Photography working 

1057 creative works found

  • Taken on Fuji S3Pro / 1948 views

  • LIFE IS NOT FAIR

  • Portrait / Architectural / people/culture / Macro / Landscape / Still Life / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action. —-—-—-—-—-—-—-—-—-- / Gone Too Soon / / Like a comet / Blazing ‘cross the evening sky / Gone too soon Like a rainbow / Fading in the twinkling of an eye / Gone too soon Shiny and sparkly / And splendidly bright / Here one day / Gone one night Like the loss of sunlight / On a cloudy afternoon / Gone too soon Like a castle / Built upon a sandy beach / Gone too soon Like a perfect flower / That is just beyond your reach / Gone too soon Born to amuse, to inspire, to delight / Here one day / Gone one night Like a sunset / Dying with the rising of the moon / Gone too soon / Gone too soon Baby Face

  • My wonderful model – Jasmine Makeup, hair, wardrobe – Melissa Vowell Small Black Box Frame on Bright White Matte

  • Enjoy!

  • Sunset at Kedonganan beach Bali / Kedonganan well known as the largest Fishermen village in Bali Island / it was taken after the Sunset..the real life of Balinese fishermen at that hour / its all about their boat, their net , their sea and their sunset / its their life..hope you like it and thanks for looking Ant Click the avatar to see the shots of this series / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-——- / / Portrait / Architectural / people/culture / Macro / Landscape / Still Life / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love —-—-—-—-—-—-—-—-—-- All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action. —-—-—-—-—-—-—-—-—--

  • / Another sunset at fishermen village Kedonganan beach Bali / Kedonganan well known as the largest Fishermen village in Bali Island Indonesia thanks for looking Ant / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Click on the avatar to see this series of shots / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / End Of Days / Night falls / as the murmur of voices / is heard / from the edge of the sea / fishermen heaving their boats / o’er the strand / to lie in the lee / safe from the waves / and tide / on the shore / fishermen singing / and mending their nets / in a pool of sunglow / by the edge of the sea / deep shadows / clear etched / as black as can be / against the day’s end / a picture to save / of a hard simple life / a vanishing way / like the sun as it sets / on a near perfect day Jen / 24/1/08 / / Pijinlane Portrait / Architectural / people/culture / Macro / Landscape / Still Life / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love —-—-—-—-—-—-—-—-—-- All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action. —-—-—-—-—-—-—-—-—--

  • Portrait / Architectural / people/culture / Macro / Landscape / Still Life / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love —-—-—-—-—-—-—-—-—-- All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action.

  • / Nikon D200 with Lens AF-S VR Zoom Nikkor ED 18-200mm f/3.5-4.5G IF-DX / Batavia is an old Dutch name for Jakarta..the capitol city of Indonesia .. taken at the city harbor .thanks for looking / Ant / Portrait / Architectural / people/culture / Macro / Landscape / Still live / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action. / In case you miss it..my recents work..thanks in advance!* / /

  • Most know of Pakistan as a third world fanatical Muslim country full of terrorists. I have lived in Pakistan, my parents were born and raised there and though it has its many faults it also has its many beauties, its many treasures and many things that I love and cherish. At Work is a picture of my maid, Sakina in her small and modest home where I captured her hands as she used two rocks to grind herbs and spices to make that nights meal. This is a method still used in homes where a mechanical grinder is a luxury and not a necessity. According to Sakina and her mother, herbs ground on a rock maintain the rich flavors that are often lost by all our machines.

  • Nikon D200 with AF-S VR Zoom Nikkor ED 18-200mm f/3.5-4.5G IF-DX / Nikon SB800 Flash Light attached Another sunset at fishermen village Kedonganan beach Bali / Kedonganan well known as the largest Fishermen village in Bali Island Indonesia thanks for looking Ant / Click on the avatar to see the earlier shots / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / Portrait / Architectural / people/culture / Macro / Landscape / Still Life / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love —-—-—-—-—-—-—-—-—-- All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action.

