Germany
Here’s yet another take on the Polaroid camera.
Some of my other T-shirt designs: /
A self-portrait Shutter Speed: 1/256 second / F Number: F/13.0 / ISO Speed: 200
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” You can set a brick as a laborer or as an artist ” / Portrait of a young shoemaker in the studio.
My film camera collection on a tee.
For the AT Challenge.
This image was shot on Fujichrome Velvia film (transparency film) and the transparency was manipulated further using a Daylab printer and Polaroid pull apart film. Once the positive was formed, some citroclean was sprayed onto it and it was placed into a bath of water. The emulsion lifts off its backing and is floating literally like very fine seaweed in the water. Extreme care was taken to lift this emulsion out of the water and onto blotting paper. Whilst it is still wet it can be manipulated further into any shape you wish. In this case a very rugged border. Once dry it sets into the blotting paper. This is the final result. This is a very unique technique as you will never be able to reproduce the same image twice due to the fact that it is dependant on how carefully and with a huge amount of experimentation, you retrieve the emulsion out of the water and how you manipulate it on the paper while it is wet. Everything about this technique is experimental. Firstly a variety of transparency films were experimented with. Pulling the emulsion off the backing of the Polaroid film was also experimented with. A few different cleaners were used due to the chemicals present in them and I found that citroclean worked best at doing this. More works created with this technique can be found here A Polaroid film transfer of the image was also created and can be found here
A big thank you to the ever so talented writer Nicole Ryan for her writing. Her delightful words go with these images so nicely. / An itch in time / There were parts of me / she could never touch / those pieces / he would never rush / slow growing / behind fences / and faces / different times / small spaces / our places; filled with / lucid lines / dreams of sensored spines / and yesterdays that lingered. / The edges were laced / with prickly hearts / sad endings / powdered darts / simple starts / enough to keep it safe / enough to chew and waste / those pieces of ourselves / that were better. / You never wondered / I never counted / the amount of times that thistle stung / It doesn’t grow there anymore / we wouldn’t know where to explore / these things don’t exist / in my skin. / We burnt it all with yesterday. / © ryan / These three images were shot on transparency film and the transparencies were manipulated further using a Daylab printer and Polaroid pull apart film where the film is pulled apart before a positive can be processed. The dyes remaining on the Polaroid film were then transferred by rolling onto blotting paper. This is a very unique technique as you will never be able to reproduce the same image twice. There will always be a different amount of dye remaining on the film each time you do it making each image different from the last. They are presented here as a series. / More works created using this technique can be found here
Model – Tash Williams Shot on location in Adelaide in 2006 using Polaroid Viva Colour and a Colorpack 80 camera. Was a test shot and a bit of a fluke but it has since become one of my most popular pieces. Go figure. Copyright 2008 Harmony Nicholas
Thought I’d try this quote as a polaroid so it would look ok on a tee. .
all digital, an attempt to replicate a polaroid transfer digitally. blossom i see let me bee
Photos ratées d’un week-end à Saint Malo… Saint Malo in the night, beach street… Featured at the RedBubble Art Gallery – Wall Art and Greetings Cards November 22th 2008. * / - Featured in the group Experimental Photography and Editing
This image was shot on transparency film and the transparency was manipulated further using a Daylab printer and Polaroid pull apart film where the film is pulled apart before a positive can be processed. The dyes remaining on the Polaroid film were then transferred by rolling onto blotting paper. This is a very unique technique as you will never be able to reproduce the same image twice. There will always be a different amount of dye remaining on the film each time you do it making each image different from the last. More works created using this technique can be found here
all digital, an attempt to replicate a polaroid transfer digitally. let me bee
This image was shot on transparency film and the transparency was manipulated further using a Daylab printer and Polaroid pull apart film where the film is pulled apart before a positive can be processed. The dyes remaining on the Polaroid film were then transferred by rolling onto blotting paper. This is a very unique technique as you will never be able to reproduce the same image twice. There will always be a different amount of dye remaining on the film each time you do it making each image different from the last. / A red pencil was also used here to darken the lips a little and the bottom of the dress. A black pencil was also used on the bottom. More works created using this technique can be found here
Paranoid Polaroid !!! /// / - Show the Black text version
These three images were shot on transparency film and the transparencies were manipulated further using a Daylab printer and Polaroid pull apart film where the film is pulled apart before a positive can be processed. The dyes remaining on the Polaroid film were then transferred by rolling onto blotting paper. This is a very unique technique as you will never be able to reproduce the same image twice. There will always be a different amount of dye remaining on the film each time you do it making each image different from the last. They are presented here as a series. More works created using this technique can be found here
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