Planetoid 

16 creative works found

  • Tiny planet with huge lighthouse and grassy field

  • Small planet with nothing but water, sand, dunes, and beach houses.

  • Tiny planet with a huge lighthouse. For the ocean. On the other hemisphere.

  • Tiny planet with a HUGE lighthouse. For the ocean. On the other hemisphere.

  • I took this photo tonight at the Royal Darwin Show. Editing: Curves, unsharp mask, reduce noise filter.

  • This image was taken at Colonia Tovar in Aragua state Venezuela, this town was founded in 1843 by German settlers, the town remained isolated from the rest of the country (and the world) until 1960 which allowed the inhabitants to retain their culture and traditions. Most of the residents are descended from Germans and have the characteristic nothern european appearance which contrasts heavily with the latin american appearance of the Venezuelans who visit or have moved to the town. This is a stereographic projection of a 360 degree spherical panorama. It involved the stitching of 18 images covering the full 360 degrees horizontally and about 150 vertically. / I must say that this is a lot easier using the ultra wide lens (10mm) before it would take about 48 images with the 18mm lens! Pentax K110D | Sigma 10-20mm | No filters | Handheld

  • In November 2007, I started work early on a holiday card. I had seen a tutorial on creating circular distortions of landscapes online and already planned on using a modified version of this technique to create little planetoids. Since these were for winter, I wanted them to look crisp and sparkling, like fresh snow in the sun. Over two weeks of work later, things still didn’t look right. I had tried all kinds of effects and filters to get the right look – none of which was just right. I finally ended up doing a lot of painting with the dodge and burn tools in Photoshop, which had me nearly there. The final element was deciding to abandon having a perfectly circular edge and to add the border. Voila! I used this technique to create several more planetoids, which make me think of The Little Prince, but I also liked the effect when the sky was in the center of the images. “Winter World #1” was the first and most difficult in the series. I love the way the single tree comes up to touch the “clouds” and the frosty look of its branches. Uses a photograph from stock.xchng member Brad Korponay.

  • In November 2007, I started work early on a holiday card. I had seen a tutorial on creating circular distortions of landscapes online and already planned on using a modified version of this technique to create little planetoids. Since these were for winter, I wanted them to look crisp and sparkling, like fresh snow in the sun. Over two weeks of work later, things still didn’t look right. I had tried all kinds of effects and filters to get the right look – none of which was just right. I finally ended up doing a lot of painting with the dodge and burn tools in Photoshop, which had me nearly there. The final element was deciding to abandon having a perfectly circular edge and to add the border. Voila! I used this technique to create several more planetoids, which make me think of The Little Prince, but I also liked the effect when the sky was in the center of the images. “Winter World #2” was my experiment to see what would happen when the sky was in the center of the image rather than at the edge. It worked so well, I made several more. I like how the jaggedness of the edge echoes the shapes of the trees. Uses a photograph from stock.xchng member Ondrej Verzich.

  • In November 2007, I started work early on a holiday card. I had seen a tutorial on creating circular distortions of landscapes online and already planned on using a modified version of this technique to create little planetoids. Since these were for winter, I wanted them to look crisp and sparkling, like fresh snow in the sun. Over two weeks of work later, things still didn’t look right. I had tried all kinds of effects and filters to get the right look – none of which was just right. I finally ended up doing a lot of painting with the dodge and burn tools in Photoshop, which had me nearly there. The final element was deciding to abandon having a perfectly circular edge and to add the border. Voila! I used this technique to create several more planetoids, which make me think of The Little Prince, but I also liked the effect when the sky was in the center of the images. “Winter World #3” takes the “inside out” technique and sees what happens when it’s applied to the same source image as “Winter World #1”. I was amazed at how different the two final images look. See if you can find the snowman in both. Uses a photograph from stock.xchng member Brad Korponay.

  • In November 2007, I started work early on a holiday card. I had seen a tutorial on creating circular distortions of landscapes online and already planned on using a modified version of this technique to create little planetoids. Since these were for winter, I wanted them to look crisp and sparkling, like fresh snow in the sun. Over two weeks of work later, things still didn’t look right. I had tried all kinds of effects and filters to get the right look – none of which was just right. I finally ended up doing a lot of painting with the dodge and burn tools in Photoshop, which had me nearly there. The final element was deciding to abandon having a perfectly circular edge and to add the border. Voila! I used this technique to create several more planetoids, which make me think of The Little Prince, but I also liked the effect when the sky was in the center of the images. “Winter World #4” returns to the the “planetoid” effect and uses a photograph from stock.xchng member Pierre Benker.

  • My first try to build a little planet of my surrounding neighbourhood, Cato Street in London, using my new Sigma 10mm fisheye lense and a Nikon D300.

  • Welcome to the planet Nagoya!! / Now we are on the side where I used to live and work for about three and half years :-)) For those who is wondering what “TTI” stands for: “Toyota Technological Institute”. A little bit about how it was done. Using Nikon D80 with 18-200mm VR Nikkor lense I first took 23 NEF (RAW) files, then processed them with CaptureNX to make several different exposures. After that with the help of PTGui created a normal 360° panoramic image. With a simple trick I could use absolutely same control points and alignment parameters for all exposure sets of images, so final panoramas were almost 100% same. In order to avoid some tonal or contrast mismatches at the opposite edges of panorama as a result of HDR processing, I first created “planetoid” images with different exposures. And making the HDR and ToneMapping by Photomatix was a final step. / Final touch was done in CaptureNX as it has a unique tool called “control points” (it saves a lot of time), and also it allows saving the modified image in NEF format preserving all the workflow so that later you can open it again and modify some control points or other settings.

  • Since I’ve done hot, rocky, and lava planets, I thought I’d cool things down by freezing an entire lake solid This is what happens when the sun is too far away to do very much but glow :)

  • Stereographic projection of a graveyard in Toowong.

  • The holiday homes of the super rich, these planetoids represent the height of luxury. A share can be yours for just 1,000 credits per cycle! Shown here, the view from a “S12” class planetoid, fitted out in a 20th century style. In the distance can be seen the “RR1” model: with its rural styling it will delight lovers of nature and gastronomes alike! (Sunset guaranteed every 3.5 units) So why don’t you take the first steps towards a blissful holiday and contact us to arrange a trial visit? You won’t be disappointed…

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