  • Fishermen morning activity at Bali Indonesia. Preparing their gears for the day. / Taken with Nikon D300 VR 18-200mm F/3.5-5.6G with Filter ND4 / Focal length 42mm, Aperture f/16, Shutter speed 1/50s at ISO 400 / Thanks for looking..much appreciated! / —-—-—-—-—-—-—-—-—-—-—-—-—-—- / Portrait Architectural People/Culture Macro Abstract/Still Life Animal Nude/FineArt SunsetCollection Flowers My Verty Blue Diary Shinjiu Kawaii The Lady and Her Romance The Story Book of Children The Book Of Love —-—-—-—-—-—-—-—-—-—-—-—-—-- / In case you missed it..my recent work..thanks in advance! / / -—-—-—-—-—-—-—-—-—-- Check out my blogspot and My website Click on the image below All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action.

  • A lovely butterfly resting on a tree trunk. / INFO FOR SOLD!: / Sold in Matted Prints & Cards, here on RB, by mystery buyers.

  • Taken with Nikon D300 with 50mm F/1.8D / Focal length 50mm, / Aperture f/8, / Shutter speed 1/250s / at ISO 200 / WB Cloudy, A4, G2 / Picture control Neutral~ Sharpening 8 / Thanks for looking..much appreciated! You’ve Got A Friend When you’re down and troubled / And you need a helping hand / And nothing, whoa nothing is going right. / Close your eyes and think of me / And soon I will be there / To brighten up even your darkest nights. You just call out my name, / And you know where ever I am / I’ll come running, oh yeah baby / To see you again. / Winter, spring, summer, or fall, / All you have to do is call / And I’ll be there, yeah, yeah, yeah. / You’ve got a friend. If the sky above you / Should turn dark and full of clouds / And that old north wind should begin to blow / Keep your head together and call my name out loud / And soon I will be knocking upon your door. / You just call out my name and you know where ever I am / I’ll come running to see you again. / Winter, spring, summer or fall / All you got to do is call / And Ill be there, yeah, yeah, yeah. Hey, ain’t it good to know that you’ve got a friend? / People can be so cold. / They’ll hurt you and desert you. / Well they’ll take your soul if you let them. / Oh yeah, but don’t you let them. You just call out my name and you know wherever I am / Ill come running to see you again. / Oh babe, don’t you know that, / Winter spring summer or fall, / Hey now, all you’ve got to do is call. / Lord, Ill be there, yes I will. / You’ve got a friend. / You’ve got a friend. / Ain’t it good to know you’ve got a friend. / Ain’t it good to know you’ve got a friend. / You’ve got a friend. JAMES TAYLOR / —-—-—-—-—-—-—-—-—-—-—-—-—-—- / Portrait Architectural People/Culture Macro Abstract/Still Life Animal Nude/FineArt SunsetCollection Flowers My Verty Blue Diary Shinjiu Kawaii The Lady and Her Romance The Story Book of Children The Book Of Love —-—-—-—-—-—-—-—-—-—-—-—-—-- / In case you missed it..my recent work..thanks in advance! / / -—-—-—-—-—-—-—-—-—-- All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action.

  • Help for Redbubble members
    by Mel Brackstone

    Karin Taylor, Jo O’Brien, Stuart Chapman, Lance Jackson, Ragman, Mark German, Steven Lippis, Simone Byrne and myself have added some v…

    Karin Taylor, Jo O’Brien, Stuart Chapman, Lance Jackson, Ragman, Mark German, Steven Lippis, Simone Byrne and myself have added some very useful tutorials and links for those members who’d like some help in learning a few extra tricks to make their time on the bubble easier. I have this link in my profile, so it’s going to be easy to find. I’ll add to it as I learn of new helpful information. How to enhance your profile Text formatting Where to get help/critique/FAQ Help on how to sell your work How to TAG your work effectively Inserting image links easily with Stuart Add category lists How to make smoke photos Digital Infrared info Ragman’s excellent advice on all things arty farty Mark German’s fantastic photographic techniques Steven gives an explanation on how to utilise a flash modifier My experience with Neutral Density Filters My hints on shooting at the beach Explaning focal lengths for digital Polarisers – a visual experiment

  • an earhart chappel photo. / earhart photographed. / chappel on costume design,hair,makeup and props. / model for pride is kb. PRIDE / CARRIES / A VERY HEAVY WEIGHT.. / AND IT IS ONE OF THE SEVEN DEADLY! / DOES SHE SEE HER SELF ABOVE ALL OTHERS?

