Printmaker printmaking
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814 creative works found
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Photograph of my original monoprint which was part of a “night” series I did in the late 1990’s.
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Photograph of an original collagraph print which I did in the late 1990’s
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Lino Cut Print on cartridge. / I have appropriated van Goghs chair to pay homage to a great painter. Using the reduction method I have endeavoured to capture his image in an unique form. Original available for purchase / $AU400.00 Framed – 36×48cm / contact me mbartworks06@gmail.com Also available for a limited time, on exhibition, unframed for $AU200 / Click here for more information ~ / Printed Reproductions available by taking the image link Medium Framed Print shown / 300mm x 457mm, / Mocha Box Frame with off white matte. / AU$140.00 /
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Original single panel Collagraph with graduated colours and rollup. Original / Collagraph on BFK Rives / Unique Variation / 45×50cm / ~ / More of my Works /
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Three Panels, graduated colour ink with roll up. / / Original Art Work / Collagraph on BFK Rives 280gsm / 57.5×47cm This print was a product of a very long process of producing a suitable collagraphic plate, experimenting with colours and the gradations of them. Applying a roll up and printing. Finally I divided the original plate into three panels and incorporated all I had learnt before to produce the image above. / This image was a journey for me and it was certainly a journey I enjoyed taking. / / More of my Works /
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Scanned woodblock print which I did in 1992. / Traditional art.
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Monotype printed with inks in blue , ochre red and brown and drawn into / on Arches 88 paper
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Lino Print – Hand Colored Ink 27/1/08 – SOLD THE ORIGINAL TODAY AT THE MORNINGTON ROTARY ART SHOW. FOR $350 FRAMED. This is the second one I did but will not have for sale as its mine for my wall…..must do more! / Girl in Landscape 2
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Woodcut Print hand painted in ink. This a really large woodcut, I have since made another edition on the work that is done here that I should photograph and get up on site. The print has only been pulled 3 times so far because I can only use the press at school for it. I look forward to doing more of this print. I like the different marks I achieved in the wood after using different tools. WOODCUT ON UNIVERSITY PAPER. I HAVE SOLD 11 OF THESE CARDS SO FAR!!!!!!!!!!!!!!!!!!!
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My contribution to the Southern Printmakers Association Earthwriting Exchange. Silkscreen monotype and Collagraph on Hahnemuhle 300gms / Printed edge to edge 15mm x 28mm Check out the Exhibition
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Lino cut print / Artist’s Proof / 2007 “Meerkats” was inspired from encounters with these little creatures in Southern Africa.
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Woodblock Print / April 2008 / Printed on Japanese Awa paper / Size of original print: 20cms x 30 cms This is a reduction print, which was taken further than this stage, but I wasn’t as happy with the next stage as I am with this one. Only one print remains of this stage. I am planning to attempt something completely different with what is left of the plate after it was carved out further.
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A combination of an etching and linocut embossment. 25cm X 28cm on BFK Rives Etching on zinc plate – hard ground (for main shapes), soft ground (for textures) followed by a deep bit for added zing. Inked up in black only. Linocut embossment – much easier: cut up the pieces of lino to match the size of the zinc plate and cut into the lino then emboss the wet paper. No aligning needed as i ran them through the press concurrently.
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sculpture titled “Fluid Thoughts” / this is one of my works…placed on one of the many beaches that surround the island i live on…its a place of untold beauty..a place that allthu inhabited for thousands of years is the best kept secret …for all seekers of tranquility to discover..The Western Isles..uk
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This is no longer a pen and ink drawing, it has now been made into a Monotype Print. I am looking at ways I can move into more copper plate etchings and paintings. So I am going to try my hand at scribbling ideas down and seeing how they go on the bubble. Later when the work is completed I will download the finished work and put this original mock up drawing to the side of the picture. So you can see my progression. I hope to try and manipulate this visual with different mediums until I get what I want. This was last updated on 14.6.08. THIS IS IMAGE 1- Which was called “MONOTYPE 2” THIS IS IMAGE 2 – Which is called “Monotype 1” Print / MONOTYPE 3 / RAINFOREST PRINT
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This is three monotypes torn into stripes and made into a tryptic print. It is of the Australian Landscape and put together is around the size of an A1 picture. I liked the way this image came out….and it also goes to show that there are NO unsuccessful prints, every print has potential, you just have to see it and make it work. THis is going to be one of my favorites, simple yet beautiful. So different from all my other detailed works. DETAIL /
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This is my “Supreme” 2008 Aquatint Etching! Well, it is a copper plate etching, which has been aquatinted over and over and over again, until at last, its love finally! This is my daughter, she is sleeping and dreaming…her soul is at peace as she falls into a deep sleep. This is my third copper plate aquatint etching for the year….they are all 30×30 plates on A2 cream University paper. This one is my favorite though. I have printed up 10 of this edition, and can’t wait to print up some more. I am absolutely wrapped in this one. I hope you like it to, if you have any questions about etching or aqautinting please ask me, I would sleep in the print room and breath in the ink and ferric acid every day if I could! But we all have to go home and shower some times! *BIG THANK YOU to my printmaking teacher at Chisholm Frankston…Heather Nye * Please see my new work Forest Dreams I just added to port folio Amy’s Travel’s BillyLee / Billy Nye / Belinda Nye
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Aquatint print on University Paper. Size A2 Copper plate etching and aquatint. This is a completed print, so far I have 7 printed up in a edition of 20. This belongs to the series of woman in a landscape which I will exhibit next year.
