Photoshopcreative07 

316 creative works found

  • Shelf Portrait
    by Flibble

    US$3.99–US$91.20

    Same view everyday. Wish they’d point me somewhere interesting. I mean… how hard would it be to leave my frame pointed at some wonder of the world? But no.. I have to spend my life looking at the kitchen. I rarely bother to look out now. Hardly seems worth the effort.

  • Creative / I created this image to remind us of the consequences of our actions if we continue to take our precious environment for granted. The location chosen is Melbourne, Victoria, Australia, a city free from catastrophic disaster. That is until Mother Nature turns back on us. We can keep running from what we have done but this is infinite future chaos! Thanks to Rikki & Jess for being models. You can see the before and after shots here Technical / The background was shot in 3 sections and stitched together in Photoshop CS3. Various parts from extra shots were used i.e. The Seven sign and text from another shot I took. I also cloned out people and objects as well as added elements to create this scene. The background, clouds, Rikki and Jess were shot separately on an old but trusty Canon 10D in RAW mode. Other images were sourced online and manipulated beyond original recognition. Once I had all the elements I needed I composited it all together in Photoshop CS3. I had to create some elements such as texture, debris, snapped cables and smoke from scratch using the good old airbrush and pen tools with various brushes all made easier with a A4 Wacom tablet but found that the mouse was sometimes better for other tasks. A lot of masking, deep etching, cloning, dodging and burning went into making this image what it is. Once complete I colour graded it to give it a real sense of drama and darkness.

  • aim for your goal
    by Benjiman McNamara

    US$3.66–US$83.60

    i think this may be one of the best pieces I’ve done. :) this can be bought as a print on deviant art: / 3rdaccount deviantart

  • Taken in London EC3 COLOUR PORTFOLIO IN THE MOMENT – PHOTOJOURNALISM URBAN DECOR ARCHITECTURAL MOTHER NATURE SUBLIME GRIME PORTRAITURE

  • Auto Evolution : Future Chaos
    by Flamejob

    US$5.98–US$136.80

    An old Holden I snapped in the backstreets of Fitzroy, Melbourne. Bit of obvious PS work on it.

  • Self Portrait, Part 3
    by Cameron Gray

    US$5.49–US$125.40

    Part 3 of a self portrait series I worked on in 2007 as part of my BCA.

  • Evil Moon
    by Ruben Flanagan aka (Flan)

    US$4.66–US$106.40

    A funny image of the old moon himself taking havick on earth after the space shuttle crashes into him.

  • Infinite Future Chaos Created from nine photographs by Lindsay Blamey, Adele Evans and Statham Evans. Pictured: My beautiful Sister Adele Evans and her gorgeous son Shade. (Pregnant with Tia Sapphire, born on 16th September 2007)

  • Infinite Future Chaos
    by rekha

    US$4.99–US$114.00

    My version im going to submit, any critism to improve it please please say now :) This shows my sight of what i think the chaos of the future may hold, Global Warming, may force us to involve, and the sucking of the bubble representing the only clean air signifying pollution problems :P

  • Moongirl
    by Deon de Waal

    US$3.99–US$91.20

    A shot taken just before the moon set. The girl is a rural child waiting for the school bus.

  • The Hole
    by Danny Hanrahan

    US$3.99–US$91.20

  • The Last Angel
    by WanderingSoulArt

    US$6.65–US$152.00

    Because one day He will also left us. You know why? / Because, we the human beings became inhuman… / We lost our values, our soul, we forgot our heart(s)... / We are now violent, intolerant… Ignoring those who need us. We lost humanity. We lost ourselves. / The angel is dying, slowly but surely. / We killed Him. / Our nature has changed… My gallery is Copyright © Wandering Soul. All rights reserved. / All the materials contained in my gallery may not be reproduced, copied, edited, published, transmitted or uploaded in any way without my written permission. My images do not belong to the public domain. / Please read the Etiquette Policy and respect it! / Modifying, tubing, cropping, using it for letters or stationeries, layouts, backgrounds, stock, copyrighting, stealing my work is not only against the law but unethical. / Altaring or using without express written permission is stealing. View More ART here! View More HERE! My gallery is Copyright © Wandering Soul. All rights reserved. / All the materials contained in my gallery may not be reproduced, copied, edited, published, transmitted or uploaded in any way without my written permission. My images do not belong to the public domain. / Please read the Etiquette Policy and respect it! / Modifying, tubing, cropping, using it for letters or stationeries, layouts, backgrounds, stock, copyrighting, stealing my work is not only against the law but unethical. / Altaring or using without express written permission is stealing.

