlive me. If you had to restrict yourself to one genre of writing, what would it be? Laugh out loud humour Is there anything you would never write about? If it doesn’t interest me I don’t write about it. I’m also loathe to write on technical issues mainly because you have to know you’ve covered every base before printing. Do you think that formal training or lack thereof makes any difference to a good writer? Firstly, I don’t consider myself a good writer, I have always said I was lazy and wrote too fast. Secondly, there are a lot of people who love the English language and how it is written and they demand good writing. So the answer to your question is No. There is market for anyone who is a good storyteller or has a good story to tell. It is the reader who makes the final decision.

• 

  Memories (Collab with Scott Robinson)
  by Belinda Leopold

  From the “Yesteryear” Exhibition. / Collaboration with Scott Robinson. / Model is Kate. / Hair & Makeup by Kristy Bassett. / Styling by Ben Fornarino. / Background art by Eleftherios. / Shot at the Tin Cat Cafe, Adelaide SA.

• 

  Nightmare Fairytale (Collaboration with Scott Robinson)
  by Belinda Leopold

  From the “Yesteryear” Exhibition. / Graphic art by Scott Robinson. / Hair & Makeup by Kristy Bassett. / Styling by Ben Fornarino. / Model is Jenna. / Shot at Tin Cat Cafe, Adelaide SA.

• 

  Reminiscent (Collaboration with Scott Robinson)
  by Belinda Leopold

  From the “Yesteryear” Exhibition. / Model is Gabby. / Graphics by Scott Robinson. / Hair & Makeup by Kristy Bassett. / Styling by Ben Fornarino. / Shot at Tin Cat Cafe, Adelaide SA.

• Memetic Art
  by onetonshadow

  Yesterday the infamous artist formerly known as Resisto unleashed his RES-101 on an unsuspectin…

  Yesterday the infamous artist formerly known as Resisto unleashed his RES-101 on an unsuspecting community, not only giving us a look at this new and bold creation, but in the true spirit of copyleft, handing over the instructions for all and sundry to assist in the creation of a wind-up army. Having no intention of ever really growing up, I couldn’t think of a better way to pass an hour than to build a big cardboard robot, actually I made it slightly bigger than it was, but only because as you can see my desk hasn’t improved much since the Melbourne days, and RES-101 would have a lot to contend with. In fact, I popped out later on for a copy of ‘Fly Fishing’ by J R Hartley and when I came back RES has escaped the clutter and was trying to shin over the back wall. So I put him in the oven. Now go and make your own and tell Scott he’s a champion. I think we need to mark the spread of the army on a world map.

• 

  Murder Palette Collaboration
  by Danny

  Murder Palette Collaboration. Words by Danny / Artwork interpretation by Scott Robinson. This is the second artistic interpretation of this verse – the original was done with Luncan Industries Unlimited / Part of the ill fated Nocturnus project.

• Murder Palette
  by Danny

  White were the lies told to pr…

  Thanks to Scott Robinson for being not only the most giving artist on Red Bubble but also the nicest guy I have never met.

• The Scott (Resisto) Robinson Interview with added Robot
  by Danny

  Some bastard was taking the piss at my expense.

  Ah… this is the one that made me think that there could possibly be a theme running through the previous pieces and link them together eventually. / This was my first collabaration with Scott and I think we may be up number 6 or 7 now. (indirectly and dirsectly) / Tell your friends / Enjoy

• The Big Three Interview
  by Danny

  I had been summoned to the Red Bubble offices to view and hopefully actually ask a question in an interview. My brief was to see how…

  Ahhh ..sweet memories (or it the part where all the photographers get fried that gets me misty eyed) / this was originally done in two parts as a bit of a joke but became the basis for the whole story to continue and eventually have a neat end. / This was done about October 2007 I think. / Tell your friends / Enjoy

• Game Of Kings Artist Interview: Scott Robinson
  by GameOfKings

  *Our interviewee this time is Scott Robinson, a man who has been here on Redbubble creating, in…

  Our interviewee this time is Scott Robinson, a man who has been here on Redbubble creating, inspiring and giving since the very beginning. Could you start by telling us a little about yourself ? Do you have a “day” job? A little about myself? Well, yep, I’ve definitely got a day job, I’m a full time graphic designed and illustrator and I run my own little design studio in the evenings. That’s a fair few hours dedicated to designing per day, but it’s the only thing I’ve ever been relatively proficient at. I’m also 100% addicted to coffee, I think those 2 things are related though.. / / Which artists influence or inspire you? Oh, far too many to mention really, I’m really in love with art/design, so anyone that can provoke a response from me gets my admiration. At the heart of things though, It’s all about skate-art for me really. Artists Like Vance Courtland Johnson, Andy Jenkins, Sean Cliver, Neil Blender, A.Hourtley, the Mighty Jim Phillips just to scratch the surfaces. Then there’s people like Jeff Soto & Nate Van Dyke, both of whom I’m currently fascinated with. THEN.. there’s all my comic book heroes, Jack Kirby, Mark Silvestri, Romita’s both junior and senior… there’s just so many people I admire out there. On top of that, there’s all these people I’ve found here at Redbubble that I’ve had to add to that list too. There’s some truly gifted art ninja’s amongst us here. What was your introduction to Game of Kings and what decided you on getting involved? My introduction was that I’d talked to Simon a little while ago about doing some form of collaboration work, and then when he hit me with this tidal wave of an idea for the Game of Kings, I was just blown away, and knew that I wanted to get right into it, as I’d been finding things were getting a little stagnant here at RB, and I don’t know anything that shakes off the blues like throwing yourself head long into a huge melting pot of ideas. I continued to be amazed at every single person involved. It’s been an honour. / What has been most noteworthy about your involvement to date? The people involved are all passionate about what they’re doing, and it inspires you to push yourself harder and harder. With this many people backing you, you want to blow your own doors off.(artistically speaking). Plus they’re all just the most amazing sounding boards for ideas, and everyone’s taking suggestions, incorporating them where they see fit. It’s the truest form of group collaboration I’ve ever witnessed. Is there anything you’d especially like us to know about your characters? Hmm, well I guess I’d like you all to know that while I’ve been the hands that created the lines you’re seeing, the ideas, the concepts, pretty much everything about them has came about organically through this collaborative process. I don’t feel any ownership of them, so much as I shared their creation with everyone. It’s a cool feeling really. / Is there anything else you’d like to add? I just hope everyone can enjoy the works, the stories, the whole grand scale picture that’s been created here. I’d also like to publically thank my fellow collaborators, this has been one hell of a ride! An honour to work beside each and every single one of you.