Postwork
35 creative works found
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A collection of 3D images. Most work done in Carrara with commercial 3d components. Some remodelling with lots of mixing and matching. Postwork and compositing in After Effects and Photoshop. Particle effects with Particle Illusion.
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A very small image series dedicated to that very special moment in every artist´s life. (Like the one I´m experimenting right now). / Basic image is a cinema 4D render; added some overall texture in postwork.
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This is a Cinema 4D render + postwork. / Thanks for stopping by.
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Fe Guido Limena formula. / Postwork in PI and PSP. It’s nothing like the original fractal now, and that is why I named it snatch. I’m not sure I should have meddled with it.
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A cinema 4D render + postwork
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Main figure is a cinema 4d render; the rest are layers _ photos and brushes_ blended in Photoshop.
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There´s this old classic Latinamerican song (“Angelitos Negros”/ “Little Black Angels”)_ it was created around the 40s, with music by M. Álvarez Maciste, and lyrics by Andrés Eloy Blanco, an important Venezuelan poet. / It has been sung not only by famous Latin American singers but by world-wide reknown artists such as Nina Pastori and Nana Mouskouri. Words reflect a sort of lament, a complaint: someone asking painters why they don´t paint black angels. Needless to say, it inmediately became an hymn to antirracism in its time. / I haven´t found any decent English translation of the song, here´s a verse for you to have an idea: / “Whenever you paint churches / You paint beautiful little angels / but you´ve always forgotten to paint / Little black angels”. Here´s the link to a YouTube video where famous mexican singer Pedro Infante sing “Angelitos Negros” during a scene of a movie with the same title: / http://www.youtube.com/watch?v=k8V-EkTeX7U Here´s the most (known) popular segment of the song in Spanish: / / “Pintor nacido en mi tierra / con el pincel extranjero / pintor que sigues el rumbo / de tantos pintores viejos. / / Aunque la Virgen sea blanca / píntame angelitos negros, / que también se van al cielo / todos los negritos buenos. / / Pintor, si pintas con amor, / por qué desprecias su color, / si sabes que en cielo / también los quiere Dios. / / Pintor de santos de alcoba, / si tienes alma en el cuerpo, / porque al pintar en tus cuadros / te olvidaste de los negros. / / Siempre que pintas iglesias / pintas angelitos bellos, / pero nunca te acordaste / de pintar un ángel negro.” I know this angel of mine is not so “little”; but it was the best way I could find to tribute this unforgettable song.
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Just for the fun of it.
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A Cinema 4D render; just some cloud brushes in postwork to enhance the “dreamy” effect. / It ´s about passing away; as a matter of fact, it was inspired by Annie Lennox´s ” Into The West”. / Into the West
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Have you ever felt this way? / Main figure is a Cinema4D render; rest is postwork
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Well, I´m not even talking about the young men of my generation; I was a kid when Marlene Dietrich already was an old dame; but I heard the stories.
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This is my vision of The House of Bernarda Alba (La Casa de Bernarda Alba by Federico García Lorca. / For those that are not very familiar with this artist and/or this play, here´s a brief. Federico García Lorca was a Spanish poet and dramatist , also known by his skills in many other arts. He is considered the poet of greater influence and popularity of the Spanish Literature of the XXth century. He died executed by Nationalist partisans at the age of 38 at the beginning of the Spanish Civil War, due to his affinity to the Popular Front _and for being openly homosexual. / He´s not only Spain’s most universal poet, but he is also a universally recognised symbol of Spain – and especially Andalucia – itself. His poems paint a vivid and intrinsically poetic portrait of this fascinating region, with its stark landscapes, its moonlit nights, its bullfighters and, above all, its gypsies with their free-roaming ways and fierce codes of living and loving. / Lorca was also a man of the theatre and roamed Spain in a truck with a troupe of actors called “La Barraca”, staging farces and tragedies in village squares of Andalucia. He created many enemies with his trilogy of plays dwelling on the plight of women in Andalucía’s villages – “Blood Wedding”, “Barren (Yerma)” and “The House of Bernarda Alba” . / “The House of Bernarda Alba” was Lorca’s last play; it was written in 1936, several months before his execution. The play centers on the events of an Andalusian house during a period of mourning, in which the title character (age 60) wields total control over her five daughters Angustias (39 years old), Magdalena (30), Amelia (27), Martirio, (24), and Adela (20). / The play explores themes of repression, passion, and conformity, and inspects the effects of men upon women. Main figure is a cinema4D render; then I blended some layers in order to… Well, just look carefully, try view larger. If you want to read the original play in English go here: / House of Bernarda Alba. Here are other images for this series; if you want to know more about the play that inspired these works, please, follow the links. / 2) Martirio / / 3) Angustias / / 4) Magdalena y Amelia Thanks for sharing this tribute to Federico García Lorca.
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Adela, the youngest daughter, went to the stable in order to meet Pepe again. / But Martirio has seen her and calls her mother to witness. Pepe is waiting with his horse to run away with Adela. Bernarda calls for the gun and rushes to try to shoot him, but he manages to escape. / Martirio suggests that he is now dead, and Adela locks herself in her room. Bernarda thinks this is all for the best. / But then a sound is heard; Bernarda, Martirio and the maid break down the door. Adela has killed herself. Bernarda’s order on the matter, as the final curtain comes down, is that it is to be made known that the youngest daughter of Bernarda Alba died a virgin. Wel, this should be the last image from this series dedicated to Lorca´s “House Of Bernarda Alba”. Most probably I´d still upload 2 or 3 more images related to this play, but later, some other time; now, I have to move on. I want to thank to all those that accompanied me throughout the creation process of this series with comments, suggestions and constructive critics. This is an original cinema4D render; just did a bit of postproduction in order to separate color tones. Remember, if you wish to read this play in English, click here: / House Of Bernarda Alba Here are the previous images for this series; / Want to know more about the play that inspired these works? Please, follow the links. / / 1) House Of Bernarda Alba / / 2) Martirio / / 3) Angustias / / 4) Magdalena y Amelia / / 5) Adela
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I´d be nice to know what thoughts and or feelings this image provokes on you. / Thanks for stopping by. Main figure is an original cinema4D render; windows and other elements were added in postwork. (CINEMA 4D is a commercial, cross-platform, high-end 3-D graphics application, produced by MAXON Computer, Germany.)
