Photographer seascape
775 creative works found
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OTHER BEACH SHOTS / More in the Seascapes Group / NEW ZEALAND / REAL ESTATE SERIES / FROGS / LENSBABY / INFRARED / INDUSTRIAL / SPAM / PANORAMAS / LANDSCAPES
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More in the Seascapes Group OTHER BEACH SHOTS / REAL ESTATE SERIES / NEW ZEALAND / FROGS / LENSBABY / INFRARED / INDUSTRIAL / SPAM / PANORAMAS / LANDSCAPES
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This image was taken @ Port Willunga at the remains of the old jetty. On a recent journey back to Port Willunga recently, I’d noticed that many of these posts had been burnt. A fun stunt at the time I suppose :( Best viewed on a black background. Images from Australia / Architecture / Images from Japan / Sunsets / Water Scenes
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The last remains of the old Port Willunga jetty, South Australia. Port Willunga Beach was recently named as the only Australian location in ‘Travel and Leisure’ magazine – hip travel list of emerging destinations. This is still one of my favourite locations to photograph and is only a 40 minute drive south of Adelaide. Pentax *ist DS – DSLR. Also available:
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‘Lonely Jetty’ / Port Noarlunga, South Australia / SD Smart Photography >20,000 views All photographs are the exclusive property of SD Smart Photography and are protected under Australian and international copyright laws. / The images may not be reproduced, saved, stored, printed or manipulated without written permission. / Use of any image as the basis for another photographic concept or illustration is a violation of copyright. / © All rights reserved. Also available: /
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Title sourced from the Brisbane News real estate pages: / Mooloolaba, Sunshine Coast, Queensland. / f/22, HDR from three bracketed exposures, ISO 50, 16-35mm lens at 16mm. Canon 5D, cable release, tripod, Lee filters ND Grad 0.6 and 0.9 / Last upload for a week, see you all when I get back!! REAL ESTATE SERIES / NEW ZEALAND / FROGS / LENSBABY / INFRARED / BEACH / INDUSTRIAL / PANORAMAS / LANDSCAPES / SPAM PHOTOS
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“Hows the serenity?” / (He loved the serenity of the place.) / ”...So much serenity.” / ( I think he also just loved the word. ) / – The Castle / Serenity by SD Smart. Baudin Beach. / Kangaroo Island, South Australia.
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“We shall not cease from exploration and the end of all our exploring will be to arrive where we started… and know the place for the first time.” T.S. Eliot. / . / Destination by Shane Smart. / Meningie, South Australia. Pentax *ist DS – DSLR. Also available: /
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“A pessimist only sees the dark side of the clouds, and mopes; a philosopher sees both sides and shrugs; an optimist doesn’t see the clouds at all …. he’s walking on them.” / - Leonard L. Levinson. / Cloud Evolution by Shane Smart. / “Number Two Rocks” / Canunda National Park – South Australia. © /
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The Wreck of the SS Dicky, Caloundra Canon 5D with 16-35mm at 21mm, f/16, 1/2 second, ISO 50, two Lee ND Grey grad filters, 0.9 and 0.6. Tripod, cable release, and totally wet daks. / 5000+ views / This image has been well received at OE and I’ve had three people contact me from there, regarding buying it. Two bought mounted prints, and one bought a card through RB. April 2008 and June 2008. Matted print sold August 2009. Another from the SS Dicky Series Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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The Wreck of the SS Dicky, Caloundra Canon 5D with 14mm, f/8, 8 seconds, ISO 100, Tripod, cable release, and totally wet daks OTHER DICKY SHOTS Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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Another from the SS Dicky Series Canon 5D w 70-200mm at 73mm, f/29, 2.5secs, ISO 100, tripod, cable release, can’t remember if I had the lee filters on but I think I did. Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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This has all the things wrong with it…lens flare being the major problem, but it illustrates why I ended up so so wet….they sneak up when you’re looking through the viewfinder. scream up the beach at a hundred miles an hour and slap you across the back….. You can also see the way the sky changed….Dicky dawn was shot before the sun came up, and those dark clouds were behind us….they moved over quite quickly as the sun rose. SS Dicky / Canon 5D, 16-35mm at 16mm, f/14, 4/5sec, ISO 50, two Lee filters ND grad 0.9 and 0.6, tripod, cable release Another from the SS Dicky Series Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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Another from the SS Dicky Series Canon 5D with 16-35mm at 20mm, f/22, 1.3second, ISO 50, cable release, tripod, not sure I had lee filters on at this stage…..probably just the 0.6 ND soft grad if any Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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Film location for the movie - The Chronicles of Narnia – Prince Caspian Cathedral Cove – New Zealand – June 2008 / Click Here / WARNING / ©2009 Globalphotos All rights reserved. / All photographs, text and images by Globalphotos are the exclusive property of Globalphotos – protected under Australian and international copyright laws. / These images may not be reproduced, copied or manipulated without written permission. / No use for Public Domain. / Use of any image for another photographic concept or illustration is a violation of copyright. /
