Photoshop white 

1224 creative works found

  • A horror piece inspired by the multitude of atrocities man/woman inflicts upon him/herself and the rest of the world for personal gain, and in a lot of cases just for the hell of it.

  • J.Y
    by Ange

    P/S Retouched by Ange. Digital photograph shot by Jerry Kang in Surry Hills, Sydney, 2007. Model: J.Y. Retouched eyes (creating cat eyed effect), enhanced lips, defined eyebrows, enhanced cheekbones, airbrushed face & lengthened body. Extended foreground of shot. Added desaturated tone & curve adjustment. Original shot below.

  • Misa
    by Ange

    P/S retouched by Ange. Digital photograph shot by Allanah Poole in collaboration with Greg Parsons, 2007. Model: Misa. Retouched & airbrushed face, brightened eye, defined eyebrow, enhanced cheekbone/lips/nails, lengthened body & added desaturated sepia tone. Original shot below.

  • Photomanipulation. Photoshop CS2. I know your works. See, I have set before you an open door, and no one can shut it; for you have a little strength, have kept My word, and have not denied My name. ~Revelation 3:8

  • Thank you everyone for your lovely comments !! Available as a matted print , laminated print, mounted print, canvas print framed print and card . Summer And Polkadots / / Patterns#2Red Hill All Origional art work can be purchased through the artist. —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-——- Copyright notice: / All rights reserved. All images contained on these pages are © copyright protected by Mariska and any use of these images in any form without written permission will be considered an infringement of these copyrights.

  • This pic I could not resist taking because the light was just right. The Eye in the background is another pic of myself that I photo shopped in. I thought that the closed eyes with the open eye in the background gave it a nice effect as well as using B&W. Directly below is the image before I photoshopped the eye in the bkgrnd.

  • / ...................................................................................................... / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-- A little photoshop fun to an old Infrared Shot / Northfiled Ohio Infrared Shot / Canon Powershot S3 IS / IR Filter / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Click to View By Category: / -—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / - Waterfall Photos / - Selective Coloring / - Infrared Photos / - Black and White Photos / - Animal Photos / - Downtown Cleveland ............................................................................................................... / ................................................................................................................

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  • não há banda….. não há orquesta…..... silêncio! ’’music at funeral..must be the dying one’s music of life.. because there is always a melody attends us for a lifetime.. some runs circles, some goes faster, some are lyrical and some sad.. but the worst one stops suddenly.. which you cant understand if it ended or not.. thats the suicide.. mine was a little different than this.. cause love was a suicide from the beginning.. for that reason play a sad song at my funeral.. which is rainy.. which has rose smell.. which has no color, no taste inside.. and which ends suddenly.. this is the last time I commit suicide..’‘ stocks from / http://gilraen-stock.deviantart.com/ / http://venommistress.deviantart.com/ This work sold as card, mounted print and mostly framed print /

  • Canon Digital Rebel 400D / —-—-—-—-—-—-—-—-—-—-—-- / / ................................................................................ / Lunch time at the Easton Mall in Columbus Ohio / Selective Coloring and post processing / -—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Click to View By Category: / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Waterfall Photos / - Selective Coloring / - Infrared Photos / - Black and White Photos / - Animal Photos / - Downtown Cleveland ...............................................................................................................

  • textures from deviantart / This work sold as matted print / / / © Manolya F 2008. All rights reserved. / You may not reproduce, modify, distribute, publicly display or perform, or prepare derivative works by using my works.

  • Harley…........By Martin Muir Just kept listing to the great song over and over and came up with this,also influenced by the dark knight.

  • Drawn in photoshop using a wacom pad. This is my regular version. Next, I will mess around with the stripes/colors :)

  • Drawn using a wacom pad and photoshop Another version of /

  • thanks so much ROMO / for allowing me to play with your image: / / from Romo’s picture of DC, / to the manipulative entrails of my PC… / distortions…using grid meshes and a perspective plug-in / digital paintings… the sun and the birds of sin, / dodges and burns and many a transparency, / to create the disturbed sky of mystery… / a dab of color enhancements and camera flares, / to constitute that dramatic effect imbuing nightmares… / channel mixers and noise reductions, / threshholds, 3d effects and tone corrections… / all constitute the creation / of this incubus amalgamation / of the horrific tribulation that besets / that Person in office…, yes in sorrow he frets….

