Photoshoped portrait
1235 creative works found
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Bonded
by Ivy Izzard -
my sister at her wedding (23.6.07)… / To achieve the soft focus on this photo I add a guassian blur to one of the channels (can’t remember which one), changed to sepia and then added a ‘soft light’ blending layer also a little dodging and burning… v. simple!
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This pic I could not resist taking because the light was just right. The Eye in the background is another pic of myself that I photo shopped in. I thought that the closed eyes with the open eye in the background gave it a nice effect as well as using B&W. Directly below is the image before I photoshopped the eye in the bkgrnd.
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Inspired to create this from my collaborations with Melissa Vowell.
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This is an image of myself and of Rivers Edge in Tulsa Oklahoma. I used Photoshop CS2 for the editing.
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Friday August 3rd It happened again tonight. The old fool had left the door unlocked; and there, above the cages, some apparently empty and some housing pink-eyed rodents; stood the vessel containing the precious green liquid and marked with the words: “NOT FOR HUMAN CONSUMPTION” once more, at my disposal. Thanks to yesterday’s acquisition of a rather splendid pocketwatch, I have been able to establish that administration of about 2floz of the serum is sufficient to remain effective for approximately two hours. I have thus resolved that, weather permitting, tomorrow’s edification will begin with the short trip into town whereupon I will partake in what will no doubt be another fruitful bout of “shopping”, after which with any luck, there will be ample time for a spot of inexpensive dining followed by a close inspection of the ample figures belonging to those delightful ladies up there at Pedlar’s Lane bathhouse, whom I understand,usually prefer to keep themselves hidden away from prying eyes. Dash it… Awfully sorry ladies!
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Photo Manipulation (Mirrored Symmetry). Original image taken at Adelaide Zoo, South Australia. /
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The Porcelain Skin Effect in Photoshop
by Julie LangfordI have been asked by many people via comments, and directly, how I get the clear skin effect on my *Portraits...
I have been asked by many people via comments, and directly, how I get the clear skin effect on my Portraits / . So, as I am now a leader in the Photoshop Help group, along with my good buddy Faizan Qureshi – I thought I would kick off my participation with this brief tutorial on how it is done. / / This was done in Photoshop CS2, but as the effect only uses the standard Photoshop tools, most if not all versions of the program will suffice for this tutorial. / / First things first, you will need a file to work on. The settings in this tutorial are based on the low resolution starting image here, and if you use higher resolution images – the settings will be different. / / You may right click and save the starting image below and use it to work through this tutorial to practise – you may also upload your finished work into your portfolio for feedback and to show others how you did – You MUST not, however, place the image for sale, or use it for any other purpose other than this tutorial, without my permission / / So, follow the steps and have some fun with this. / / 1. Save the image below and open it in Photoshop / / Starting Image / / startmodel / / / 2. On the toolbar on the left hand side, click on the healing tool / / healing brush tool / / Use the following settings for the healing brush / / healing brush tool settings / / / 3. Zoom in on the model so that you can see imperfections on the skin. Hold Alt on your keyboard and click on an area of skin close to an imperfection once – release the mouse and the Alt key / / healing brush step 1 / / / 4. Click the mouse again over the imperfection that you want to hide, once / / healing brush step 2 / / / 5. Repeat the last two steps until you have removed all the imperfections, until the image looks similar to the one below. / / model after healing brush applied / / / 6. Down on the right hand corner of the Photoshop workspace – you will find the layer pallette – Have a look – you will notice that there is one layer called background, or Layer 1 in the pallette at the moment. / / The Photoshop layer palette / / / 7. Go to the menu bar running across the top of the workspace – click on the word – Layer, then click on Duplicate Layer. A box will appear, just click OK. Notice that a new layer, called layer 1, or background copy now appears in the layer pallette above the background layer. Make sure that this top layer is highlighted/selected / / 8. Just above the highlighted layer, there is a drop down menu [which probably has the word Normal in it at the moment]. Click that drop down menu and click on multiply. / Multiplying the layer / / / your image will go very dark like the one blow. Model after multiply / / / Still working on this same layer / / 9. On the menu bar running across the top – click on the word Filter, then on Blur, then on Gaussian Blur – a box will appear. Change the settings to that below and click OK to apply the effect. / / Blur settings / Your image will now look like the one below / / model after blur applied / 10. Go to the top menu again, and click on the word Layer, then on New Adjustment Layer, then on Levels – a box will appear. Adjust the settings to that in the image below. / / Levels adjustment settings / / / Your image should now look like the