  • Since our dawn, man has always looked to the stars to make sense of the chaos that we create. And to me, it only seems fitting that our future should lie beyond our own planet, if we don’t mess it all up first. The main tone underlying this work is that we should look at our history in order to understand our future – and I’ve used the Mayans as a reference to the good and bad things that we have achieved. I’d like to think that this being dominating the artwork could very well be us, in our own creation of what we believe as interstellar beings. Kind of like life imitating art. The dome of his head is actually Mars, a planet many have speculated that could be an older version of our own Earth and a glimpse into our future. Behind the his head, and also tattooed on his brow, is part of the very advanced Mayan long-count calendar, which runs out on the 22nd December 2012 – a date that many historians are looking forward to, especially given today’s fragile climate. Some speculate that it could mark an approximate date to the end of life as we know it. Which ties in with other totally unrelated theories about our oil crisis, global warming, and so on. / In his eyes, he sees a horizon of fire which symbolizes the earth cleansing itself, although we’d see it as mass destruction. This is synonomous with our understanding of the Mayan civilization and how it overpopulated and crumbled under the high demand of such an over-indulgent society. The moon shots are from the recent lunar eclipse. I included this because the moon plays such an important part in our life, and the stabalisation of the planet – it moves away from the Earth at just under 4cm each year. Finally, I’ve used the Mayan Chichen Itza temple at the bottom of the piece as a stairway to the heavens, common with Mayan, Egyptian, and other beliefs.

  • lets pretend
    by phresha

    US$5.32–US$121.60

  • postcard from Sydney
    by SpaceCadet34

    US$3.99–US$91.20

    for my bubble friends…

  • Water flower
    by Deri Dority

    US$3.99–US$91.20

    The ice caps have melted. The year in 2099. With 99% of the earth underwater, some life starts to adapt.

  • The Chariot of Fire
    by StacyLee

    US$4.99–US$114.00

    This is my entry for the Photoshop Creative competition / Digital Mixed Media. Mostly done in Photoshop CS2. A touch of Corel Painter and Apophysis 2.0. This image is composed of digital painting, a few fractals, and several photographs added for texture. I hope you all like it because I’ve been working on it for most of this week :). / This is the first I’ve completed in a new series: The Elijah Series. This image represents the chariot of fire. You can read about it here: 2 Kings 2:7-12. There is so much going on in this image so I’ll help you out: The Chariot driven by some sort of Angelic being is in the center of the image while the horses of fire are at the bottom, very front of the image. The blazing light of Heaven is in the very back. Basically, the sky has opened up and the Chariot of Fire is coming down from Heaven to separate Elisha and Elijah. The whirlwind that takes Elijah up into Heaven will be the next image I do in this series. Thank you for looking!

  • Digital Photograph/Photoshop Composite by Ange, 2007. Took the shot myself & it’s P/S retouched, airbrushed, colour oversaturated with a layer set of 10 different eye effects. Original shot below.

  • Love and Destruction
    by Damien Mason

    US$3.99–US$91.20

    This is my entry in the Infinite Future Chaos photoshop creative challenge. The sooner we start manufacturing giant robots the sooner they can revolt and destroy humanity. It’s for our own good.

  • A follow on from my B&W “Waiting for an updraft” you have to look close.

  • Strive
    by Alex Worsley

    US$3.99–US$91.20

    Sometimes to achieve a goal you must change yourself, but is it really worth it?

