20×16” acrylic paints on canvas. abstract portrait
This work is about the future that is inside of you. I was originally inspired to create this piece while I was listening to a speaker talk about how God sees us. That He sees us in our completed form; that there is a future YOU inside you right now. He sees all that you are capable of and placed that inside of you when He created you. / In my work I am conveying a majestic, tall oak tree, exists complete within a tiny acorn somewhere in the future. It’s the knowledge of the future that is the key to unlocking it and releasing it. So be aware of your potential and Hold on to YOUR future. “Something very small and average has the potential to be very great.” / - Carrie Glenn Hand drawn images from my own photos, then airbrushed and painted You can contact Carrie at: carrie@carrieglennstudios.com and please visit Carrie Glenn Studios / To purchase the card I created from this work Click Here /
FROM THE FINE ART PAINTINGS OF WENDY BANDURSKI-MILLER GOUACHE ON CANVAS WITH GOLD TRANSFER LEAF. 24inches x 18 inches Painting within Painting. Please check out MY BLOG for more information as it comes in.
Cove in Maine / Oil on Canvas 12”x16” This was mainly painted using a palette knife and heavily textured with impasto.
Cove in Maine with Acadia Mountains, including Cadillac Mountain / 24”x30” Oil on Canvas Original Sold This was mainly painted using a palette knife and heavily textured with impasto.
Cove in Maine / 9”x12” Oil on Canvas Original Sold This was mainly painted using a palette knife and heavily textured with impasto. Featured in the groups: Abstract Realism, Painters in Modern Times, and Impressionism Cafe
Cove in Maine / 11”x14” Oil on Canvas Original for Sale This was mainly painted using a palette knife and heavily textured with impasto.
I was inspired by the contrast and affect of soft, quieting snow to busy city life and its bold structures. This was mainly painted using a palette knife and heavily textured with impasto. Oil on Canvas 24”x20” Original Sold http://www.theoceanseries.com/1stARPEx.html Featured in: Abstract Realism, New England, The Fringe, Impressionist Art, and Redbubble’s home page
Totemic painting to exorcise the travel angst that had plagued me for years.
Page 57 of ‘Bray’s Lossindant’ :: the Remodernist book of intuitive art and poetry, published spring 2008
Abstract Realist painting inspired by personal experiance For more info email to anettkennedy@hotmail.com
Remodernist oil painting on unprimed canvas depicting a perfected yogi in vipassana meditation under the moonlight
Remodernist oil painting on unprimed canvas of angel with erection and ouroboros as halo.
oil painting on wood self portrait
This work is in acrylic on canvass. Psalm 56:8 / “You have collected all my tears in your bottle.” I choose one of my poems to accompany it. Sarah’s Song Hollow skeleton, empty arms, / Cold pillow by my head; / Hot my face, – wet my tears, speak / Groanings deep from love-wrenched soul; / Pounding heart and anguished grimace; / Hope abandoned leaves love’s torture. Fourteen years my soul has wrestled, / Watched another take my place, / Give him what my soul does long to, / Fill his comfort, soothe his needs, / Even given what I cannot; / His son suckled at her breast. What was that? Someone believes it? / He said I would have my joy? / Can I hope when hope has faltered; / Can I give what died in me? / Furrowed brow and trembling torso; / Can I offer heart and soul? Faith takes over where hope faltered. / I believe, now let it be. / Once again I’ll hold him to me. / Each our wells pour passion’s torrent / Flowing deep until, all given, / Lie we one, both soul and body. From this spring comes laughter reigning. / Life from death brings life again. / Warmth and softness snuggle to me, / Fingers warm his tiny grip. / Here I hold what could not happen, / Son of Laughter at my breast. Can I hope when hope has faltered? / Can I give what died in me? / Furrowed brow and trembling torso; / Can I offer heart and soul?
A classic artwork / Has been redone / With added quirk / To which it’s spun / / Concept from old / Fresh to construe / The work unfolds / These hands anew / / From master’s past / To artist now / But not surpassed / Escher’s endow / / Inspired work / From which this grew / Visions that lurk / In mind of Drew / / This digital painting is a tribute to one of my favorite artists, M.C.Escher. It was inspired by both, his 1948 work titled ‘Drawing Hands’, and other Escher artworks based around the infamous ‘Moebius strip’. I can fondly remember sitting in absolute fascination for hours as a very young child, absorbing the artworks from my parents books on Escher. / / My artwork attempts to combine three differnet elements. The first from Escher’s ‘Drawing Hands’, second from the Moebuis strip, and third from the international symbol for recycling which is also a design based on the ‘Moebius strip’.You can view these three elements I incorporated into my artwork at the links that I have provided below. / / Escher’s ‘Drawing Hands’ / http://www.mcescher.com/Gallery/back-bmp/LW355.jpg / / Escher’s ‘Mobius Strip I’ / http://www.mcescher.com/Gallery/recogn-bmp/LW437.jpg / / International Recycling Symbol’ / http://en.wikipedia.org/wiki/Recycling_symbol This artwork was created in Photoshop from a photo I took of my wife’s hand. I hope you will enjoy my new ‘spin’ to this old Escher classic . / / /
Longfellow Bridge, Boston, MA / Oil on Canvas 12”x16” Original for Sale This was mainly painted using a palette knife and heavily textured with impasto Featured in the group: Abstract Realism
Holga photograph shot with broken camera on expired film. 2008.
Holga photograph shot with broken camera and expired film. 2008
INFO A style i enjoy and believe in remodernists
Acrylic paintings on canvas depicting the female form.
Bayside Neck, Maine / 16”x20” Oil on Canvas Original for Sale This was mainly painted using a palette knife and heavily textured with impasto.
Newberry Neck, Maine / 16”x20” Oil on Canvas Original for Sale This was mainly painted using a palette knife and heavily textured with impasto. Featured in the group: Abstract Realism
What points out Computer Painting is the use of brushes, spatulas, etc… without filters or effects, and that the art is made totally freehand on blank canvas or working on a previous image. Painter & PS
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