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Currumbin rocks 2008-03-24 6.40am Canon 5D, 16-35mm at 26mm. f/22, 1/2second, ISO 50, Lee filter 0.9, tripod, cable release, wet feet ;) Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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of a drenching… Currumbin rocks 2008-03-24 6.44am Canon 5D, 16-35mm at 26mm. f/22, 1/1.5seconds, ISO 50, Lee filter 0.9, tripod, cable release, wet feet ;) Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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A dawn shot from a series I shot from the East Beach in Lossiemouth, Moray, Scotland. The Bin of Cullen, which is further down the East coast, can be seen in the distance. Nikon D80 / Manual / 1.5s at f11.0 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 18mm / 0.9 ND soft Grad. / tripod / remote release
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The low dawn sun just catching the tops of a roller as it heads towards the East beach at Lossiemouth, Moray Scotland. Nikon D80 / Manual / 1/3sec. at f13.0 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 70mm / 0.9 ND soft Grad. / tripod / remote release Featured at Sea Group and Masters of The Scenic Group
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Some hints on shooting at the beach
by Mel BrackstoneI typed all this out for Ben, who asked for some help, since he doesn’t live near any beach, and didn’t want to waste his time when he fi…
I typed all this out for Ben, who asked for some help, since he doesn’t live near any beach, and didn’t want to waste his time when he finally made the long trek. Thought others might appreciate the info. I use my Canon 5D with Lee ND grads, mostly the darkest ones, for sunrise. I’ve never tried to shoot the ocean much after an hour or so after sunrise, and not been all that successful, unless it’s a cloudy day. You’ll need a tripod and cable release. The tripod just needs to be stable, and the cable release working. Then I set my camera on AV and start shooting with aperture at around f/8 or so while it’s dark, and closing it down as the light gets stronger, with ISO mostly 50….. There’s no formula I use, other than using AEB, to see if I can snag one that gets the sky right, then I look for the one with the right wave patterns. Sometimes I combine the two, sometimes I run them through photomatix. Sometimes they’re perfect. I use my 16-35mm nearly ALL the time when shooting seascapes, very rarely I’ve used the 70-200, and that’s only if there’s a detail that’s worth getting, like the shipwreck or some waterfalls over rocks from the surf…. Here the light is generally best till around 20mins after the sun goes down, or 30 mins before the sun comes up. If you have clouds, wait longer after sunset….you’ll probably get better colours. If you have clouds in the morning, you might be able to shoot longer after the sun comes up too, especially if the light breaks through…. The IR filter can come in handy once the light is stronger….here in Qld we have strong light for 12 hours a day or more, even in winter….IR is a blessing! I’ve never used a yellow filter….and wide angle with polarisers just don’t give good results, imho. Just keep checking your screen and moving around for different viewpoints. Everything will depend on how much water movement you prefer. This is a case of personal taste, and with practise you will work that out. Setting your camera on AV and using AEB will give you the three different exposures to see which works best, then you just adjust your aperture to slow it down, or speed it up….or add more filters…the darker it is, the longer the exposure…. Be careful of getting too close to the waves, and watch out for slippery rocks, they can be extremely dangerous! Here the tide surges more dangerously an hour before high tide. Make sure of tide times before you go, and be certain you have a way to escape from the beach if the tide is coming up….Rogue waves can, and do cause problems….try to go with someone who has local knowledge…. Wash your tripod off when you leave the beach, and again when you get home. Other than that, have fun!
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I’ve made a substantial donation to the Red Cross already, but the proceeds from any sales this month will also be sent to them. Here in Qld there’s been severe flooding, and in Southern Australia there’s been devastating fire. Canon 5D, 16-35mm at 16mm, f/6.3, 1/6”, ISO 50, Lee ND grads 0.9 and 0.6, tripod, anti personnel missiles… Another from the SS Dicky Series Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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Because…. Large canvas print sold through redbubble x3 And here’s the calendar OTHER BEACH SHOTS / NEW ZEALAND / FROGS / LENSBABY / INFRARED / INDUSTRIAL / SPAM / PANORAMAS / LANDSCAPES / REAL ESTATE SERIES
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Black glass magic – I had gone on this shoot with a bad attitude, expecting the sky to be bland and the day to be a waste of time, and therefore I set the camera on large jpg so I wouldn’t waste too much computer space….As it turned out, I’ve managed to drag out some amazing results. This is another straight from the camera image, although I had to take it into PS to straighten the horizon…. Canon 5D Mk II, 16-35mm at 16mm, f/10, 90seconds, ISO 50, Hoya NDX400, Singh Ray 3 stop reverse grad, Lee 0.9 ND grad, tripod, cable release, lots of guessing….I should point out the red sky is enhanced by the Singh Ray filter, which seems to put a colour cast across the ND area when used in conjunction with the Lee filter…. - / SEASCAPES / NEW ZEALAND / PEOPLE
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10/11/09 – 178 views PLEASE VIEW LARGE Taken at Pheasant Point, Kiama, NSW, Australia. / PP done in Photoshop. / I hope you like it :) Nikon D80 / f/9
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