one below / / Model after the levels adjustment / / / Note here that you now have 3 layers in the layer pallette. You will need to be working on the MIDDLE layer [see below] for the next step, so make sure it is selected. / / Selection of the middle layer for the next step / / / 11. On the toolbar on the left, click on the History Brush to select it history brush tool / / / On the top toolbar menu, set your brush to a small soft brush [so that you can fit it into the corner of the eyes], and set the opacity to 25 / / All in one stroke [thats important with low opacity] paint over one eye totally to bring the detail and brightness back out. Repeat for the other eye, and then for the lips. / / The effect is quite subtle here, but it will make a big difference at the end of the tutorial and will give life to your model. / / Your image should now look similar to the one below / / model after history brush / / / 12. Now go to the menu up the top and click on the word Layer, then click on Flatten image – this will result in you having one layer in your layer pallette again. / / Ok – so your model has great skin now, but she is a bit on the bright side. We are going to darken her up a bit, but if we just do it now, she will likely turn orange with the current saturation level. so we need to adjust it a little. / / 13. Go to the menu up the top and click on the word Image, then Adjustment, then Hue/Saturation – a box will appear. change the settings to that below. / / hue/saturation settings / / / The image should now look a better colour model after hue/saturation settings applied / / / Now lets darken her up / / 14. Up to the top menu again – click on the word Image, then Adjustment, then Levels – the levels box will appear. Change the settings to that in the image below. / / Levels adjustment settings / / / Your image should now look much darker / / model after levels adjustment applied / / / Finally – we need to bring out highlights and for this we use the dodge tool. / / 15. Over on the toolbar on the left, click on the dodge tool to select it / / dodge tool / / / Use a soft large brush [about the size of her whole cheek], set the opacity to 18 and work on highlights in the drop down menu [up the top]. Click and drag once across the eye area, then once down the models right cheek to brighten these areas up. / / Your image is now complete and should look something like this / / finished model / / / I hope you enjoyed this tutorial. The settings will be slightly different with other images of different resolutions but the methods will be the same. When adjusting levels blur etc on other images, use the sliders to get similar looking effects to what you used here and the effects will work nicely for you. / / Good luck everyone, Please come back here and let me know how you got on.
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Hope
by Manolya F.Simply alone as an angel cries / Becoming empty as all her / Hope hides / Simply alone she sits by a window / Bearing wishes of death to Un-fold / Hope lies / Simply alone with out her own home / Beside a story of healing worry / Simply alone and simply Un-known / Hope cries Susan covington
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textures from deviantart / This work sold as matted print / / / © Manolya F 2008. All rights reserved. / You may not reproduce, modify, distribute, publicly display or perform, or prepare derivative works by using my works.
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This image was shot using 35 mm colour transparency film then chemically cross processed (e6 to c41), doing this can give you lovely green hues. The original analogue photograph was then scanned and only the cubed effect was achieved using photoshop. Some cubes were also slightly desaturated with photoshop too.
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June 26th How excited I am! Tomorrow is my birthday, and my sisters have told me that Papa will be arriving first thing, and that he has a very special treat in store for me. Naturally since learning of this, I have been at pains to discover what awaits me. Yet to my utter dismay, when I try to interrogate my sisters , they will only say that they are sworn to secrecy, then glance at one another and burst into infuriating giggles. I feel that if I am to succeed in my endeavour to extract the necessary information before morning, I must first get to each of them separately, then use all the cunning and ingenuity inherited from my beloved father. What springs immediately to mind, is to adopt the guile of one of Nature’s predators and pursue the weaker of the pack. Knowing as I do of Audrey’s great fondness for fruit bonbons, I shall arm myself with said items, and make my way to her bedchamber this very evening. Let us see how long her lips remain sealed when such delightful confection is offered in exchange for her secrets!
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Copyright 2008-2009—© Helen Chierego / This image is protected by copyright law and is not to be used without express written permission from the copyright holder. / Images may not be copied, reproduced, altered or used for any advertising, displays, any other web sites or for any business or promotional purpose or any other way (whole or in part) without prior written approval of the copyright holder. / All Rights Reserved Going through some photos of my grandaughter today and found this one taken at her 2nd birthday party at Williamstown Gardens . She tells me she’s a big girl now! Ha! I took the photo 18 months ago. I played with it in Photoshop, Corel Painter and used Lucis and Nik filters plus a lot of hand work! ouch! Featured in Painted Digitally group / Featured in Australian Portraits group.
