The original goddess image of me that inspired the Ophelia’s Garden Series.
*“Every person takes the limits of their own field of vision for the limits of the world. / Arthur Schopenhauer
Secrets of the Fall / Available as a print, canvas print, poser and card Sweet is the voice of a sister in the season of sorrow. / —Benjamin Disraeli / Image copyright © 2008 Shanina Conway. / Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited /
tempera and pastel on masonite / cm 70×70 ARTROMGALLERY: Dedicated to women who paint – topten international competition – Exquisite Expression – 2^ award
tempera and watersoluble pencils on mdf / cm 58×39
tempera and pastel on mdf / cm 110×70
tempera and pastel on masonite
tempera and pastel on mdf / cm 70×100
tempera and pastel on mdf
tempera and pastel on mdf / cm 67×103 1° classified – prize purchase. Sunday the 08 of June 2008. / 1° international painting Competition “Ferie medioevali” near the Museum “Alfredo d’Andrade” in Pavone Canavese – Italy
tempera and pastel on mdf / cm 70×100
tempera and pastel on mdf / cvm 70×100
tempera and pastel on mdf
This is a fascinating combination of acrylic, paper, refractive paint and inks to explore where I feel the pre-Raphaelites may have gone had they had the freedom and the materials we have available today. It is the first of a new series of paintings and is the most refreshing and exciting thing to work on. I love the Pre-Raphaelite paintings, but I feel they have always needed a treatment beyond the tight controls of the genre. The brotherhood were masters of portraiture and I couldn’t find a better way of exploring the techniques they employed. Watch out for more of these coming soon ! :-)
tempera and pastel on mdf / cm 102×103
Tempera and pastel on mdf / cm 100×80
Model is Revel / View another in the series here: / © Jessica Walker
tempera and pastel on mdf / cm 40×50 running for label wine bottle challenge in Sicilia, the cellar is near the Temple of Segesta. / Built in 430 BC the temple is a Doric building of extraordinarily harmonious proportions. The 36 columns of the peristyle are almost completely intact.
Abnoba, goddess of the Black Forest and Danube Abnoba was a goddess of the Black Forest and Danube River, worshipped by Celtic Gauls, and later by Romans, as Diana Abnoba (goddess of the hunt). Abnoba is believed to mean fog or mist on the river. There are two alters in Roman baths in Badenweiler and Mühlenbach, Germany, respectively, inscribed with the name of “Diana Abnoba” (see below). Rome annexed Gaul in about 51 BC; and it’s conceivable that they attempted to merge gods and goddesses of the two civilizations. / ! I chose to represent Abnoba, because I have an affinity for the forest—to me a kind of sacred place, where trees whisper amongst themselves, their vocal chords, the wind. I love how nature’s cycle of life, and decay-giving life, again, is reduced to the obvious; even there on the forest floor; where I can see it, below my feet and hands, elbows, and curious eye. But to the Celtic Gauls, the forest was life, itself. It was the source of food—they hunted there; the source of firewood for warmth and cooking; for fresh water; and no doubt weapons. The forest was a shield, protecting them. How interesting to have a woman—a divine woman, no less, guarding these very precious resources—the Black Forest, the Danube River, and surrounding rivers and streams. What is it about a woman that would make her the best candidate for protecting the two resources that meant life or death to entire communities? I leave you to contemplate that. Hopefully “Abnoba, goddess of the Black Forest and Danube”, will inspire someone who sees it to become the protector of their own region’s rivers, woods, and creatures—great and small. They need us, as we need them. — Digital Work by F.A. Moore, June 23-24, 2009, in watercolor style; influenced by the art style of Pre-Raphaelites and Arts and Crafts movement. Special thanks to stock providers, the beautiful model from mizzd-stock, FantasyStock, idnurse41, CAStock, LucieG, Dragonic-Stock and wikipedia for 2 special images in the public domain. ABOUT THIS WORK: / I added a variety of creatures to illustrate the ease with which Abnoba must have related to them. Look closely and you will find that animals, birds, reptiles, and insects are all represented. Only fish are not represented. (Darn! forgot!) Information was a bit scarce on the animals that reside in the Black Forest region of Germany, except that there are the usual forest animals, including fox and big cats. The Sperlingskauz, a forest owl; and the Kolkrabe, a species of Raven, were specifically noted as being special to the region. I was lucky enough to find images of these two in the public domain on wikipedia images. Look for the Black Forest’s Sperlingskauz (owl) and the Kolkrabe (Raven) in the piece. DETAIL – at 100% scale of 3335×5000 pixels / Big cat detail ^ / Racoon detail ^ / Kolkrabe raven detail ^ / Fawn detail ^ / Face. Click to see flower, shoulder, canary, and fox head detail ^
9×12 pencil on Strathmore drawing paper This is just a quick sketch I did to study the basic “Jane Morris face style”. Jane Morris was the embodiement of beauty to many of the Pre-Raphaelites including Dante Gabriel Rossetti and her husband William Morris. / I am very intrigued by Jane Morris. In real life pictures of her she is not quite the beauty that Rossetti painted, but still very unique. She was tall and lanky at a time period where curvaceous was the standard and she was bordering on masculine. What did Morris and Rosetti see in her that would later define the Pre-Raphaelite look? / Many of you have probably read that study that stated women are attracted to more masculine looking men when they are ovulating, and more feminine looking men at other times in their monthly cycle. Men tend to always see women from a primal view. In general, our standard of beauty is dictated by our hormones and our primal need to procreate. But I think the Pre-Raphaelites saw something beyond primal in Jane Morris. / Her features, although tending more towards the feminine, are bordering on the androgynous. She is almost a perfect balance of the masculine and feminine. To me, she has the face of what I imagine the angels to have; more feminine but also very masculine. She therefore represents a spiritual ideal, a perfect balance of the divine feminine and the divine masculine. I think this is what captivated the Pre-Raphaelites, and what is still captivating us today.
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