  • Drawn with wacom pad using a photo reference. Also check out /

  • This is for the HDIR group challenge. The original image is infrared. Taken on my old FujiFilm FinePix with an R72 filter attached. I used Topaz Adjust to get the HDR effect on the leaves of the tree. The challenge stipulates a reflection….so I made one ..(I hope) by inverting the original image and adding some motion blur and altering the perspective. Then I added a layer of texture ..I felt it just needed something else to finish it off. Oh, and the title comes from a band called “LIVE” from their CD “Mental Jewelry” It’s playing at the moment on my computer and I thought it was appropriate.

  • this is my adorable son and our dog – the two of them have such a lovely bond it is really sweet to see and i think this captured it really well, but i can see why they say working with animals and children is not always the easiest thing to do… taken with a nikon D80 + 50 mm 1.4 nikkor lens on a tripod with a flash and soft box (over the flash) ISO: 100 / f/stop: f/1.4 / shutter speed: 1/250

  • Masking - It's more than black and white - Photoshop Tutorial
    by Alison Johnston

    We all know about masking – White Reveals, Black Conceals or Hide All (Black) Reveal All (White). So what about the other 253 shades/ton…

    We all know about masking – White Reveals, Black Conceals or Hide All (Black) Reveal All (White). So what about the other 253 shades/tones inbetween, have we forgotten about them, and how can they benefit us. We can use masks to precisely perform an adjustment/filter/effect on an image, but also use it to give varying degrees of the adjustment to certain parts of an image. Think of it in terms of 255=white 100% revealed 128=grey 50% revealed or 50% hidden, whichever way to want to look at it .. and 0=black 100% concealed. It’s all those different shades inbetween that can add an extra dimension to an image – or as Chris Orwig likes to say “Subtle, yet Significant” You can borrow my image to practise on if you like, copyright is mine etc., Open the image and duplicate the b/ground layer by pressing Ctrl + J on the keyboard or dragging the layer to the create new layer icon at the bottom of the layers palette. Take a few moments to look at the image (your image, if you have one of yours open) and really think what you want to do with it and where you want the viewers attention to be focused. In my image I’d like to hit some of the b/ground with a Gaussian Blur to increase the shallow Depth of field. I’d also like to do something with the green stem sitting right in front of the flower. Cloning it out might be a pain in the bum, so using some of the Gaussian Blur on that might be a good idea. I’d also like to take the back petals a bit more out of focus, but not a great deal. You can do all that on one mask using different greys as well as the standard black & white that we associate with masking. Go to Filter>Blur>Gaussian Blur and I’m going to hit this with a 10 px blur – you might want to choose something lower or higher. Hold down the Alt key and then click on the Add Layer Mask icon at the bottom of the layers palette, you will be presented with a black mask (hide all). Make sure the f/ground colour is set to white and choose a soft edged brush and start painting over the b/ground area. Zoom in and out as necessary Ctrl + the plus key to zoom in – Ctrl + the minus key to zoom out. Hold down the spacebar to temporarily get the hand to move around the image. If you make any mistakes while doing this, simply hit the X key on the keyboard to get black (provided your b/ground colour is black) and paint over to fix. You may end up with something like the image below. You can also check on your painting abilities by holding down the Alt Key and clicking on the layer mask. See image below. Hold down the Alt key and click on the layer mask to go back to the normal view. You can paint directly on the mask to make sure you have everything selected. Lets have a look at that two petals at the back of the flower. I don’t want them to be waaay out of focus like the b/ground, so I’m going to try a 50% neutral grey i.e. 128, 128, 128. Bring up the Colour Picker and in the RGB section use 128 for each of them. Paint over the two petals behind the flower. Your layer mask will now look something like the image below Okay, now lets deal with the leaf thing. I don’t want the blur effect completely revealed like the b/ground and I don’t want it as subtle as the petals, so lets try a darker grey. Bring up the colour picker again and in the RGB boxes try 200 and paint over the stem/leaf thing. Your mask might be looking similar to the image below. We really need to do something about the bright green. Click on the little ying yang symbol at the bottom of the layers palette and choose Hue/Saturation from the menu. Choose greens from the drop down menu at the top of the dialogue box. Use the eyedropper tool to select one of the greens, then use the eyedropper with a + sign next to it to add some various shades. Take the saturation slider all the way down to -100. Click OK to accept that change and then click on the white layer mask and press Ctrl + i to invert it (black – hide all) Open the colour Picker (by clicking on the f/ground colour) and pick 64-64-64 for the RGB colours – paint over the stem/leaf. Change the f/ground to a neutral grey 128-128-128 and paint over the b/ground area. Your layer mask might look something like the one below. Create a new Hue/Saturation adjustment layer, and this time just increase the Saturation by +15 on the Master. Click on the white layer mask and then use Ctrl + i to invert it. I used a white brush to paint over the main flower petals and then took the layer opacity down to 50%. You can carry on doing this to your hearts content, at the end of the day you will probably want to sharpen selective areas as well. You’re going to do a Stamp Visible (you may want to phone a friend to help with this keyboard shortcut) Make sure the topmost layer is selected, then Ctrl + Shift + Alt + E will place all the layers below in to one single layer, whilst still retaining the layers below. If you adjust the layers below, the adjustment will not be visible on the Stamped layer. Once you’ve done that, duplicate the layer and change the blend mode to Overlay. Go to Filter>Other>High Pass and choose a radius of 3 pixels. Hold down the Alt key and click on the Add Layer Mask icon at the bottom of the layers palette. The mask will be Black (Hide All) Go about the business of selecting various shades of grey – white etc., to bring some areas into sharper focus than others. Just to finish off this image you may want to create a new selective colour adjustment layer and choose whites from the drop down menu – make sure Absolute is checked at the bottom of the dialogue box. Move the Yellow slider to about +10, click OK and then click on the layer mask and press Ctrl + i to invert it. Use a white brush to take out some of the glaring white areas and then take the layer down to 75%. And there you have it. You will probably take much more care than I have. Have fun!

