Renoir
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55 creative works found
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Yesterday, in the art class, at Hazelhurst, one of the other students asked me if I’d ever participate in the actual activity that Melissa, the teacher was presenting. / It was asked with a smile. The actual answer would be: no. But I am very happy to attend the classes and, with one of the other students I agreed that it’s being with like-minded people, the supportive atmosphere and – this may seem false but – I considered explaining that that is why I participate in RedBubble, as well but it was not the time to launch into what RedBubble is. / I heard MB(artworks) do tht already, for Melissa, the teacher. / I ‘fled’ from another class, at Hazelhurst, last year, when after two terms with one teacher, someone else took over, whose style just did not suit me. That can happen. / Having a painting ‘on the go’, to take to Melissa’s class every Tuesday, to work on and get her advice, suits me fine. / This time I had left getting a new painting started VERY late. At abut 9:15 a.m., I rubbed the charcoal off a canvas of a picture that I did not paint ( mini-nudists in a tree) and quickly started this painting which had been wanting to be painted (again) for quite some time. / I have an earlier version, in acrylic, painted a lot of years ago. I am currently going through slides and this one was taken, in the playground, in 1966. / As I explained to some fellow students yesterday, I have tried to make the extensive collection of photos and slides, taken during 37 years of teaching available to the subjects (and their parents), in various ways, through the years, with little success. Wouldn’t it be good if this girl, now 41 years older, recognised herself? / Melissa (teacher) pointed out, again, that I’d got the length of the arm wrong. / I explained that that made me proud. The mother of my children, whose observations and knowledge I highly respect, used to point out to me how Renoir got the proportions of, particularly hands (in laps etc.) so wrong. / I have SO MANY Renoir prints and books!! / By 11:15 I had a very good start to the painting done. Ay 12:30 I began working some more on the painting, in the class, at Hazelhurst. By 3:15 p.m., I was pleased with the progress. /
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I Like the wavey patterns on the water, which has a thick oily feel to it.
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Oil on Canvas. Valentine roses for Rose.
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Oil on Canvas. Impressionistic painting with alot of texture.
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cut with sizzors pasted with glue
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This another in my series of pastel studies of heads and headwear found in paintings by master painters. I use only a portion of the painting and do not try to imitate slavishly. I am also using a different medium, of course. The original Renoir was in oils on canvas. I make no apologies for using these heads for inspiration, I’m just sorry that I can’t do it as well as the original painter! These studies are on coloured paper and all measure 50×70cm.
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This image – a nude study – is my version of the girl in the right of the painting and the scene he painted. Medium: Oil Pastels on AMEDEO 200GSM Artist’s Sheet. / Size: A4 / / I have always loved Renoir’s work, especially his Bathers. / / Renoir’s original painting above. Pierre-Auguste Renoir (1841 – 1919) Renoir painted The Bathers in 1884-7. / Oil on Canvas – 118×170cm – Philadelphia Art Museum Biography: / / Pierre-Auguste Renoir (February 25, 1841–December 3, 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that “Renoir is the final representative of a tradition which runs directly from Rubens to Watteau”. Youth / Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, the child of a working class family. As a boy, he worked in a porcelain factory where his drawing talents led to him being chosen to paint designs on fine china. He also painted hangings for overseas missionaries and decorations on fans before he enrolled in art school. During those early years, he often visited the Louvre to study the French master painters. / The Theater Box, 1874 by Pierre-Auguste Renoir, Courtauld Institute Galleries, LondonIn 1862 he began studying art under Charles Gleyre in Paris. There he met Alfred Sisley, Frédéric Bazille, and Claude Monet. At times during the 1860s, he did not have enough money to buy paint. Although Renoir first started exhibiting paintings at the Paris Salon in 1864, recognition did not come for another ten years, due, in part, to the turmoil of the Franco-Prussian War. During the Paris Commune in 1871, while he painted on the banks of the Seine River, some members of a commune group thought he was a spy, and were about to throw him into the river when a commune leader, Raoul Rigault, recognized Renoir as the man who had protected