  • my son and Kodak Duaflex II

  • Berlin is “The biggest construction site in the world”... International investors and real estate sharks scent in Berlin big business. The opportunity is unique: Never before has an entire capitol been sold and built again. The prices are rising and rising – but the one billion projects are not making progress. The first speculation is out of money. A wave of bankruptcies threatens… This was a quote from “Spiegel” in 1992… Did something change since then?... Berlin is still a big construction site and we still live in a period of transition... We’ve just became accustomed to it… This photo was taken 2009 in Berlin Mitte, at the bridge near the Museumsinsel (Museum Island)...

  • Working with layers - The Basics
    by Rosemary Scott

    I was recently asked to explain how I use layers. So while trying to put my thoughts together, I decided I might as well share it with ev…

    I was recently asked to explain how I use layers. So while trying to put my thoughts together, I decided I might as well share it with everyone who’s interested. I’ll show how to do very basic adjustments so you get a feel for how layers work. Once you’re comfortable with that you can move on to using layers to create art effects. Please keep in mind that I’m a Photoshop user... I’m in no way an expert! / This is just my way of working with layers. There are many different ways, & they all work. Why use layers ? : / Our reasons for using layers are many & varied. We might be doing vector-like illustrations, Or composing an intricate fantasy photomanipulation. / It may be a simple matter of applying text over an image. / You may just want to do basic tone & colour adjustments of your photographs. / Whatever your reason, using layers is almost essential. / I say this for one very important reason. If you apply adjustments of any type to your original image, you will be altering it permanently. There’s no going back. Pixels get moved around & destroyed, every brush or keystroke seriously alters the quality of your image. / However, working in layers is non-destructive. The original image sits at the bottom of your stack, untouched, unaltered, safe from damage. / All of your edits are stacked on top of the original, & then “flattened”, usually upon completion, or when you’re ready to move on to the next stage of editing. I’ll use this image of a bunch of people looking a Trojan warplane, to demonstrate the basics of using layers. / I’m using PS CS3, & I’m not sure how similar the layout of PS Elements is, so this will either be helpful to you, or just confusing…. it should be fairly similar though. Let’s get started : 1) Open your image in Photoshop, & save it straight away as a psd (Photoshop file format) I’ve decided to call this one “enter the trojan”. / 2) Now have a good look at the image & decide what needs doing. / Does it needs cropping? Some people choose to crop at the start, but for some strange reason I’ll often wait until I’m somewhere through my editing process. I like to wait to see how the image is evolving…. Does anything need cloning out? / This image has a rather annoying person disappearing out of the left side of the frame, so Ill be getting rid of him, as well as cleaning up a few distracting white spots on the airfield in the background. 3) Look to the right of your screen & you’ll see your layers palette. / At the top right of that you’ll see 3 little horizontal lines stacked on top of each other with an arrow next to them. Left click on this & you’ll get a drop-down box. this is your most important box for using layers. Click on duplicate layer, & rename it as you wish. / I’m calling it “clone”. / / You’ll see the duplicate layer appear above the background layer in your layers palette. / / Make sure the clone layer is selected (it’ll be highlighted in grey), & you’re ready to work on that layer. / Now select your clone tool & go to work. All done? If you’re happy with your work make sure you save. Now, remembering what I said about your background (original) layer remaining untouched, here’s a little demo. / Do you see that little eye beside your “clone” layer? / Click on it…. Hello!! Your cloning has gone! Click on it again….. it’s back!!! / OK, we could have fun with this all day, but do you see how the background image is unchanged? Cool huh? Let’s move on…. I’ve got blown out highlights in my clouds which are a problem & the mid-tones are a bit too dark. / I’ll deal with the clouds first by using a curves adjustment layer. 