Pow
377 creative works found
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I’m particularly proud of this one. For the fight series, I used a highschool friend. He let me pick the place, clothes, girl to fight with… I loved the way they turned out. Exactly what I envsioned.
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Two Native Americans performing at the Milwaukee Indian SummerFest 2007.
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I did this painting in very thick acrylics. I thought of the Fancy Dance competition with all their regalia then decided to use color theory in their dance outfits so the battle is just not in the dance but in the colors.
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“I never want to leave this country; all my relations are lying here in the ground, and when I fall to pieces I am going to fall to pieces here.” (Shunkaha Napin – Wolf Necklace.) 06.29.09 /
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POW!
by Chris WahlNo computer fonts were harmed in the making of this tee. Text and burst were both hand drawn from scratch. I’m sure this isn’t an original idea for a shirt but I just thought I’d do my own interpretation.
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acrylic on canvas – 5ftx4ft (cropped) Capturing a Native Pow-Wow Dancer in his movement and regalia. This is a Fancy Dance where they can improvise their ‘steps’ as long as they keep in time with the drums and end exactly when they do. These are huge competitions with thousands present and thousands at stake for the prize money.
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TOYZ!! Plasticine / Special / Ufouria / Gungun / Design /
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Taken at a local Pow Wow here in Utah. Used Redfield Fractalis for the final outcome.
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Taken at a Pow-Wow in Utah.
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Pow
by dojoartworksPow character. So lovely <3>
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Ferns in Olinda – Dandenongs VIC. /
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This is P/O Cyril Barton, VC. Halifax Bomber of 578 sqdn RAF. / He won the VC because he continued his flight to bomb Germany after some of his crew baled out after misunderstanding an order as they’d had been hit and lost an engine. He got to Germany, completed his bombing run and returned to England only to be shot at flying along the English coast and crashed landed just south of Sunderland at Ryhope,, avoiding houses. He didn’t survive but 3 of his crew did. The rest of his crew survived the war as POWs in Germany. His a/c name was “E” for Excalibur. / I think there is housing complex called Halifax Place in Ryhope and The Barton Room for young people in Ryhope Golf Club, which is built where the Halifax crashed. / / 4th Feb 09 / I’ve just read in tonight evening paper that the last remaining crew member, who lived locally and I’ve met, die from cancer last month about the time I decided to post this painting. I wonder what made me do that???? / This was painted to illustrate a book on P/O Barton but land up a raffle prize for the local (Sunderland) Bomber Command Association. / Acrylic on Daler Board. 20×24inches. 1994
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Image captured at the Last Chance Pow Wow (Helena, Mt) last fall. As it is about the last of the season, this pow wow has been held inside at our civic center. These beaded dresses were among the most amazing of the beautiful plains indian garb I spotted at this 2 day event. Canon EOS-1D Mark II, Canon 70-200 f2.8L @70mm, 1/100, f2.8, ISO 500, Processed in Lightroom 2.2.
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Taken at the Pow Wow /
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Tim Scullion: A Native American dancer has a melancholy look as she demonstrates a traditional tribal dance. Powhatan Pow-wow, Mattaponin Reservation, VA. / Canon EOS Rebel / 70-300 mm lens “The Native American Powwow” (Published in the book “Troubled Times Companion” by the University of Virginia, copyright 2009) Trouble, pain and difficulty are conditions that tend to isolate people; making them feel disconnected from everyone and everything around them. Spirituality is a way of connecting oneself to something that gives a person’s life meaning and purpose. This connection can be to the Creator, to nature, to family and friends, or to a sense of belonging to a cause, a culture or a religion. While some may achieve spirituality by reaching out to make one of these connections, Native Americans hold an event that makes all of these connections: The Powwow. / At my first powwow I discovered the Native American community coming together; some from a few miles away and others from hundreds of miles. The sense of community is felt by Native Americans of many different tribes as well as those gathering to observe. The heartbeat of the powwow is the drums; large drums several feet in diameter, and each drum is played by six to eight men. I was shocked to see these teams of drummers wearing t-shirts, jeans, tennis shoes, and even sunglasses. I quickly discovered that these people were not stuck in the 19th century, but were a modern people who melded the past with the present—preserving a tradition but not living in the past. The singing was a call and response chant that was timeless; the listener could close his or her eyes and travel to centuries past with the music. The dancers, however, wore traditional costumes and danced as their ancestors had done over eons past. The costumes were very colorful and often ornately decorated with a very important symbol: The feather. Out of all the feathers used in the native regalia, the eagle’s feathers are held in the highest esteem, for the eagle is considered a messenger to God, or in Native American words, the Great Spirit. There were many different dancers as there were many different styles of dance. One of the most spiritual was a dance to honor those who had passed away in the last year. With each meditative step you could see the dancer trying to connect with the memory of lost friends or family; and the observer realizes that no one is exempt from loss—and a connection is made. As the dancers reach out to the memories of lost loved ones they reach out to each and every observer to overshadow that feeling of loss by connecting to memories, by connecting to others who have experienced loss, and by connecting to a sense of spirituality; whether it be an existentialist sense of altruism and shared experience, or a belief in a Creator that allows the spirit to continue living after the body has passed on. For those that are participating as well as those who are just observing, the isolation one may feel gives way to a connection to something greater than just watching a dance; this connection encompasses the timelessness and resilience of the human spirit. Tim Scullion
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Model: Elvina Mae (who is actually a photographer) / Styling/Photo:myself / MUA: Monique
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It’s not unusual to see Elders into their 90s don their best outfits to dance to the Sacred Pow Wow songs. FEATURED IN: / First People of America / Digital Art Compilations / The Wild West Show
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Taken at Franklin County Pow Wow Nikon D300 x Nikkor 18-200 lens /
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Taken at the Wacipi in Shakopee, MN, 8-09 / August 15th, 2009 / Featured in the Midwestern United States Group 8.09 / Featured in the 50+ Group 8.09 / Featured in the Ethnic Art Group 9.09 / /
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Native American dancer, he is Ojibwa, this dance demonstration was at Jubilee Park in Cave Junction, Oregon. / I forwarded this image to the Illinois Valley News in Cave Junction and it was published to their front page on September 2, 2009. I received a thank you from the dancer Justin Levette for capturing this image and I am truly honored that he likes it. / Thanks to the hosts of the groups Spirit of the Native American and All Oregon USA for featuring this image September 2009 / / / / /
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This photograph was taken at the Wa:k Pow Wow held annually at the San Xavier del Bac Mission in Tucson, Arizona. Drummers, dancers and singers come from all over the country to participate. The backgrounds in these pow wow photos are always very distracting, so I’m experimenting with different ways to get rid of them. I used the radial blur in Photoshop Elements on this one. Photographed with a Panasonic Lumix DMC-FZ 28. / “Little Fringe Dancer” has been featured in: / THE WILD WEST SHOW/September, 2009 / COWBOY/COWGIRL ART/September, 2009 / VISUAL ARTISTS OF GREEN VALLEY/September, 2009 / OUT OF THE PAST/September, 2009 / /
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POW! Anaglyph / A bit of 3D fun for this challenge over at A T-Shirt Revolution Detail: / / The tee: / I love hands I do: / / /
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watercolor on arches paper currently showing at High Studio Gallery, Moorpark, California USA
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