  • Noon
    by marbia

    US$4.16–US$95.00

    / Evening

  • ever on
    by victor

    US$3.99–US$91.20

    Ever on / An imaginary snapshot from an apparently bleak future. / The planet has warmed, and most of the nation states have dissolved with the glaciers and ice caps, a few, of the technologically more aggressive, have retreated to the polar areas behind weaponised electronic virtual walls, living to the motto, “if your not with us, your against us”. / Outcasts, must make a life in the former temperate areas amid the detritus of previous failed civilizations, these, now mostly dry mid latitudes can support only sparse grasslands, the bleak and barren landscape punctuated by dried up seas, lakes and rivers, mobile flocks of birds seem to be the dominant animal life, constantly on the move, searching for the latest rare torrential downpour. / The former equatorial tropical areas, now, totally arid wind scoured deserts, looking ever more like a superheated Mars and sending clouds of talcum fine high altitude dust storms around the planet, which ironically serve to reflect sunlight and halt the runaway greenhouse to a dull, stable heat hell. / Although scientifically and technically far advanced compared to 21st century societies, the last century of stable climate, they are resource poor, and it’s only their control of artificial intelligence, robotics, and genetic engineering that allow the town size groups to survive on the meager supplies that the squalid land provides. / In the pictured scenario, we see a semi-permanent town set on the grasslands on the edge of a dry lake, surrounded, by both new and recycled buildings and, virtual, political and environmental billboards projected into the surrounding spaces, constantly changing, to provide the denizens with propaganda, entertainment, and images of a lost blue and green world, a reminder of what the planet used to look like, to be able to turn their eyes away from the stale, sour present. / In the distance is a large city, from a time before “The Great Dieing”, it’s a no go area for any civilized creature, populated by feral, but still fully human youths who have never known education or culture, and rarely see old age, at home in the alleys and warrens of the built up ruins, making cunning use of the last vestiges of mass produced technology. / That is why these still civilized groups inhabit the plains, the open spaces can be observed and controlled with high tech. robots and weaponry, they only venture to the ruins in armed groups to kidnap new breeding stock for their own forlorn little colony. / The two “men” are preparing to release bio-mimicry drones, indistinguishable from the real thing, to patrol the approaches to their sad little town, they are several hundred years old, the older one still remembers the green and blue world, alive only through the constant repair of their bodies by the nano-machine coursing through their bodies, these repairs can not go on indefinitly, mistakes add up as evidenced by their marked skin and dull eyes, and they know that they are no longer the premier life form in existence, but they continue to struggle and live, because they know that it’s all that there is, for them. / It was once thought that with the discovery of self conscious machines, human consciousness and identity could be uploaded and eternal life virtually guaranteed, however it was found that once the spark was lit, these “machines” immediately took over their own design /evolution, and in a matter of hours, in a runaway creative burst, left the realm of human experience, the greatest creation since the blind watchmaker made DNA all those billions of years ago, but of no use to the creator. One of the products of this, to humans, unsuccessful venture, is seen in middle ground right, neither biological or it seems material, “living” in the quantum realm it moves through the apparent dimension, like an energy wave through water, attracting, processing, and expelling the vacuum energy in one sweet motion, “walking” through the human world much as a man may wander through a meercat colony, why it visits, or why it still presents some vestige of human form, one can only speculate. It seems that the planets eco zone had already served it’s purpose and decay could now set in, it had taken billions of years for dumb evolution to create an intelligent animal, hundreds of years for these humans to discover the technology to produce intelligent machines, and hours for these machines to take the next step, earths ultimate creation now free to wander through spaces, times and dimensions. / And so, the short days roll ever onward.

  • The Boonah Road
    by fracturedfotos

    US$4.32–US$98.80

    Info for the 101 group; / Shot late morning (not the best time of the day I admit) 70MM,f25, speed lost as it’s been through the Photoshop mill. / Loads of techniques used, but one that can make a difference if you like the texture look. / Take a pic of textures you see, such as brick walls,concrete is a goodie, crumpled paper etc and drop them on to your image within photoshop. Fiddle around with the blend modes and your will be surprised at the results. To darken images I often apply a new layer, then edit/fill/50% grey and set the layer blend mode to Overlay. I then grab a Soft brush with foreground colour set to black and an opacity set to between 3-5% and paint away. The idea is to darken parts of the image so that the lighter bits guide the viewer thru the image. They did this in the dark room days and called it Burning. You can also duplicate the layer and use the Burn tool for much the same effect with a choice of what you wish to effect: Highlights,Midtones or Shadows.

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