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All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Danilo Lejardi: using this image for any purpose and in any way, without prior permission, may lead to legal action. One of the main elements involved in the (African) Yoruba divination system is the divination tray. This tray (Ifá) serves as the template on which sacred signs related to the personal concerns of a diviner’s client are traced as the point of departure for analysis. / This time the idea was that of using this divination tray as a basic platform to display the main Orishas _ the African gods and goddesses_ and their peculiar attributes. / So this is basically a Cinema4D render, made in collaboration with artist Artpearl / She not only contributed by modeling the divination tray but with the whole conception of the series; the fact is that Artpearl has played a very important role in my CG learning process; her suggestions, constructive crits and incredible “eye” for details have always been a great support to every single step or direction I´ve decided to take in this field. More than that, alongside this journey we´ve become friends; and that´s one of the best things that could ever happened to me. / Photo/background/foreground images were blended with Photoshop; there´s also a bit of digital painting. / (CINEMA 4D is a commercial, cross-platform, high-end 3-D graphics application, produced by MAXON Computer, Germany.) / —-—-—-—-—-—-—— / Yemaja (Yemalla) is a mother goddess, originally of the Yoruba religion, who has become prominent in many Afro-American religions. / In (Cuban) Santeria, she is seen as the mother of all living things as well as the owner of all waters. / Her number is 7 (a tie into the 7 seas), her colors are blue and white (representing water). / She rules the sea, the Moon, dreams, deep secrets, ancient wisdom, ocean secrets, the collective unconscious, and the surface of the ocean, seas, and lakes. / In Africa she is known as Mama Watta, Mother of Waters. / There´s a lot of information regarding this african goddess in internet; here´s a link to Wikipedia: / Yemaya
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“It is not about punishment, good, bad, right or wrong. It is about adjustment. The sword suggests that sometimes this won’t be pleasant. Justice pares things down with that sword so that the scales end up equal. The message is to do what’s necessary, no matter how hard, how disagreeable, in order to gain, or re-gain equilibrium. It is not a nice card, but in its way, it is a very wise card.”
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/ La mente y la fuerza aprisionadas en ésos míseros y entrañables recintos que nos construimos; / tan cerca la inmensa libertad, apenas detrás de unas mal enfiladas espadas; y el agua _ la madre naturaleza_ que se abre generosa para hacernos entendible y fácil el camino. / Y nunca vemos bien, o no sabemos, o no queremos. / ¿Será un retrato de la vida o del arte? ¿O de ambas? ¿O de la misma cosa que son? / Es una carta de bolsillo, de cabecera; que se bebe; / una con la que te puedes vestir y enjabonarte. / Y tomar de almohada para construir tus sueños / O destruirlos. Danilo Lejardi
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( This is my first voyage into this card; most probably, I´ll come back soon with a “card” version). The Fool or The Jester is one of the 78 cards in a Tarot deck. It is one of the 22 Trump cards that make up the Major Arcana. The Fool is often numbered 0. / Somehow, I liked this “meaning” or interpretation for this card when recollecting information regarding it: “At #0, the Fool is the card of infinite possibilities. ( ...) indicates that he has all he needs to do or be anything he wants, he has only to stop and unpack. He is on his way to a brand new beginning. But the card carries a little bark of warning as well. Stop daydreaming and fantasizing and watch your step, lest you fall and end up looking the fool.”
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(Please view large). / If any card in the Tarot is the Tarot, it is the Magician. It’s one of the most recognizable cards, always a favorite. It’s also the only card in the major arcana that refers to the minors with the “trumps” displayed upon his table. If the reader believes the Magician stands for the Querent, then the Querent either is, or is currently finding himself eloquent and charismatic at this time. Both verbally and in writing, the magician is clever, witty, inventive and persuasive.
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Thanks to Jeff for giving me the idea to try doing the SC work on this :) Location – Birmingham Motorcycle Show, Birmingham NEC Featured in Selective Colouring (1st October 2009) Camera & Software Info / Camera:Canon EOS 400D / Lense(s):Sigma DG 28-300mm 1:3.5-6.3 Telephoto / Software:Gimp 2.6 © 2009 Ross Spencer. All Rights Reserved. Unauthorised use prohibited. This photograph may not be reproduced, copied or distributed, under any circumstances or conditions without prior written consent from me. My work is NOT public domain.
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Experimenting on Apophysis; bit of Photoshop postwork . Inspired by Christopher Cross´s “Sailing”. / Lyrics: / It’s not far down to paradise / At least it’s not for me / And if the wind is right you can sail away / And find tranquility / The canvas can do miracles / Just you wait and see / Believe me It’s not far to never never land / No reason to pretend / And if the wind is right you can find the joy / Of innocence again / The canvas can do miracles / Just you wait and see / Believe me Sailing / Takes me away / To where I’ve always heard it could be / Just a dream and the wind to carry me / And soon I will be free Fantasy / It gets the best of me / When I’m sailing / All caught up in the reverie / Every word is a symphony / Won’t you believe me It’s not far back to sanity / At least it’s not for me / And when the wind is right you can sail away / And find serenity / The canvas can do miracles / Just you wait and see / Believe me
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