Postal
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175 creative works found
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Stamp collection from all over the world. Prices were cheap back in those days…
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I bought these old letters at an antique mart in Buenos Aires, Argentina back in February 2006. I set a few of them up against this old box that I have to create this image. I hope it inspires someone to NOT send an e-mail and pick up a pen to write a handwritten letter or postcard. I feel I am one of the few who still loves sending mail via the regular postal channels. Sold 1 matted print to a writer in Pittsburg, PA.
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Colorful digital painting by Alejandro Silveira.
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an “AS IS” letterbox on the north shore of hawaii
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Fresh bouquet of flowers in a red mailbox.
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2007 – HDR
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Just had to post this as 85% of my packages have arrived late to their distination this year…this also is my vision of how the good old USPS handles our precious cargo!!! / / Original digital photograph. / Taken with a Sony Full HD 1080 Cyber Shot camera. Thank You for viewing my art. VIEW susan’sgallery / VIEW susan’szazzle /
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Would you like to know how I made this image? Advanced HDR Techniques Suburban Scenes by Mike Savad Squidoo Lenses
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This is the original version of the infrared shot posted earlier
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Dream
by Paulo Nuno -
See we do have real postal carriers!! A little fun with the postman! Port Saint Lucie, FL / Nikon D70s / 70-300mm / F8, 1/320 / RAW / 2/18/09 – 427/13 Featured in Commercial Vehicles – 2/09 / / /
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The post-boxes at the Tilba general Store, NSW South Coast. [Canon EOS 1000D] Featured – Canon DSLR group – May 2009
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postal slot 1935 – Hornibrook Highway xpro. old is best…lasts
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As a Stamp & Old Post collector..the new age of E mail is sort of sad..for the art of the stamp looks to be a losing end. / But as I enjoy creating E mail stationery…the new age opened up a new fun hobby for me.
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BEST VIEWED LARGER Statement of Significance / The Clunes Post and Telegraph Office was built in 1879 to a design by the Public Works Department. The principal building was constructed by Messrs Lewis and Roberts at a cost of £4099 and the kitchen outbuildings were constructed by Charles Morgan & Co for an additional £279. The building replaced an earlier and smaller post office built in 1861. That the current building is so much bigger and grander than its predecessor is indicative of the township’s rapid expansion and peaking of population in the 1870s as a result of both the deep-lead mining and the coming of the railway in 1874. A scheme for the new post office was prepared in 1877 by the Public Works Department; probably by an assistant architect, Alfred Snow. Snow, along with his superior, William Wardell, and over 200 other public servants were dismissed on 9 January 1878 (“Black Wednesday”) and the plans were revised by new staff. The ultimate scheme similar in style to the first was prepared by George Watson under the supervision of Charles Barrett. The building is designed in an Italian Renaissance “palazzo” style, is of two storeys, and is constructed of rendered brick with a slate roof. The ground floor post and telegraph office is entered via a recessed arcaded loggia with the entrance to the post-master’s residence on the first floor via a lobby to the side of the building. The building is largely intact with the exception of its internal colour scheme and the interior lining of the kitchen wing. Of special interest is that the building may still be viewed in an urban setting very similar to that when it was built. The building is of significance as a well-executed and preserved example of public Renaissance Revival design, as an indication of the prosperity of the developed Clunes goldfields (the area of first gold strike in Victoria) and as a key element within the historic townscape of Clunes. Equipment: Nikon D300, Manfrotto Tripod Sigma 10-20mm lens / Technique: HDR, 5 Bracketted Images, Photomatix, Capture NX
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BEST VIEWED LARGER Statement of Significance / The Clunes Post and Telegraph Office was built in 1879 to a design by the Public Works Department. The principal building was constructed by Messrs Lewis and Roberts at a cost of £4099 and the kitchen outbuildings were constructed by Charles Morgan & Co for an additional £279. The building replaced an earlier and smaller post office built in 1861. That the current building is so much bigger and grander than its predecessor is indicative of the township’s rapid expansion and peaking of population in the 1870s as a result of both the deep-lead mining and the coming of the railway in 1874. A scheme for the new post office was prepared in 1877 by the Public Works Department; probably by an assistant architect, Alfred Snow. Snow, along with his superior, William Wardell, and over 200 other public servants were dismissed on 9 January 1878 (“Black Wednesday”) and the plans were revised by new staff. The ultimate scheme similar in style to the first was prepared by George Watson under the supervision of Charles Barrett. The building is designed in an Italian Renaissance “palazzo” style, is of two storeys, and is constructed of rendered brick with a slate roof. The ground floor post and telegraph office is entered via a recessed arcaded loggia with the entrance to the post-master’s residence on the first floor via a lobby to the side of the building. The building is largely intact with the exception of its internal colour scheme and the interior lining of the kitchen wing. Of special interest is that the building may still be viewed in an urban setting very similar to that when it was built. The building is of significance as a well-executed and preserved example of public Renaissance Revival design, as an indication of the prosperity of the developed Clunes goldfields (the area of first gold strike in Victoria) and as a key element within the historic townscape of Clunes. Equipment: Nikon D300, Manfrotto Tripod Sigma 10-20mm lens / Technique: HDR, 5 Bracketted Images, Photomatix, Capture NX Going Postal: /