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Resources NatgautierStock This work sold as card / MCN: CC1FF-3F52D-78ABF © Manolya F 2008. All rights reserved. / You may not reproduce, modify, distribute, publicly display or perform, or prepare derivative works by using my works.
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Another Portrait Effect In Photoshop
by Alison JohnstonI think this is one of the quickest and easiest ways to get a nice portrait in Photoshop. Again, it isn’t beauty retouching. Unlike the…
I think this is one of the quickest and easiest ways to get a nice portrait in Photoshop. Again, it isn’t beauty retouching. Unlike the Dreamy Glow effect this should :-) be a little more realistic. You can use the image here to start with or use one of your own. Once you have the image open, duplicate it and then you are going to run the Surface Blur filter. If you are working with a version of Photoshop prior to CS2 you are going to have to use the Median filter, this filter isn’t quite as good as the Surface Blur filter but you should still be able to achieve a similar result. I’ve divided my image into two so that you can see what is going on – don’t you do this :-) unless you want to of course. You are looking to keep the lips, teeth, eyes to a certain degree – see image below. If you are working on the same image you can just punch in the same numbers. Still working on the blurred layer, hold down the Alt key and click on the Add Layer Mask icon at the bottom of the layers palette. This will make the mask black (hide all) which is exactly what we want, because we are going to brush back in the Surface Blur. Make sure your f/ground colour is set to white and you have a comfortable size soft edged brush – start painting back in the face avoiding the eyebrows, eyes, mouth and teeth. If you make a mistake, just switch your f/ground to black by pressing x key on the keybaord, fix it, press x again to switch back to white. If you want to make sure that you have painted back in every bit of blur, Hold down the Alt key and click on the mask this will give you a B&W version – see below – and you can fix it from there. Alt click on the mask to take it back to the normal view. I’ve taken the opacity of the surface blur layer down to 80%, you can choose whatever you want. Normally, this is the time where you would start evening out the skin tones, but you’re not going to do that :-) Before you go any further, rename the layer you just did the surface blur on to ….. hmmm …. Surface Blur. Making sure that layer is active, hold the Alt key and click on the new layer icon at the bottom of the layers palette – a small dialogue box will appear. If you don’t change the mode in the dialogue box, you won’t get the ‘Fill with soft light neutral colour 50% grey’ Now you’re going to pick a colour from the original b/ground to use on the face – so, with a soft edged brush selected hold down the Alt key and the brush will change to the eyedropper tool – once you have the colour selected just release the Alt key to go back to the brush. I used R-192 G-141 B-121. This is going to look terrible when you first brush it on – panic not – just dial the opacity of the layer down to about 40%. You will have to be quite careful with this layer, remember you are not working on a mask. The image below has the opacity at 100% and is not completely covered so that you can see what is happening. Turn the opacity down and complete the skin. The image below shows the completed colour with the opacity at 40% You can try some things now, like reducing the opacity of the surface blur layer … if you are using this image try about 55% and you could stop here if you wanted to – but there is more. Leave the opacity of the surface blur layer at 80% for the moment and the colour layer at 40%. All skin has some texture in it and you are going to replace some of the texture that was wiped out with the surface blur filter. Hold down the Alt key and press on the new layer icon at the bottom of the layers palette – fill out the little dialogue box as you did earlier. Now go to Filter>Noise>Add Noise and use 5, Uniform, Monochromatic – press OK to accept. Now go to Filter>Stylize>Emboss and try an angle of -90, height 15, amount 100%. Next go to Filter>Blur>Gaussian Blur and on this particular image try a radius of 0.5 pixels. And there you have the texture for the new skin. Once you are happy with the portrait, flatten the image duplicate the layer change the blend mode to overlay and sharpen with the High Pass Filter – Alt click on the layer mask icon to get an inverted mask (black – hide all) and with a soft edged brush, brush back in the areas you want sharp. Try different opacity levels for the surface blur layer and the texture layer. I’ve gone ahead and lowered the opacity of the colour layer to 20%, left the blur and texture layers at 80% then used seperate layers created in the same way as you did before but without clipping them with the previous layer, to burn the eyebrows, eyelashes, eye makeup and hair – then did the same to use some dodge on the eyes and hair. You could also use another layer to slightly sharpen the image overall to give the skin a less blurred look, as I have in the image below.
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More Effects For Portraits In Photoshop
by Alison JohnstonThe start image is brought to us by mirimcfly over on Flickr, you can find it HERE...
