Render
1878 creative works found
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Just another one of my 3D models rendered. /
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Heartless: One without a soul, broken spirited, a skeleton without layers, the who who is pitiful. ©2007 Lisa C. Weber / . / . / . / . / Lisa C. Weber ©2007 (Created with Bryce 6.1) Visit My Complete Bubble for all My 3D Artwork. Thanks for dropping by and enjoy!
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This piece is relating to how I am a virtual architect. The lattice spheres represent the inner child trying to escape and the golden globes symbolize the delicate balance between light (Happiness) and heaviness (Burdens). Throughout life we are always challenged especially in the facets of emotions and we strive for some perfection in an area of our life. The sky is brooding, it abounds with beauty but easily could turn into a storm like our emotions. The ground is solid but with imperfections. The outer sphere coveting the lattice sphere is symbolic of protecting ones own heart. The absence of forms in the golden sphere represents loss as we all suffer loss in friends, family, pets, and even faith. The spheres blended into the ground bare the relationship to being grounded and not losing touch with reality, but as you can see sometimes if we do its only for a brief moment. The shadows, simple…sometimes we hide behind ourselves in fear of rejection or exceptance with others. We all have the right to be individuals, but we choose to live as we want, and we should love who we become in the end. My art is my escape, a way to handle emotions, loss, share happiness, vent anger, seek intimacy, etc. If you take the time to notice what I title my pieces by, you can see many aspects of me and who i am, whats going on in my life at the moment. Art is an expression of emotions and sometimes we have to be our own Virtual Architect in life.©2007 / . / . / .Lisa C. Weber ©2007 (Created with Bryce 6.1) Visit My Complete Bubble for all My 3D Artwork. Thanks for dropping by and enjoy!
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Computer generated viking axes
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Dear William; Well honey its been 9 days I have been down here in the submersible, I’m studying the dolphins this month. I wish you were here to see them all interacting, its just amazing. They dont seem to be bothered with my presence anymore. / Ive been studying these beautiful creatures daily and the team wants to test their certain abilities and game behavior. We placed large cubed objects on the floor of the ocean to which they could be tested for long extended periods of time. It didnt take long until they did accept the objects, or even the lights going on when they entered them. Our little friends appeared to love this one in front of me the most and are joyously entertaining themselves daily with little games like, who can could turn through the cube the quickest. The elders are less likely to join in but remain near by. Perhaps their knowledge of such non sea elements are considered a breach of territory or considered a possible threat. / Well I better get back to work….Talk soon! / . / . / . / Journal Entry: June 12th, 2012 / Day 9…. / Quadrant 8 / Subjects: Ling’s Pod / Time: 2:34pm / Grouping: Ling’s pod has remained since dropping the cubes. No other pods have appeared. / Territorial Issues: Ling appears watchful of outside interference, even small fish / Flashing Light Reactions: Adults still unsettled, young adults intriqued / Gaming: The young adults appear most engaged while others try but end quickly, still unsure why / Emotional Stress: None at this time / Time of Cubing Interactions: Mostly between 10am & 4:40pm, seems feeding schedules counter the play activity. ©2007 Lisa C. Weber / . / . / . / This image will be replace with a print version soon. Thank you for your patience. Lisa C. Weber
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I think I need The Empress to give her a name :)
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Lisa C. Weber ©2008 (Created with Bryce 6.1) Visit My Complete Bubble for all My 3D Artwork. Thanks for dropping by and enjoy!
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Lisa C. Weber ©2008 (Created with Bryce 6.1) Visit My Complete Bubble for all My 3D Artwork. Thanks for dropping by and enjoy!
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Back when I was interested in super detailed pencil renderings I pulled this drawing out of my butt. It’s insane. My eyes hurt by the time I was done with it. My friends looked at me weird and my parents said they no longer wanted me as their son. I was shunned by society as a whole once they realized the amount of time I must have spent hunched over my drawing table working on a drawing of a frog. In fact, there’s SO much detail in this that if it doesn’t make you pee your underpants I’ll pee mine. Either way someone is walking out of here bow-legged, stinky, and embarrassed.
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First work from my series called “Ecce Homo – Man in the Box” Cinema 4d Rendering. Postwork in Photoshop
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Lisa C. Weber ©2008 (Created with Bryce 6.1) / Visit My Complete Redbubble for all My 3D Artwork & Products
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Lisa C. Weber ©2008 (Created with Bryce 6.1) / Visit My Complete Redbubble for all My 3D Artwork & Products
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Image copyright © 2008 Lisa C. Weber. Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited.
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All artwork is created by using Bryce Software & CS3 (the ocean is all created using brushes). Image copyright © 2009 Lisa C. Weber. Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited.