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Statement of Significance / The Clunes Post and Telegraph Office was built in 1879 to a design by the Public Works Department. The principal building was constructed by Messrs Lewis and Roberts at a cost of £4099 and the kitchen outbuildings were constructed by Charles Morgan & Co for an additional £279. The building replaced an earlier and smaller post office built in 1861. That the current building is so much bigger and grander than its predecessor is indicative of the township’s rapid expansion and peaking of population in the 1870s as a result of both the deep-lead mining and the coming of the railway in 1874. A scheme for the new post office was prepared in 1877 by the Public Works Department; probably by an assistant architect, Alfred Snow. Snow, along with his superior, William Wardell, and over 200 other public servants were dismissed on 9 January 1878 (“Black Wednesday”) and the plans were revised by new staff. The ultimate scheme similar in style to the first was prepared by George Watson under the supervision of Charles Barrett. The building is designed in an Italian Renaissance “palazzo” style, is of two storeys, and is constructed of rendered brick with a slate roof. The ground floor post and telegraph office is entered via a recessed arcaded loggia with the entrance to the post-master’s residence on the first floor via a lobby to the side of the building. The building is largely intact with the exception of its internal colour scheme and the interior lining of the kitchen wing. Of special interest is that the building may still be viewed in an urban setting very similar to that when it was built. The building is of significance as a well-executed and preserved example of public Renaissance Revival design, as an indication of the prosperity of the developed Clunes goldfields (the area of first gold strike in Victoria) and as a key element within the historic townscape of Clunes. Equipment: Nikon D300, Manfrotto Tripod Sigma 10-20mm lens / Technique: HDR, 5 Bracketted Images, Photomatix, Capture NX Going Postal: /
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BEST VIEWED LARGER Statement of Significance / The Clunes Post and Telegraph Office was built in 1879 to a design by the Public Works Department. The principal building was constructed by Messrs Lewis and Roberts at a cost of £4099 and the kitchen outbuildings were constructed by Charles Morgan & Co for an additional £279. The building replaced an earlier and smaller post office built in 1861. That the current building is so much bigger and grander than its predecessor is indicative of the township’s rapid expansion and peaking of population in the 1870s as a result of both the deep-lead mining and the coming of the railway in 1874. A scheme for the new post office was prepared in 1877 by the Public Works Department; probably by an assistant architect, Alfred Snow. Snow, along with his superior, William Wardell, and over 200 other public servants were dismissed on 9 January 1878 (“Black Wednesday”) and the plans were revised by new staff. The ultimate scheme similar in style to the first was prepared by George Watson under the supervision of Charles Barrett. The building is designed in an Italian Renaissance “palazzo” style, is of two storeys, and is constructed of rendered brick with a slate roof. The ground floor post and telegraph office is entered via a recessed arcaded loggia with the entrance to the post-master’s residence on the first floor via a lobby to the side of the building. The building is largely intact with the exception of its internal colour scheme and the interior lining of the kitchen wing. Of special interest is that the building may still be viewed in an urban setting very similar to that when it was built. The building is of significance as a well-executed and preserved example of public Renaissance Revival design, as an indication of the prosperity of the developed Clunes goldfields (the area of first gold strike in Victoria) and as a key element within the historic townscape of Clunes. Equipment: Nikon D300, Manfrotto Tripod Sigma 10-20mm lens / Technique: HDR, 5 Bracketted Images, Photomatix, Capture NX
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Traditional British red postbox
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From the series: Letters From An Expedition: In Search of The Missing Muse. Journal entry No.02/02. The missing muse; I thought I saw her on the street today, crossing against the light. I turned to follow, but lost her in the throng. Other people on the street feel her presence, but are unsure of what has occurred. I want to ask, “Have you seen her?” but refrain; I know what they will think. They stare at the spot where her presence was felt and I move on. I traced the direction that she must have taken, but never caught up to her. I walked straight for minutes or hours and didn’t give up until twilight darkened the faces of every passerby. It was late when I got back home and my family was asleep.
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Melbourne GPO at dusk.
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