The start image is brought to us by mirimcfly over on Flickr, you can find it HERE The image is available with a Creative Commons License, which you can read about HERE You’ll notice that the image is a little flat i.e. not very much contrast going on, and this will suit the type of effect you are going to do very well. The settings are relevant to this image 1024X768 @72dpi, but personal taste has a lot to do with the settings as well, so please experiment and don’t take the settings I apply as stock standard. There are a gazillion ways that you could finish this effect with, I’ll show you a couple of different ways at the end. I’ve added a comparison image below of the original colour image, the desaturated image and a (maybe) final version of the image and also a look at the layers you will using. Open the image, Ctrl + J to duplicate the layer, I used a black and white adjustment layer set to Green Filter to desaturate the image. If you have anything before CS3 you won’t have this available to you, so I have added the image above for you to work with (incase you were wondering what that was for). Open both images – the Start image and the desaturated one, then make sure the move tool is selected by pressing V on the keyboard. Hold down the shift key and drag the desaturated image onto the coloured one. Then duplicate the desaturated layer. If you have CS3/4 you can use the Green Filter and then Merge down and then Ctrl + J to duplicate. You should have 3 layers – the original colour layer and 2 desaturated layers. Change the blend mode of the top layer to Overlay and go to Filter>Other>High Pass and use a radius of 20 pixels. Click OK to accept that and then hold down the Alt key and click on the add new vector mask at the bottom of the layers palette to assign a black (hide all) mask to the layer. If you’re working along with the same image as I am then you can simply brush back in the face,neck, ear, hands, arms with a white soft edged brush. You want the High Pass effect to be visible on those parts. See image below. Make the mask pretty accurate because we are going to use it over and over again throughout this project. Ctrl + Shift + Alt + E to stamp visible then go to Filter>Blur>Shape Blur, use the Hexagon shape set to a radius of 5 pixels. Take the layer opacity down to 30%, blend mode set to normal. Ctrl + Shift + Alt + E to stamp visible again, change the blend mode to Overlay and then go to Filter>Other>High Pass and use a radius of 10 pixels, take the layer opacity down to 50% add a layer mask by Alt + clicking on the Add Vector Mask at the bottom of the layers to add a black mask (hide all). Hold down the Alt key and drag the mask from the first High Pass layer onto the layer mask, let go when it is over the layer mask thumbnail – a small dialogue box will appear asking you if you want to replace the mask click yes. You should end up with something similar to the image below. Ctrl + Shift + Alt + E again to stamp visible and then go to Filter>Blur>Shape Blur and choose Hexagon with a radius of 5 pixels. Take the opacity of the layer down to 50% blend mode set to normal. This blur will be used on the b/ground, not the man, so add a layer mask by clicking on the add vector mask at the bottom of the layers palette (white mask). Grab the layer mask from the layer below Alt + Click + drag and drop it onto the layer mask thumbnail. Ctrl + i to invert the mask. You might have something like the image below. You could leave the image at that if you wanted to. Maybe give it a bit more contrast and a sharpen, or you could carry on doing some more things to it. In the image below I’ve used a Hue/Sat adjustment layer set to colorize with Hue 200 and Saturation 5 Brightness to 0 – opacity set to 50%. I’ve used the mask to confine the adjustment to the man. In the next example, I’ve dupicated the original colour b/ground and dragged it to the top of the stack, changed the blend mode to soft light and taken the layer opacity down to 50% The next image shows what happens if you leave the blue adjustment layer turned on underneath the original coloured layer. Next, I decided that I didn’t like the quite white background of the composition so I added another Hue/Sat adjustment layer, chose colorize and used Hue 25 Sat 10 changed the blend mode of the layer to Multiply and took the opacity down to 75%. I used the mask again to isolate the effect to the background. Next I used a Levels adjustment layer and took the middle slider to 1.25, then used a radial gradient on a mask to lighten the image in the centre. Then I used a vignette to darken down the edges. Next I used an S curve in a curves adjustment layer to give it a bit more punch and confined the effect to the man with a mask and finally I used a High Pass layer to sharpen the image, radius set to about 2 and a mask to again confine it to the man. Below is my final image, if you have any questions, just ask. Have fun!
