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5387 creative works found
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Rain Drops Image Details: / Camera – Canon EOS33 / Lens – 100mm Macro USM (1x) / Film – Fuji Velvia 100 Professional / Focal length – 100mm / Exposure – Apeture Priority / Aperture – Not recorded / Shutter – Not recorded / ISO – 100 / Transperancy scanned using CanoScan 5000F scanner / Photoshop modified / / © Andrew Brown Cards / Urban and Architecture / Panorama / Landscape / Portraiture / Macro / / / /
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Enjoy!
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A dancer falls into cool, white space.
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Webb Bridge located at Docklands, Melbourne. Panorama created with 4 images stitched tegether with PS CS3 / / Camera – Canon 350D / Lens – 10-22mm USM / Focal length – 10mm / Exposure – Manual / Aperture – f/5.6 / Shutter – 4 seconds / ISO – 100 / Tripod and cable release / / © Andrew Brown Cards / Urban and Architecture / Panorama / Landscape / Portraiture / Macro / / /
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Title sourced from the Brisbane News real estate pages: / Mooloolaba, Sunshine Coast, Queensland. / f/22, HDR from three bracketed exposures, ISO 50, 16-35mm lens at 16mm. Canon 5D, cable release, tripod, Lee filters ND Grad 0.6 and 0.9 / REAL ESTATE SERIES / NEW ZEALAND / FROGS / LENSBABY / INFRARED / BEACH / INDUSTRIAL / PANORAMAS / LANDSCAPES / SPAM PHOTOS
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/ OLD CAR FRONT
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100% of proceeds received from Redbubble in respect to sales of this item, will be donated to Bush Heritage Australia Our ship, “Polar Pioneer”, dwarfed by ice in Neko Harbour, Antarctic Peninsula.
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/ . / Took this photo whilst I was between flights in KL airport – I was very impressed by the design and construction of this airport.
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I was coming home yesterday from an appointment downtown, / and happened to look over and see this place. It was completely / abandoned, along with garages, a barn and cars. Didn’t go in, (yet..heh) but I got a few good shots from the front. I added the flood..(to go with the title.) / / CS3/Corel/handheld/Samsung/HDR / I can’t even begin to list all of the things I did to this. / One filter conversion to the next applying and painting certain areas with the saturation brush, then repeating the process + / overlays & more fine tuning! Thanks for checking it out. :) / / / Special thanks to Kevin Kroeker for being a major inspiration with HDR. You can check out some of his truly amazing HDR work here: click me!
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Photograph on film. / This young model became a muse of mine. She loved being photographed, even under the most difficult situations…... we always got great shots when we worked together.
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Hope u like it!! Enjoy! _
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A water droplet ready to fall.
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This photo was taken at the Animal Welfare League in Wingfield, South Australia. No photoshop was used other than to alter the colours a bit. The puppy’s smile, although blurred due to depth of field (i was using a 50mm f/1.4 at 1.4 focussing only on her eyes) was real! This puppy was adopted shortly after.
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A small laneway in Venice, Italy, one rainy morning. Thanks to Janys Hyde / for the description of the location of this shot: / the bridge just visible on the right which leads into the square of S.S. Apostoli one of the squares en route along the Lista di Spagna, a main thoroughfare between the railway station and the Rialto Bridge. 2008 This photograph in the The Top Ten of the Black and White Photography group Street challenge Featured on the home page, 24 Sept 2008. Featured in the European Everyday Life group, Oct ‘08. © All images are copyright Daniela Di Cesare 2008. You may not use any images (in whole or in part) without written consent from artist. All rights reserved.
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A collection of reflections that I thought worked well together. Best viewed LARGE
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Jean M. Laffitau
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Taken over a 2 second exposure to blur the trams, cars and buses in Melbourne’s central district, Australia. As featured on the RedBubble Homepage – 30/04/09 This photograph is part of a set of 4 images of Melbourne. To see the others, click on the links below: Flinder’s Station / Bridge over Yarra River / Melbourne Thank you to all who stop by to have a look, it’s much appreciated, as are your comments! Copyright © Lesley Williamson 2009
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VINTAGE STARLET / photography by chappel / edit by chappel / model a / model b / studio shoot / black and white vintage movie starlet / an earhart chappel photograph
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I took this shot in the Victorian Village at Flambards, Helston, Cornwall, UK. Soft edge added in Picassa3. It inspired me to write the accompanying short story which I hope you enjoy and adds to your viewing pleasure. I hope you like it. / Thank you for looking and reading. Best Viewed Large. The Rippers Ghost? / The winter sun is setting on a cold Victorian London. Smoke from the coal fires mixes with the fog, making it hard to breathe. The Lamplighter is patrolling the streets doing his duty and people are scurrying around, wanting to get home and away from the dark alleyways before nightfall. It is the year 1895, and four years since ‘The Ripper’ had last struck, but fear still grips the residents of this part of East London. Some people say he is dead, others say alive, but some say that a Spirit from a bygone age haunts the streets, striking terror to all who walk the dark streets at night, deadly silent apart from the echoes of horseshoes thumping on the cobblestones, amplified in the fog, adding to the tension and the terror that fills everyone. It will be another hour till I finish my work and set foot once more into the cold smokey foreboding darkness of Whitechapel, and as I put some more coal on the fire in my office, I cannot help thinking about smoke that it is now producing, I will soon be breathing, and adding to the density of the fog, which is getting thicker by the minute, making it dark, even though the sun has not set yet. As the last embers glow in the grate, from my small office window on the second floor, I cannot see the street below, and my breath is turning to ice as it touches the window. / A cold night indeed, filled with dense smokey fog as well, some of which I am guilty of. My day is finishing, and I put my hat, coat, scarf and gloves on, ready to brave the dark world waiting for me outside the warm comfort of my office. / I open the door and enter the foggy darkness from the fire escape, tasting the coal as I breathe, which I then put the scarf over my mouth so as to try and filter some of the filthy air before it enters my lungs. From my position, I cannot see the ground, and start to descend slowly and carefully down the now icy stairs, my footsteps reverberating on every step. / I hear a distant whistle, and the muffled sounds of people shouting, and as I get lower, I recognise the sound as Policeman’s whistles heading in my direction. My breathing gets faster and my pulse starts to race, wondering what was coming towards me. / I reach the first floor landing of the fire escape and can see the pavement through the gaslights, and I then stand transfixed, too scared to move, as something appears in the corner of my eye. What is it? Is it the Ripper himself, or the Rippers ghost? / It passed in front of me and disappeared into the foggy darkness as quickly as it came. / The whistles had stopped also. What happened to them? Was that a ghostly experience as well? / I will never know. © Richard Veal. July 2009.
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Jean M. Laffitau This image is part of my new calendar
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