Ever had that feeling of absence?
I wanted 1942 to serve as an experiment, questioning what stereotype if any surrounded the ‘skinhead.’ Within days I received comments of ‘racist’ and ‘Nazi’ signifying prejudice against a shaven head, when in modern day society diversity is usually praised and encouraged. The origin of the term ‘skinhead’ is not rooted in racism, the term being corrupted in the 1970’s by the neo-nazi movement. The term actually stems from the Jamaican skinheads such as Bunny Wailer, who populated Reggae in the1960’s, some decade previous. By 1968/69, the ‘skinhead’ wasn’t just a hairstyle but a way of life. To these working class people, cleanliness, stylish clothes and good music were dominant. The increasing popularity of Ska music, a branch of reggae bred the skinhead in their straight jeans, large boots, white shirts, braces and nylon or leather jackets and were regularly seen at Judge Dread gigs. Doc Marten, Ben Sherman, and Vespa scooters were typical designers of the ‘skinhead’ movement, which dwindled in the mid 70’s. This is around the time the neo-nazi movement became prominent, as the ‘mod generation’ became divided and those racist, political hating, violent youths were the new face, the new stereotype. They popularised themselves throughout the 80’s and 90’s with bands such as ‘Skrewdriver’ and were akin to increased violence on Adolf Hitler’s birthday. The number of ‘skinheads’ in Britain today is in decline, as in essence the skinhead is a youth organisation for the youth. Thus upon reaching full maturity, starting a family and encompassing different values the need to be in such a group no longer exists and without the experience and knowledge of older members their ‘skinhead’ values are degenerate. This is why I felt my experiment was necessary. Would the youth of day, born after the domination of the neo-nazi still be aware of their values and the attributes, which contribute to their stereotype? The answer lies within you the spectator. Consider what you first felt upon viewing 1942. Did it bring back fond memories of dancing to reggae, Bob Marley and the ‘Chelsea haircut’ or did it make you envisage violent racists? Movements begin, grow and they pass. The real reason the ‘Mods’ shaved their head was to avoid lice, for hygiene. Surely the time close cut hair symbolising a racist has passed. This was a series i took a while back for a project i was doing on fashion and surrealism I must have took around 30 or so photographs to get the best images at different stages. / to take these shots i used a canon 20d propped up on a tripod with a self timer.
Art of a magician is to deceive.
Angel of Tesla: Descriptive work of the super. By Nizstaro Image copyright © 2007-2008, Nizstaro. Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited
From a little series called “Love Hurts”.
View All Art » 1 2 3 4 5 6 / / The Red Facade is a self-portrait taken from photographic artist Jaeda DeWalt’s The Red Realm series and is a part of the DeWalt Gallery collection. Self-portrait shot using a digital camera and remote control and modified in Adobe Photoshop. Hair, styling and make-up also done by Jaeda DeWalt. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Available for sale as Laminated Prints, Cards, Matted Prints, Posters, Mounted Prints, Canvas Prints and Framed Prints / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / visit the rest of this series . . . / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / View All Art » 1 2 3 4 5 6 browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / The Red Facade I am . . . / The Pretty Pain Container / The Beautifully Bruised Soul / A picture perfect . . . / Version of me I can’t let the red seep through / My porcelain exterior / I can’t let them see / Emotions tainted / In the red hues of pain I can’t let these uncried tears flow / I must maintain / The Red Facade / On the days when i feel like . . . / I can’t find God © Jaeda DeWalt listen to Jaeda recite The Red Facade / /
View All Art » 1 2 3 4 5 6 / / My Red Melancholy is a self-portrait taken from photographic artist Jaeda DeWalt’s, The Red Realm series and is a part of the DeWalt Gallery collection. Self-portrait shot using a digital camera and remote control. Hair, styling and make-up also done by Jaeda DeWalt / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Available for sale as Laminated Prints, Matted Prints, Mounted Prints, Posters, Canvas Prints and Framed Prints / / Image featured in Models with a difference group 7-19-2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / This image is featured in Jaeda’s The Red Realm calendar / / visit the rest of this series . . . / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / My Red Melancholy Under the bright lights / And pristine haze / I look away As sick secrets sinuously sleep / Underneath a surface that is / Poised and pretty and sweet My raven hair scented / With traumatic experiences / Buried alive . . . refusing to die My crimson lips / Whisper / Of a quiet desperation My eyes refusing to shed / The tears of . . . / My Red Melancholy © Jaeda DeWalt listen to Jaeda recite My Red Melancholy / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / View All Art » 1 2 3 4 5 6 browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
