Printmaker
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696 creative works found
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This is my “Supreme” 2008 Aquatint Etching! Well, it is a copper plate etching, which has been aquatinted over and over and over again, until at last, its love finally! This is my daughter, she is sleeping and dreaming…her soul is at peace as she falls into a deep sleep. This is my third copper plate aquatint etching for the year….they are all 30×30 plates on A2 cream University paper. This one is my favorite though. I have printed up 10 of this edition, and can’t wait to print up some more. I am absolutely wrapped in this one. I hope you like it to, if you have any questions about etching or aqautinting please ask me, I would sleep in the print room and breath in the ink and ferric acid every day if I could! But we all have to go home and shower some times! *BIG THANK YOU to my printmaking teacher at Chisholm Frankston…Heather Nye * Please see my new work Forest Dreams I just added to port folio Amy’s Travel’s BillyLee / Billy Nye / Belinda Nye
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Monoprint on arches paper with chine colle
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Original single panel Collagraph with graduated colours and rollup. Original / Collagraph on BFK Rives / Unique Variation / 45×50cm / ~ / More of my Works /
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Scanned woodblock print which I did in 1992. / Traditional art.
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Photograph of an original collagraph print which I did in the late 1990’s
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A combination of an etching and linocut embossment. 25cm X 28cm on BFK Rives Etching on zinc plate – hard ground (for main shapes), soft ground (for textures) followed by a deep bit for added zing. Inked up in black only. Linocut embossment – much easier: cut up the pieces of lino to match the size of the zinc plate and cut into the lino then emboss the wet paper. No aligning needed as i ran them through the press concurrently.
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Three Panels, graduated colour ink with roll up. / / Original Art Work / Collagraph on BFK Rives 280gsm / 57.5×47cm This print was a product of a very long process of producing a suitable collagraphic plate, experimenting with colours and the gradations of them. Applying a roll up and printing. Finally I divided the original plate into three panels and incorporated all I had learnt before to produce the image above. / This image was a journey for me and it was certainly a journey I enjoyed taking. / / More of my Works /
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Woodblock Print / April 2008 / Printed on Japanese Awa paper / Size of original print: 20cms x 30 cms This is a reduction print, which was taken further than this stage, but I wasn’t as happy with the next stage as I am with this one. Only one print remains of this stage. I am planning to attempt something completely different with what is left of the plate after it was carved out further.
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This is no longer a pen and ink drawing, it has now been made into a Monotype Print. I am looking at ways I can move into more copper plate etchings and paintings. So I am going to try my hand at scribbling ideas down and seeing how they go on the bubble. Later when the work is completed I will download the finished work and put this original mock up drawing to the side of the picture. So you can see my progression. I hope to try and manipulate this visual with different mediums until I get what I want. This was last updated on 14.6.08. THIS IS IMAGE 1- Which was called “MONOTYPE 2” THIS IS IMAGE 2 – Which is called “Monotype 1” Print / MONOTYPE 3 / RAINFOREST PRINT
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Monotype printed with inks in blue , ochre red and brown and drawn into / on Arches 88 paper
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Aquatint print on University Paper. Size A2 Copper plate etching and aquatint. This is a completed print, so far I have 7 printed up in a edition of 20. This belongs to the series of woman in a landscape which I will exhibit next year.
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Woodcut Print hand painted in ink. This a really large woodcut, I have since made another edition on the work that is done here that I should photograph and get up on site. The print has only been pulled 3 times so far because I can only use the press at school for it. I look forward to doing more of this print. I like the different marks I achieved in the wood after using different tools. I HAVE SOLD 11 OF THESE CARDS SO FAR!!!!!!!!!!!!!!!!!!!
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Lino Cut Print no cartridge. / I have appropriated van Goghs chair to pay homage to a great painter. Using the reduction method I have endeavoured to capture his image in an unique form. Original available for purchase / $AU400.00 Framed – 36×48cm / contact me mbartworks06@gmail.com ~ / More of my Works /
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My daughter wrote and sang this song to me tonight because I have been going through a rough time. She made me so happy….please read the lyrics they will make you smile. Oh and this is a Chine Colle print, which means I pressed tissue paper into the print, then I hand coloured over the paper. Then I held it up to the light to photograph it. “Press On” (A song for my Mum) By 9 year old Jade Sometimes life is harder then it seems / You feel you’re walking up a stream, / But the current tries to push you away. / In the dark, / A black cloud hovers over your heart, / You need somebody to help you, / But I know what will get you through. CHORUS You just gotta Press On! / Even when times are tough! / Just gotta press on! / Even when times are rough! / You, just, gotta press on…..................... Life is like a box of chocolates, / You don’t know what to expect. / Or if you’re playing a game of tennis / You have to make it over the net. / You’re very good at art, / But sometimes you’re in the dark. / Sometimes you need to be shown the way, / To help you get through the day….... CHORUS At times you feel sad, / And at times you’re a little mad, / But it won’t turn bad… / Cuz, now I know you will press on!!!!!!!!!!!! CHORUS / ................................For Meeeeeeeeeeeeeeeeeeee! This is a link to the artwork that Dimarie did for me so that I could buy this song on one of my prints, check it out. Dimaries Artwork /
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Photograph of the original print. / January 2009 / Size of original print is 22.5cm x 30cm This is a reduction woodblock print which involved 6 passes (6 separate colour passes) and Chine Collé. A combination of oil-based and water-based inks were used. First colour printed directly on Zerkall Etch 250g, with subsequent colours over Chine Collé (Japanese Tissue Paper used for the Chine Collé). Because this was a reduction process, the original block is completely destroyed and no further prints can be run from that block. One Artist’s proof and one final original remain from this process.
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Photograph of my original monoprint which was part of a “night” series I did in the late 1990’s.
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This is three monotypes torn into stripes and made into a tryptic print. It is of the Australian Landscape and put together is around the size of an A1 picture. I liked the way this image came out….and it also goes to show that there are NO unsuccessful prints, every print has potential, you just have to see it and make it work. THis is going to be one of my favorites, simple yet beautiful. So different from all my other detailed works. DETAIL /
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Abstract Monotype on arches 88 paper Caran d’ache added
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Lino Print – Hand Colored Ink 27/1/08 – SOLD THE ORIGINAL TODAY AT THE MORNINGTON ROTARY ART SHOW. FOR $350 FRAMED. This is the second one I did but will not have for sale as its mine for my wall…..must do more! / Girl in Landscape 2
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My contribution to the Southern Printmakers Association Earthwriting Exchange. Silkscreen monotype and Collagraph on Hahnemuhle 300gms / Printed edge to edge 15mm x 28mm Check out the Exhibition
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Monotype
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Lino cut print / Artist’s Proof / 2007
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Lino Cut combined with Photoshop Layered Graduations Also available in a different version on a tee. /
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This is a Drypoint Etching which I finished yesterday. Today I am going to frame it up for the “Little Archies” Exhibtion at Oak HIll Mornington. Wish me luck on that one and if you would like to buy the original than come along to the Exhibition. / This is handpainted WATERCOLOUR on Arches paper. 1/20 at present. / BillyLee
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