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2009-03-01Date uploaded / 1089 Views My girlfriend attended a Native American PowPow today and took the image below of this goregeous eagle and asked to see what i could do with it, here’s how I incorporated it into a wonderful 3d rendered image for her. / Original resource image taken by Tracy Rebando © 2009
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Grosso modo, the story continues this way: / Quietly, one day the daughters are sitting embroidering , until Angustias rushes furiously back into the room. Someone has taken her picture of Pepe from under her pillow. Bernarda, hearing the commotion, enters and demands to be told which sister is the thief. Strangely, it is Martirio who has hidden it in her bed, a joke on her sister, she says. Adela is enraged with jealousy and even tells Angustias that Pepe only wants her for her money. Bernarda, after attempting to hit Martirio, screeches at them to stop and orders them away. She is obeyed as usual. / Later, Poncia, the maid, tries to warn Bernarda that Pepe is the cause of all the troubles in the house and must be married quickly. Bernarda refuses to accept this. Poncia tells her he is really Adela’s sweetheart and asks that they marry. Again Bernarda dismisses her suggestion. Angustias returns and in talking, the three realize that Pepe has been leaving Angustias at one, but not leaving the house till four in the morning. It is Adela he is with, as only Poncia knows. / Only three days remain till Angustias and Pepe are to marry. She expresses her worry to Bernarda that he seems distracted. Her mother advises her to ask him nothing and say less, and to never let him see her cry. Angustias is unhappy but cannot fathom why. Later, the women have a quiet evening, quite peaceful and Pepe is not expected _ he´s supposed to be away on a trip. But, as people begin to settle for the night, Adela slips out to the corral (stable) in order to meet Pepe again. Main scene is an original cinema4D render; just blended a bit of a wall layer in postwork. f you wish to read this play in English, click here: / House Of Bernarda Alba Here are the previous images for this series; if you want to know more about the play that inspired these works, please, follow the links. / / 1) House Of Bernarda Alba / / 2) Martirio / / 3) Angustias / / 4) Magdalena y Amelia
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I want to present you the first piece of my new “Flylands” Series.......these Islands, soaring through time and space, generated by a sudden impact on the planet they have once been…..... / On one of the Flylands there is a magical gate which can bring you to parallel Dimensions as well as to other Flylands…...so try and find out if any other survivor can be found! Please enlarge to view details (e.g.texture) ___ Credits to Joseph Auquier for the stock image of the travelling Lady! / _____ /
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Made in Apophysis 3D using the Linear 3D Script by cabintom. The gradient is my own. /
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Here I have tried sometimes of a combination of my both passions. The work with textures and my not yet so long exercised passion Apophysis. I like above all these lights in the circles… I find texturen give to a picture quite a special charm and the work with Apophysis my imagination wakes up over and over again… Featured in / 09/2009 Digital Abstracts & Patterns Group / 10/2009 Globes, Spheres and Curves Group
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made with apophysis postwork in paint shop
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© 2009 Danilo Lejardi / (Mira is a red giant star estimated 200-400 light years away.) I felt so moved when I first read Dead Suns and Dying Stars, the poem by artist Lianne that I couldn´t help but trying to create an image inspired by it. I know a single image cannot express nor the visceral universe of this poem, neither its infinite subtilities, but it´s just my way of trying to deal with my own feelings and to draw things out. / Thanks from the heart, dear Lianne, for feeding our souls with this outstanding inspiration! Here´s the poem by artist Lianne Schneider. Dead Suns and Dying Stars Empty stars devoid of light, / ashen suns devoid of heat / litter the universe frozen, lifeless, / all dead or dying in the cosmos / winking out like houses gone dark. / And I am Mira in her death throes / orbiting the dead, cold core of you / my binary companion, love star whose / nearness once radiated light to me / whose chemistry generated atomic reactions / in my heart and in my superheated core- / the heat of our fusion the physics / of our intimate and co-dependent galaxy. / When your intense desire had cooled / and your inner fuel of love was spent, / your cataclysmic collapse became the trigger / that sent me hurtling through the cosmos / throwing off the light and heat and color / of all I had become in a fiery comet tail / signifying my fall from your grace. / A thousand light years from now / my death will still be emblazoned on the sky / for love dies no more quickly than a star. © Lianne Schneider October 2009
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© 2009 Danilo Lejardi Main figure was done in Cinema 4D; effects were created in After Effects. In Photoshop also blended some layers and did a bit of digital painting
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© 2009 Danilo Lejardi / Main figure was done in Cinema 4D; also blended some photo/layers, and did a bit of digital painting
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