4) All the way down at the bottom of your layers palette, you’ll see a toolbar. look for the circle that’s half black & half white. / This is the “create new fill or adjustment layer” button. / Click on it & select “curves”. / 5) Grab the little white dot on the line in the top right corner. Now drag it a smidgen down to the right. That should take care of the blown out clouds. / Click OK. / / Do you see you now have a curves layer? / (Because I use CS3, it automatically gives me a layer mask box on this layer. It’s that white box in your curves layer. But we’re not going to get into masks today) Now to fix the mid-tones. For this I’m going to add a Levels layer. / 6) Just like in step 4), click on the “create new fill or adjustment layer” button & this time select “Levels”. / 7) This will open a box with a levels histogram in it. / To lighten your mid-tones slide the grey arrow in the middle of the histogram to the left until you’re happy. / Click OK, & you’ll see your levels layer sitting above the curves layer. Now, what if you wanted to do some dodge & burn? / There’s a number of ways to dodge & burn, so I’ll show you one that I use quite often. 8) Remember those 3 little horizontal lines that you clicked on to duplicate the layer? (step 3) / Click on that again, & this time select “New Layer”. / 9) In the dialogue box, change the name to “dodge & burn”, / click on the “mode” dropdown box, & select “overlay”, / then check the box “Fill with overlay-neutral color (50% gray) / it should look something like this : / / Then click OK. You’ll now see a layer called “dodge & burn” in your layers palette. It should be on the top of the pile. If it isn’t, simply drag it to the top. / Any work you do to the top layer will be carried over to all the layers below. 10) Select your burn tool, set your range to Shadows, & Exposure around 20 (this will depend completely upon the type of image you’re working on), then get to work burning out the areas that you feel need deepening. 11) Then take your dodge tool, set your Exposure to around 20 & work over the areas that you think need a little more highlighting. I’ve decided this image needs a bit more saturation. 12) Go back to the black/white circle (as mentioned in step 4), & this time look for Hue/Saturation. / / Adjust your sliders as you see fit, then click OK. / At this stage I’m happy with my basic adjustments. It’s now at the stage where it’s ready for me to use it as a background image for something a little more creative. 13) If you haven’t been saving until now, you really must do it now. 14) Now we’re going to Flatten the file. / Go to those 3 little horizontal lines with the arrow again (step 3), & this time look for “Flatten Image”. / / Click on it. You’ll see that all your layers have been “flattened into just one layer, & it’s now become your new background layer. If you’re planning to print this, you’ll need to give it some sharpening. / There are so many ways to sharpen, but at the moment I’m a bit partial to using the “high pass” filter. 15) To do this you’ll need to use a duplicate layer (remember step 3?) / I’m re-naming it “High Pass Sharpening”. / 16) Go to your “filter” drop down box on your top tool bar, & select, “other”, “high pass”. / 17) Adjust your radius slider until you see a good amount of line detail while keeping the tones in gray. Click OK. / You’re probably wondering what’s happened to your image. We’ll fix that right now. 18) Look above your “high pass” layer, & you’ll see Opacity set at 100%, to the left of that the word “normal” in a drop-down box. / Click on that drop-down box & select “overlay”. / / Presto! You’ve got your image back, & it’s been sharpened. / Toggle the “eye” off & on to see the effect. 19) If it’s too sharpened for your taste, you can adjust the opacity of that layer. / Find the “opacity” slider above the layer, & adjust it as you like. / I’m setting this one to 50%. / 20) Save this as a new psd file ( I’m calling this one “enter the trojan HP sharp”), & flatten it as before. / 21) Now all you need to do is save it in the Format of choice. / I routinely save all my images as TIFF files, & then save again as JPEG. / Remember to do all you backups now so you don’t forget later. All finished! Now you have an image that is fine as is, or ready for you to get a little creative & do further editing. / The final image : / You might also want to look at Texturing an Image in Photoshop for Absolute Beginners for further editing ideas. [ One last point : I put a lot of time & effort into creating these tutorials. Please don’t disrespect me by claiming them as your own.]

  • take me to your world… / show me the universe / in your thoughts stock credit: / photoshop creative magazine; / dazzle textures (the sky man) / own photography. / jordan busson. 8 december 2009.

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