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My daughter wrote and sang this song to me tonight because I have been going through a rough time. She made me so happy….please read the lyrics they will make you smile. Oh and this is a Chine Colle print, which means I pressed tissue paper into the print, then I hand coloured over the paper. Then I held it up to the light to photograph it. “Press On” (A song for my Mum) By 9 year old Jade Sometimes life is harder then it seems / You feel you’re walking up a stream, / But the current tries to push you away. / In the dark, / A black cloud hovers over your heart, / You need somebody to help you, / But I know what will get you through. CHORUS You just gotta Press On! / Even when times are tough! / Just gotta press on! / Even when times are rough! / You, just, gotta press on…..................... Life is like a box of chocolates, / You don’t know what to expect. / Or if you’re playing a game of tennis / You have to make it over the net. / You’re very good at art, / But sometimes you’re in the dark. / Sometimes you need to be shown the way, / To help you get through the day….... CHORUS At times you feel sad, / And at times you’re a little mad, / But it won’t turn bad… / Cuz, now I know you will press on!!!!!!!!!!!! CHORUS / ................................For Meeeeeeeeeeeeeeeeeeee! This is a link to the artwork that Dimarie did for me so that I could buy this song on one of my prints, check it out. Dimaries Artwork /
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Monoprint on arches paper with chine colle
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Layered printmaking inspired by the natural world. Technique: / Layered Hand Print – Multiple Screenprint background with individually printed plant material on top. / / Click here to see LEAVES II from the same series. / / Featured in the groups: / - ‘Layered with Texture’ on 6th December 2008 / - ‘Falling Leaves’ on 15th December 2008 / / /
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Abstract Monotype on arches 88 paper Caran d’ache added
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Medium: Woodblock Print, Edition of 15 Only when there gone there gone currently on #8 of the edition 15 original woodblock prints. / Size: 49” x 50” / $500 Original signed piece buy it now www.krystalkuhn.com
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Inspiration: Etching
by communityEtching is a printmaking process where images are created using a metal plate and acid. There …
Etching is a printmaking process where images are created using a metal plate and acid. There are a number of variations but the basic technique involves the following steps. An artist begins by covering the metal plate with a waxy substance or ‘ground’ which is resistant to acid. A needle is then used to draw the design through the wax, revealing the metal underneath. Acid is applied to the plate and the acid eats into the areas of exposed metal. The wax is then cleaned off and ink is applied to the plate filling the areas where the acid has eaten away the metal. The inked plate is passed through a printing press together with a sheet of paper, to create an imprint of the design. Related techniques include aquatint, engraving and drypoint. Not all techniques use acid to create imprints. In drypoint, for example, images are incised directly into the plate using the needle. If you’re keen to give it a try, don’t be put off by the need for particular equipment or tools. With a little imagination you can create artworks inspired by etching techniques, using the art supplies you have access to. The following artists have used etching techniques to create these wonderful artworks: / / / If you’re interested in exploring these techniques, here are some additional resources and projects ideas. There are a range of applications and techniques so it’s worth having a hunt around for tutorials on Google: Etching guide and tutorial How to easily etch images in copper Intaglio etching process (video) Copper Plating and Etching Altoids Tins If you’re interested in exploring the world of printmaking, we’d also suggest venturing over Printmakers and Printmaking group. Have you experimented with etching techniques? We’d love to hear your tips and advice and you’re welcome to share your favourite works with us too. Nat
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