Peter
256 members found (show all)
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Peter Evans
Australia
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peter kelly
Australia
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Peter Denness
United Kingdom
2846 creative works found
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The background picture is by Lee burgess of Redbubble, then I put Betty Page in to make this paintography collaberation work.
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Inspiring sun rays shine down from dome of St. Peter’s Basilica in Rome. Visit our online collection to view more photographs in our Rome Gallery
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Telstra Rally Australia / Perth / Western Australia A Ford Focus WRC car driven by Czech Roman Kresta is thrown flat chat around a dusty bend during Rally Australia.
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A darker version. I think I prefer this.
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Brighton Beach bathing boxes.
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Front view of my previous shot.
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As the sun sets and the bay is like a millpond a lone paddler paddles his board across the water.
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Once again, a favourite spot of mine – Leura Cascades in the Blue Mountains National Park – on a late summer’s foggy morning. This image is straight from the camera. No processing was done on it whatsoever. Canon EOS 5D Mark II / Canon TS+E 24mm f3.5L Tilt+Shift Lens Featured by the Moody, Dark & Evocative Group February 2009 / Featured by the Dimensions Group March 2009 / Featured by the All Water In Motion Group 24 October 2009 / Featured by the Tilt-Shift Photography Gallery Group November 2009 Best viewed large
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:) / something small for Easter… :)
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another infrared image from the vaults that has been gently coloured to give it the emotional tone it needs. I shot this image and the ones that follow in the days after my father died. They were all taken while I wandered along the river Torrens in Adelaide near where he lived. This particular stretch of the river is particularly beautiful and was a place he loved to go walking with his cameras. So then this image is about memory and loss and also about redemption through beauty. / . /
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there is just something so appealing about angels no matter where they turn up…. this is another of my series of slide projection photographs by my late father. They were most likely taken some time in the eighties and have never seen the light of day since. Lucky lucky me to find them hey and give them a little bit of an airing…. and this particular one is one of my favorites … well I have a couple of favs but this one really works for me…. the model and the image have really fused…. / . /
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David Bowie ….eat your heart out….. another portrait shot from the series of slide projection photographs taken by my late father. This so reminds me of the sort of make up David Bowie used to wear back in the days…... / . /
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Alternate title Decrepit Walkway At Night In One Of Sydney’s Northern Suburbs Canon EOS 5D Mark II / Canon EF 24-70mm f2.8L USM Zoom Lens / Focal length: 24mm / ISO: 50 / Aperture: f7.1 / Speed: 6 seconds / Image: Single RAW file / Location: Hornsby Railway Station, Sydney Featured by the Who Needs Colour For Beauty? – Black & White Art At Its Best Group 29 September 2009 / Featured by the Urban Exploration Group 29 September 2009 / Featured by the Urban Art Group 30 September 2009 / Featured by the Dimensions Group 30 September 2009 / Featured by the Tunnel Vision Group 3 October 2009 / Featured by the Black & white Photographers United Group 3 October 2009 Best viewed large
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Out Of Bounds was shot from a rock outcrop jutting out from the cliff below the 3rd tee of the 6 hole golf course at the Crescent Head Country Club. The cove in this image is accessible at low tide, and that is where I was intending to be, were it not for the fact it was high tide. Doh. I had been down there previously, and my ultimate goal was a cave around the corner to the right. Stymied, and really wanting to shoot again the massive rock to the right, as I had been from the cave when my 24-70 fell 2 days prior, I spied a route up the rock next to the cliff, so climbed up for a look-see. Bang, the top of the birds perpetually sitting up there met the horizon and I was now looking down on it. Keeping a lid on the excitement level, I concentrated on remaining