  • For a challenge Andy set me. Self-portrait. The mask is makeup. / Canon 450D, edited on PS CS3 / Massive experiment with lighting techniques, post-editing techniques.. etc. Believe it or not. Featured in: / The Human Condition / Makeup Creations / Redbubble Featured Art & Photography (YAY!) / The Woman Photographer / Studio Lighting / Artrageous RB Artistis / Behind the Mask x2 / Model Beginnings / Moody, Dark and Evocative / Young Enthusiasts x2 / Photographers Self-Portrait / Make-up Creations / Challenge Weekly A collaboration with the incredible erika15, this is her poem Puzzle, and it’s amazing. SO GO COMMENT. Puzzle / many faces / many masks / throughout the day I wear / all fragments and pieces of me / like puzzle pieces / always moving around- a Rubik’s Cube / and I feel like a carnival in Venice / Mardi Gras in New Orleans / a Cirque du Soleil / a costume party on all Hallow’s Eve / a master of disguise / as I arrange and rearrange / to try to connect and make a whole but my puzzle is never completed / throughout the day / I just keep moving different pieces around / wearing different faces / like the moon’s phases / fragmented / divided / I always am then I sit / and retreat / to my inner place / where I gather my pieces / like flowers plucked from a meadow / and slowly one by one / they all move into place / the paint of runs off my skin / I shed the mask of the day- / the wild circus of the day / and my puzzle is complete / I am me / dreaming, thinking, creating and I find that only one knows all of me / very few know me well / but it seems that with you / I always exposed half of me / the other half -I hid away and I still do / my secret side / you wouldn’t understand / my words would be lost / in translation like Egyptian hieroglyphs / or a Morse Code / as I try to explain myself to you / and you would see me in a different light / so I’d rather keep things this way / where you only know the simple side / and my complex world / remains buried inside

  • Done in Apophysis and then finished in photoshop with wacom pen and pad. The Nature of the Spirit / Bold yet so Tender / Dancing yet standing still. MUSIC Featured in CORE / Featured in Digital Brushstrokes / Featured in THE SISTERHOOD / Featured in ABSTRACT DIGITAL ART AND WRITING / Featured in True Potential / Featured in Color Me a Rainbow / Featured in Paintings Modern and Beyond-PiMT / Featured in Sisters in Arms / Featured in EMI Illistrated

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