/ / Out of the Fog is a self-portrait photograph originally taken from artist Jaeda DeWalt’s book/series, Haunting Hands and is part of the DeWalt Gallery collection. About this image / I created this self-portrait while at a crossroads in my life. I was starting to find my voice and that gave me confidence, that confidence gave me courage and i could feel the heavy, emotional toxicity, starting to leave my body. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Available for sale as Laminated Prints, Cards, Matted Prints, Posters, Mounted Prints, Canvas Prints and Framed Prints / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / About This Image / Images originally photographed with Kodak CN400 film using a self-timer (black & white film that’s processed in C-41 chemistry). / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Out of the Fog I have come out of the fog / Penetrating this filthy haze that taints my innocence / No longer a victim of my past / But rather a survivor, fearlessly exploring my future / Releasing myself from these chains of self-hatred / Shedding the shame that has coated my soul / For too many years Stepping out of this chamber of horrors / In which my mind has been a prisoner / For so long / Lifting off my shoulders the burdens / Of anger and resentment / I have been carrying for this beast Knowing that though I can never forget / I must forgive the evils / Forced upon my flesh / Rather than weak and dependent / I continue to grow resilient and strong Utilizing challenges of the past / As tools to cope with / The struggles that lie ahead / It is now I let go of the victim inside me / Drinking in the freedom from a past / That will no longer bind me © Jaeda DeWalt listen to Jaeda recite The Chamber / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / This image is featured in Jaeda’s Artography Book! / Shades of the Soul – Click to Preview! / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / You might also like . . . / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
View All Art » 1 2 3 4 5 6 / / Haunted is a self-portrait taken from artist, Jaeda DeWalt’s, Haunting Hands series and is a part of the DeWalt Gallery collection. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Available for sale as Laminated Prints, Cards, Matted Prints, Posters, Mounted Prints, Canvas Prints and Framed Prints / / Image featured in First Things group on 7-23-2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / About This Image / Image originally photographed using a self-timer and Kodak CN400 film (black & white film that’s processed in C-41 chemistry). / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / This image is featured in Jaeda’s Surrealities calendar. / / / / View All Calendars » / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Haunted The eyes do not lie / Weakening the surface of the social masks we wear / A bruised and battered soul can betray the prettiest smile / As the pain seeps through to the surface / Speaking volumes to our emotions and life experience © Jaeda DeWalt listen to Jaeda recite Haunted / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / This image is featured in Jaeda’s Artography Book! / / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / You might also like . . . / / -—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / View All Art » 1 2 3 4 5 6 browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
Part of experiment into self / and pushing my abilities This is an unbelievable honor / This work was featured at the “TED” lectures / which included a presentation by Gordon Brown and Stepen Fry! / http://www.redbubble.com/people/pilgrim/journal/3495977-at-ted
originally drawn in pen on paper
Meet this ethereal underwater maiden with sweet little fish darting in and out of her platinum blonde hair. The original was created with pencil, pastel and ink on lovely flecked recycled card.
Model – Danica/Nytevision I have no idea who the artist is who did the mural she is standing in front of. All I know is that it’s in Adelaide’s CBD and it’s awesome… and orange. / If you know, tell me. They deserve credit. / This is not a manip. Copyright 2008 Harmony Nicholas
All work in this portfolio is © Stephanie Rachel Seely. / These materials (images and poems) may NOT be edited, copied, reproduced, printed, distributed, displayed, performed, or used in any way, in whole or in part, without my written permission. Please respect copyright and do not save or upload any images or poems to Photobucket, Flickr, Myspace, Facebook etc. These creative materials are NOT public domain. This artwork was featured in Live, Love, Dream Self-portrait. .....Stock Credits….. / Sky / Brushes Used – spiritsighs and Obsidian Dawn Original photo taken August 25, 2008 / Stock copyrights remain the property of their respective owners.
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Mona’s rose / Digital mixed media
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Digital art Autumn belongs to the serie: Spring / Sommer / Winter / /
oldschool Easter bunny sitting on an empty beach, Crete 2009 FEATURED IN REDBUBBLE ART&PHOTOGRAPHY May 2009
Ameonna / 16” x 24” Acrylic and Sumi Ink / . Japanese Music by: EXILE / . / . Before you go, give me a little of your soul / You can not deny me / A little more is what I asked / If you feel at all / Then give me more / I want more soul of you / ~ Ming Myaskovsky . Featured in Japanfluence Group / . / Featured in Immortal Love / . / . / 600 views so far / . / . / 38 favorites
Nautilus Muse (self-portrait) / 16” x 24” Sumi Ink and Acrylic / . / . / Music by Helene Segara and Marc Lavoine. / . / Featured in Pop Art Group / . / . / .
9×12 pastel on Sennelier la carte paper FEATURED IN PAINTED LADIES, PETS AND PEOPLE, FIRST THINGS, FEMININE INTENT, AND THE DIVINE FEMININE I had so much fun drawing Barbara, but it is a lot of work trying to do portraits. I needed to do something completely from my imagination. And of course I can’t call it Blackbird without linking to the song!
favorited 43 times / 432 views
Please come join me at myspace.com/Artistmind oil on canvas / 14×24”
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