on top of the rock and not 30ft (10m) below. There was just enough space to sit, with my lowered tripod straggling my legs. The wind was mild, until it blew my cap away [retrieved later at low tide by my trusty assistant], and it was quite safe for the hour or so I sat there trying different lenses (2), filters and horizontal v vertical framing, with my backpack wedged in a slot in the rock behind me. Many a golfer waiting at the 4th tee got a look at the crazy photographer, but my assistant was busy shooting elsewhere, so missed her photo op with the telephoto. Ha! I ummed and ahhed over whether to upload this image as it is a big canvas, so please view large for a better sense of the scale. Canon EOS 5D Mark II / Canon TS-E 24mm f3.5L Tilt+Shift Lens with Hoya HMC ND x400 Filter and Lee 0.9 Soft Grad ND Filter / ISO: 50 / Aperture: f8 / Speed: 13 seconds / Focus: Manual / Mirror Lock-up: Enabled / Image: Single RAW file / Location: Crescent Head, NSW October 2009 Featured by the Landscape Photography Group 11 October 2009 / Featured by the SEA Group 11 October 2009 / Featured by the Dimensions Group 12 October 2009 Best viewed large
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Passing storms with patches of bright sunshine in between created the perfect light for a controlled time lapse of the swell off the tip of Big Nobby at Crescent Head, NSW. This shot was taken using the Canon TS-E 24mm f3.5L Tilt+Shift lens as a prime. Canon EOS 5D Mark II / Canon TS-E 24mm f3.5L Tilt+Shift Lens with Hoya HMC ND x400 Filter and Lee 0.9 Soft Grad ND Filter / ISO: 50 / Aperture: f5.6 / Speed: 2 seconds / Focus: Manual / Image: Single RAW file / Location: As above Featured by the All Water In Motion Group 12 October 2009 Best viewed large See also Sun And Swell At Big Nobby – Part 2
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Canon EOS 5D Mark II / Canon EF 24-70mm f2.8L USM Zoom Lens with Hoya HMC ND x400 Filter and Lee 0.6 and .09 Soft Grad ND Filters / Focal length: 24mm / ISO: 50 / Aperture: f9 / Speed: 90 seconds / Image: Single RAW file / Location: A cave below the 3rd Tee at the Crescent Head Country Club, NSW, at low tide, October 2009, but keep that secret. Please excuse the highlights. Featured by the A View Somewhere … Group 18 October 2009 Best viewed large
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Shot over 45 seconds with the Sigma 50mm f1.4 whacked onto the Canon 5D Mark II, plus a few filters, including the Black Glass and a Lee 0.9 Soft Grad ND, f8, ISO 50. Location: Crescent Head, NSW Featured by the All Water in Motion Group November 2009 Best viewed large
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The first time I visited the mid section of Katoomba Falls I flunked the composition. Second time round I broke a few land-based rules to get the right position. With such depth to capture, as opposed to the “front-on” angle, or even side-on, I find a long exposure, in this case 100 seconds, fills that depth with body. Seeping the light with a 9-stop ND filter, like dripping treacle off a spoon. Or something poetic like that. Canon 5D Mark II, shot in Monochrome. Blue Mountains National Park.
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Yet another failed attempt at shooting a stormy dawn on the Sydney coastline. Bugger. Why can’t we get some of that deep grey cloud cover that say, poms get, or even some of that cyclonic stuff the banana benders get all the time, or even just a tad of the usual stormy Victorian weather. Geez, I dunno. Maybe I should stick to waterfalls. Featured by the Colour and Light Group November 2009 / Featured by the All Water in Motion Group November 2009 / Featured by the SEA Group November 2009 / Featured by the Sydney Northern Beaches Group November 2009
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This image was shot while standing in the middle of Percy Creek in the Barrington Tops National Park, NSW, using a tripod-mounted Canon 5D Mark II in January 2009. I’d only had the 5dmk2 since early December and this was its first good workout. Using the Sigma 50mm f1.4 and no filters, my aim was to achieve perfect clarity in this shady spot and I pretty much reckon I did. All this so-called talk about 5dmk2 focusing issues is crap. OK, it’s only got a 9 point system, but I prefer it much more than the 45 point (or more) disco happening on other, unmentionable, cameras. I didn’t want to compromise clarity on basically this flat surface so I kept the ISO at 50 and reluctantly went to f16 to get the timelapse up to 10 seconds. I framed and composed and shot it in Monochrome. Featured by the Shades of Grey Group December 2009 / Featured by the Sets Of Two Group December 2009 / Featured by the All Countries ~ Wetlands, Ponds, Lakes and Rivers Group December 2009 See also Pointing Percy
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