him on an earlier occasion. In 1874, a ten-year friendship with Jules Le Coeur and his family ended, and Renoir lost not only the valuable support gained by the association, but a generous welcome to stay on their property near Fontainebleau and its scenic forest. This loss of a favorite painting location resulted in a distinct change of subjects. Maturity / Renoir experienced his initial acclaim when six of his paintings hung in the first Impressionist exhibition in 1874. In the same year two of his works were shown with Durand-Ruel in London. / The Swing (La Balançoire), 1876, oil on canvas, Musée d’Orsay, ParisIn 1881, he traveled to Algeria, a country he associated with Eugène Delacroix, then to Madrid, in Spain, to see the work of Diego Velázquez. Following that he traveled to Italy to see Titian’s masterpieces in Florence, and the paintings of Raphael in Rome. On January 15, 1882 Renoir met the composer Richard Wagner at his home in Palermo, Sicily. Renoir painted Wagner’s portrait in just thirty-five minutes. In the same year, Renoir convalesced for six weeks in Algeria after contracting pneumonia, which would cause permanent damage to his respiratory system. In 1883, he spent the summer in Guernsey, creating fifteen paintings in little over a month. Most of these feature Moulin Huet, a bay in Saint Martin’s, Guernsey. Guernsey is one of the Channel Islands in the English Channel, and it has a varied landscape which includes beaches, cliffs, bays, forests, and mountains. These paintings were the subject of a set of commemorative postage stamps, issued by the Bailiwick of Guernsey in 1983. While living and working in Montmartre, Renoir employed as a model Suzanne Valadon, who posed for him (The Bathers, 1885-7; Dance at Bougival, 1883) and many of his fellow painters while studying their techniques; eventually she became one of the leading painters of the day. In 1887, a year when Queen Victoria celebrated her Golden Jubilee, and upon the request of the queen’s associate, Phillip Richbourg, he donated several paintings to the “French Impressionist Paintings” catalog as a token of his loyalty. In 1890 he married Aline Victorine Charigot, who, along with a number of the artist’s friends, had already served as a model for Les Déjeuner des canotiers (Luncheon of the Boating Party, 1881), and with whom he had already had a child, Pierre, in 1885. After his marriage Renoir painted many scenes of his wife and daily family life, including their children and their nurse, Aline’s cousin Gabrielle Renard. The Renoirs had three sons, one of whom, Jean, became a filmmaker of note and another, Pierre, became a stage and film actor. Later years / Around 1892, Renoir developed rheumatoid arthritis. In 1907, he moved to the warmer climate of “Les Collettes,” a farm at Cagnes-sur-Mer, close to the Mediterranean coast. Renoir painted during the last twenty years of his life, even when arthritis severely limited his movement, and he was wheelchair-bound. He developed progressive deformities in his hands and ankylosis of his right shoulder, requiring him to adapt his painting technique. In the advanced stages of his arthritis, he painted by having a brush strapped to his paralyzed fingers. During this period he created sculptures by directing an assistant who worked the clay. Renoir also used a moving canvas, or picture roll, to facilitate painting large works with his limited joint mobility. In 1919, Renoir visited the Louvre to see his paintings hanging with the old masters. He died in the village of Cagnes-sur-Mer, Provence-Alpes-Côte d’Azur, on December 3.
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oil on cavas
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This is a portrait I did from one of the masters ,Renoir, 18×24 Charcoal drawing.
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/ Image Maker Studio Art Imitates Life Series / Self Portrait / Inspiration; Portrait of Jeanne by Renoir /
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water at the everglades.. with a cypress tree in the reflection.. hope you love it like I do . :) Everglades city, Florida
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copying Renoir some years ago. / watercolors and A4
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Limited collection Impressionistic Lavender field
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well im off to Sydney for a few days but thought id post my latest before i left ,,,,,,,, i tried to capture the Renoir look here dont know if i succeeded i love his loose brushwork ,, / This was sketched from a image and painted in Corel Painter using artist oils and sketching pencils …...... FEATURED IN THE GROUP “THE SISTERHOOD” 3/06/09 THANK U …....... FEATURED IN THE GROUP DIGITAL BRUSHSTROKES 12/06/09 THANK U…...’ THIS PAINTING WAS USED AS AN INSPIRATION FOR A CHALLENGE IN THE PAINTED LADIES GROUP , THANK U FEATURED IN THE GROUP ‘CREATIVE CARDS’ 27/07/09 THANK U …...... FEATURED IN THE GROUP “DIGITAL ARTISTS UNITED ’ 8/10/09.THANK U… FEATURED IN THE GROUP “60’S GLORY” 26/11/09 THANK U….