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New title ideas anybody? Canon 450D / F-stop: 4.5 (-0.3 exposure bias) / Exposure time: 1/25 sec. / ISO-speed: 200 / Focal length: 30mm Cross-processed on photoshop CS3 and I added some noise. Oh yeah, nooise. Basically, I was like, hitting walls all over the place – metaphorically and physically – so my dear Andy set me a challenge to take a self-portrait of myself using one prop (I kinda pushed that a bit..) that reflected how I felt. / I think I like it. / Can I point out that the focus on my face in the negative was deliberate and not a fluke? Quite pleased about that. / A friend thinks this is just TOO out of focus, but I originally thought that just reflected how out of focus I felt. Help me out here – what do you think? Featured in: / European Everyday Life / Artistic Feminine Photography / Out of the Past / Big and Beautiful People / Photographers Self-Portrait / Young Enthusiasts
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This was created for my birthday on 13/June,lol / Gemini / The Twins / May 22 to June 21 / Third sign of the zodiac, mutable, air sign. ruled by / mercury….possible start of a series Traditional / Gemini traits Adaptable and versatile / Communicative and witty / Intellectual and eloquent / Youthful and lively On the dark side…. Nervous and tense / Superficial and inconsistent / Cunning and inquisitive Correspondences for Gemini : / Element – Air; Symbol – Twins; Metal – Quicksilver; Color – yellow/grey; Ruler – Mercury; Stones – Diamond, Agate, Topaz. / I hope all you Gemini’s enjoy. And all you others too of course. / / / Big thank you AnnaMarie for this truly awesome poem / Gemini by Anaisnais / With a fondness of life, / jest and pleasure / You’re a lover / of unmeasurable attention as ever / In the third sign of the zodiac / known for storytellers / Of elements Fire and Air, / masculine considered / Diurnal or day orientated, / Physically or mentally related / Primarily focusing / on spirituality and activity / Being adaptable, eloquent, / versatile and lively / Youthful, witty, logical, / spontaneous, communicative; / All thes bing positive traits / are held back by the negative / For you’re changeable, inconsisatent, / cunning, nervous and inquisitive / Restless, superficial,tense / and gossip – well you’re talkative / You hate to be stuck in a rut, / or being left alone / Love novelty, variety, / anything unusual or unknown / Working multiple projects at a time / you’re addicted / Disliking mental action, conventional learning,m / being restricted / Gemini’s inclined to direct energies / into the world around them / Anatomy – rules arms, shoulders, / lungs and nervous system / A strive to learn persevearance / and culture depth / Subjects are lovers of language, / poets, bard, or wordsmiths Thank you Anna-Marie for let to share this beautiful poem here. All Origional art work can be purchased through the artist. —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-——- Copyright notice: / All rights reserved. All images contained on these pages are © copyright protected by Mariska and any use of these images in any form without written permission will be considered an infringement of these copyrights.
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This is my beautiful friend Nathalie, in a Tara-style portrait….all photos and textures used my own, with the exception of the original photo of Nat. :) The brightly coloured background image is a pastel drawing my girls and I did together a few weeks ago. All images combined using Photoshop Elements 2.0. Canon Powershot A480 point and shoot for butterfly and textures. Proudly New Zealand-made. :) Uploaded July 27, 2009. SOLD – Four greeting cards of this image, July 2009. Featured in The Patchwork July 27, 2009. / Featured in All The Colours Of The Rainbow July 27, 2009. / Featured in #1 Artists of RedBubble July 27, 2009. / Featured in Eye Macros July 29, 2009. / Featured in Accentuate the Eyes Aug 4, 2009. / Featured in The Scavenger Hunt Aug 16, 2009. / Featured in The Divine Feminine Aug 25, 2009.
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FEATURED IN CAPTURING EMOTION PHOTOGRAPHY GROUP /
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. just havin’ fun… . o9.12.2oo9 / acrylic on canvas (12” square) / photoshop .
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. past the dragonflies’ graveyard / and past the night sky / where a rainbow once hung / she weaved black dreams / that had no edges / with a song / that would drown every sailor / of seven seas she stroked her lashes / with black velvet / and wore her black dreams / and her black cashmere she made it her home . 1o.o5.2oo9 / acrylic on canvas / digital (photoshop) .
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a bit different . 1o.14.2oo9 / acrylic on canvas / digital (photoshop) / 24”x 30” / .
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. seriously i’m / twenty eight at high noon / 34 23 34 / hot in bikini will be / thirty two tomorrow / perfect and deliciously seasoned was / forty five yesterday / desirable and goddessly and tonight / i’ll be seventeen / virgin and naughty i grow sesame seed leaves in my heart and today / my name is milan… : ) . 1o.17.2oo9 / acrylic on canvas / digital (photoshop) / 24” x 30” .
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