Prison 

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1276 creative works found

  • Born free?

  • Took a different approach for the photoshpcreative07 competition and decided to reverse the concept. Here a lone survivor condemned to a future of infinite chaos manages to escape back into a alternate past of infinite possibility. This could be a physical escape or projected from within the travellers mind; an internal escape to fantasy, much like the ending of Brazil. Have since sold the image for use on the cover of the Griffith Review – yay.

  • ... in the slammer. www.cathleentarawhiti.co.nz Featured in Outsiders / Thank you. 1000+ views People/Portraiture HDR Photography Macro Photography Architecture Collaborations Skyscapes Animals/Birds/Insects Street Art Street Photography Everyday Objects Seascapes/Rivers/All Water Summer Photography Odd/Unusual Flowers/Plants/Trees Landscapes New Zealand Abstract Humour Black and White Photography

  • I saw the reflection of that “prisoned” tree in the window, while I was enjoying a mountain climb here in Macedonia, a moment before i could see it free. It gave me a thought of what are we doing to our mother nature and couldn’t resist to pull the shutter of my camera as a modest contribution to a free green planet.

  • The eye makes a comeback! / (same one in my shot: “Centrifuge”..and yes, this is my eye. :) / / / / >featured<

  • “There is no such thing as a little freedom. Either you are all free, or you are not free.” / - Walter Cronkite

  • Original in 2b pencil, sepia added. i know the hands are a bit too small, hee hee, but i liked the effect. / The prisoner knows his end is near, and he knows the Vampire lies & will not let him leave tomorrow either, so he hatches a plan of his own & will act tomorrow while the Vampire sleeps

  • MORE OF THE SERIES: / (7 up to now – I’d love to finish 12, would be my idea for a calendar…) / / / / / / / /

  • Self portrait…I had the most amazing light coming into my bedroom blinds several mornings in a row so i did what we do to secure the light.

  • Mixed Media & Digital Illustration. When you hold yourself hostage, be it in a physical or mental nature, you may be depriving yourself of something potentially beautiful, holding back from the truth trying to cage away the bits you don’t like and revealing only what you think others will approve of. Also available as a T-Shirt / (c) REO 2008

  • Model: Art

  • Bird out of cage. Photo based illustration with textures and patterns.

  • Surrealistic Digital Art / / 1st place in the In Another World…. group – Circles Challenge. / / / / Mousepads in Zazzle / / / Insight into my work / / / Even when we are living in the present we try and analyze everything with reference to the past and when we plan or think about the future we use past as a background for all our projections. We are here we want to be there – we always think with the past in mind. Even when we try to understand something new we try to refer it to past theories, facts, formula and then try to put meaning to the new experience. And this is where we become blind to new ideas, concepts, theories etc. / / / MCN:CVTGD-2VTX5-WQM11 © Imber 2009. All photographs and artworks in this portfolio are copyrighted and owned by the artist, I / mber. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved.

  • This is my tribute to Muntazer al-Zaidi. The legendary journalist who threw his shoe at George W Bush during his farewell visit to Iraq. Clearly it is based on Banksy’s “Flower Chucker” stencil which is based on a photo from the 1968 riots in Paris. I’ve tried to keep it faithful to both Banksy and Muntazer by illustrating his head as close as possible to the original press conference image, in the style of “Flower Thrower”. I also illustrated the shoe to fit his hand just nicely and added a bit of definition to the fingers. Love to know what you think. Good riddance George Dubbaya. Muntazer al-Zaid may be the thrower, but you certainly are the tosser. / / / / / / /

  • Infinity is a long time, especially towards the end. Quote by DAC Art can be viewed much like a dream: when we go to sleep, we do not plan what we will dream. Yet, when we awaken from the dream, sometimes we attempt to psychoanalyze the dream’s meanings and how they relate to our lives. In some cases, analyzing our dreams for meaning can help us better understand ourselves. Perhaps the same metaphor can be used for Surrealist art. Surrealist artists who created their paintings may not have consciously planned the images they would use; yet, as an audience, we attempt to evoke meaning from the images in order to make sense of what the artist’s intention was. Doing this, we make sense of human nature and the relativity of the world around us. Excerpt from: Surrealism Symbols of Relativity by Andrea Martin / I’ve always love the surrealists paintings about relativity and time. Below is a collection of Surrealists work about this theme.

  • Original images taken with 2MP Motorazr V9 mobile phone. Edited in Photoshop CS4. / Group Features: ‘Controversial Art’ – May 2009 ‘The Art of Intrigue’ – May 2009 ‘Images & Ideas’ – May 2009 ‘Beige is Death’ – June 2009 ‘Not What It Seems’ – June 2009 ‘Don’t Fence Me In’ – August 2009

  • Old hospital building on an active campus, one of the most beautifully haunting scenes I have been lucky to stumble upon Pentax K100D Super 18-55 Kit lens… F/8 and I believe 15 seconds. Nope don’t need expensive equiptment to capture a good shot. Sold a Greeting card as of 8/13/09 Thank you to whoever bought it :) Featured in LIGHT IN THE DARKNESS and Prisons, Gaols, Jails, Asylums, Iron Bars & Court Houses

  • Acrylics on canvas.

  • The old Pentridge prison in Coburg, Melbourne. /

  • Consumer prison is a b*tch!

  • “We can escape our prisons only when we know we are captives.” Please take a look at the larger view. Two digital paintings and a photoimage combined and edited in Photoshop Elements 3.

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