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my rendition of Monet Beach at Sainte Adresse
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This is my rendition of one of my favorite Renoir paintings. / Dance at Bougival. I love the works of the impressionists and try and copy their style so as to influence my own going forward. / The juxtaposition of the ladies very light colored dress with the man’s dark suit really pulls their images to the foreground. Acrylic on 12 X 24 Canvas. Featured in 100%
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My rendition Almond blossoms VAN GOGH / On January 31, 1890, Theo wrote to Vincent of the birth of his son, whom he had named Vincent Willem. Van Gogh, who was extremely close to his younger brother, immediately set about making him a painting of his favorite subject: blossoming branches against a blue sky. The gift was meant to hang over the couple’s bed. As a symbol of this new life, Vincent chose an almond tree, which blooms early in southern regions, announcing the coming spring as early as February.
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Copy from Pierre Auguste Renoir / Bather on a Rock (1892) / pastel on rough paper / original immage 50×70cm
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Self portrait for study of a painting after Renoir of a woman plaiting her hair. I was studying the great beauty and soul of Renoir’s paintings and wanted to take some inspirational shots for future paintings to further my impressionist studies…..
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(5×7 Mixed Media on Card) I made this collage to show the contrasts of life by putting two v. different styled artists(Renoir & Munch) next to each-other to “illustrate(pun intended) my point. I cut up both prints & re-assembled them w/Pop-Dots to give it a 3D effect. I used embossing pens for the background. & added a paper umbrella as well as a quote pretty much sums up the theme of this work.
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My attempt at one of my favourite paintings by Renoir. The first impressionists took advantage of the introduction of premixed paints in tubes where paint is laid on an area of the surface very thickly, usually thickly enough that the brush or painting-knife strokes are visible. / Characteristics of impressionist paintings include visible brush strokes, open composition, emphasis on light in its changing qualities effecting colour, the inclusion of movement as a crucial element of human perception, and unusual visual angles. / Short, thick strokes of paint are used to quickly capture the essence of the subject, rather than its details. The paint is often applied impasto. / Colours are applied side-by-side with as little mixing as possible, creating a vibrant surface. The optical mixing of colours occurs in the eye of the viewer. / My form of impressionism starts with digital photography and I then develop this into my own art form and exploit the aspects of the digital painting medium embracing and showing the painterly aspect, rather than trying to hide the act of creation. My work is hand painted digital painting and is an emerging art form in which traditional painting techniques such as watercolor, oils, etc. are applied using digital tools by means of a computer, a digitizing tablet and stylus, and software. Digital painting differs from other forms of digital art, particularly computer-generated art, in that it does not involve the computer rendering from a model. The artist uses painting techniques to create the digital painting directly on the computer. / I create the painting, directly on my PC, by using a Wacom tablet, a stylus pen and ArtRage painting software. The Wacom tablet can be compared to a canvas or watercolor paper surface. The stylus pen is my paintbrush.
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Visit My Online Store Acrylic on acrylic, textured, paper. / Detail / Original Photo used for reference / I’m starting to get just a little bit excited. I think I’ve finally managed to come across a style that incorporates my great love of impressionism and portraiture in a style that is still uniquely my own. This is the third portrait I’ve done in the last week where I have worked on this style. I would love to know what others think. My art mentor told me that he felt my portrait of Jaymi titled ‘I Gazed Upon An Angel’ is one of the finest portraits I have painted to date. His reason was because I was able to capture the real soul of the subject. I consider this to be one of the finest compliments I have ever received from someone I HIGHLY respect and admire. I cannot tell you what it has meant to me to have him mentor me. That was when I realised I have stumbled across a style that works for me as an artist and in my love of portraiture so this is another attempt at capturing this style and perfecting it. Also, thank you to all the wonderful and incredible inspirational artists on RB who I consider my dear friends who have supported me, stood by me as I’ve experimented and dabbled in order to improve my skills and even when my efforts were less than they could be still encouraged me! Thank you!!!! I love you so much! Hugs
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soft pastel on pastel paper. Renoir, to me was a fantastic master. I tried to do Muffin, our pup, the same way as Renoir painted his cocker spaniel. The exception being, I did this in pastel.
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