Pavement
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743 creative works found
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Doll 03. Hand drawn and scanned into Photoshop. Doll01 Doll02 Doll04
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Paris has to be my favourite city for people watching, there are so many styles, fashions and personalities found on the many streets of Paris, it was a joy to wander around and take it all in. I found this gentleman enjoying a baguette on the sidewalk (pavement or footpath depending on where you are from). Something about him really captured my interested so I fired of a few shots. When I got back, something was missing from the original scene and I wasn’t sure exactly what so I’ve played around extensively with layers to build up the affect you see, some doding and burning, motion blur and playing with the curves and levels. Overall I’m very happy with the end result which I think adds something the original was missing.
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The Tesselated Pavement at Eaglehawk Neck, Tasmania
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Empty road in the middle of the desert, Eastern Sierra Mountains, California
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Orange street lights and a passing car transform a wet city street
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Ground Control to Major Tom / Ground Control to Major Tom / Take your protein pills and put your helmet on / / Ground Control to Major Tom / Commencing countdown, engines on / Check ignition and may God’s love be with you / / Ten, Nine, Eight, Seven, Six, Five, Four, Three, Two, One, Lift-off This is Ground Control to Major Tom / You’ve really made the grade / And the papers want to know whose shirts you wear / Now it’s time to leave the capsule if you dare / / This is Major Tom to Ground Control / I’m stepping through the door / And I’m floating in a most peculiar way / And the stars look very different today / / For here / Am I sitting in a tin can / Far above the world / Planet Earth is blue / And there’s nothing I can do / / Though I’m past one hundred thousand miles / I’m feeling very still / And I think my spaceship knows which way to go / Tell my wife I love her very much (she knows!) / Ground Control to Major Tom / Your circuit’s dead, there’s something wrong / Can you hear me, Major Tom? / Can you hear me, Major Tom? / Can you hear me, Major Tom? / Can you hear…. / / Am I floating round my tin can / Far above the Moon / Planet Earth is blue / And there’s nothing I can do / / -David Bowie, Major Tom / / / New York City
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Old window, Budapest, Hungary. Iceland / Belgium / Italy / France / Hungary / Spain / Sri Lanka / USA / London / Portraits / Other
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The incoming tides spilling over a stone step and shelf and into the Tesselated payement along the coast of the Tasman PEnisula.
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A bit of color and light over the odd rock formations known as the tesselated pavement along the Tasman PEninsula. The Tessellated Pavement is an inter-tidal rock platform – a common enough coastal landform. But here an unusual set of geological circumstances have resulted in a rare landform. The flat-lying siltstone was cracked by stresses in the Earth’s crust, roughly between 160 million years ago and 60 million years ago. The resulting cracks (joints) are seen as three main sets, one aligned to the north- northeast, a second to the east-northeast and the third to the north-northwest. This jointing, exaggerated by processes of erosion, has created the ‘tiled’ appearance. When seawater covers the rock platform, fragments of rock are carried away. Near the seaward edge of the platform, sand is the main cause of the erosion. When combined with wave action the erosional process causes ‘loaf’ or ‘pan’ formations.
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One of the first street shots I ever took back in 1964 in the East End of London. This was before Playstations, and probably the only ‘toy’ these kids shared between them was a skipping rope. Old bomb sites still held a fascination though as a form of amusement and exploration, as can be seen here. It was taken using a Yashica Mat 120 film twin lens reflex camera that took me six months to save up for. I used Tri-X B/W film and printed on a hard grade of paper to get the punchy contrast, a characteristic of all my early B/W work. This image was photographed digitally from the original print in my portfolio. © 1964 John Hooton Photography
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Winner of the Humor challenge in the German Artists group on 04 Apr 2009 Featured on the homepage Featured in the Just Lines group Road paint. Double yellow lines (no waiting at any time). Manhole cover replaced the wrong way round. Bournemouth, Dorset, UK / / Image Collections: Featured work Layered with Texture Monochrome Camera Paintings Floral Triptychs This & That
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Kelp adds color to the gridlike rock formation known as tesselated pavement on the Tasman PEninsula
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The Tesselated Pavement on the Tasman Peninsula, was finally lucky enough to get a good sunrise.
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Merewether Baths, Newcastle, NSW. Just before the sun set.
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I know your all a getting sick of them but oh well, i’ve run out of shots i like so this will be the last post till i get some more shots. so thought i’d get this last one out the way.
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Featured in Album Art The Way It Couldv’e been / Featured in MIA / Featured in Dimensions on 8/11/09 / Pavement Cracks by Annie Lennox The city streets are wet again with rain / But I’m walkin’ just the same / Skies turn to the usual grey / When you turn to face the day / And love don’t show up in the pavement cracks / All my water colours fade to black / I’m goin’ nowhere and I’m ten steps back / All my dreams have fallen flat (Love don’t show in the pavement cracks / There will be no turning back) Time and space will pass us by and by / When we don’t see eye to eye / I would have done anything / For happiness to bring … / But it don’t show up in the pavement cracks / I can’t even cover up my tracks / I’m goin’ nowhere and I’m light years back / Ooh I wish you well How come / Every day / I’m still waiting for the change? / How come / I still say / Give me strength to live? Where is my comfort zone? / A simple place to call my own / ‘Cause everything I wanna be / Comes crashing down on me / And it don’t show up in the pavement cracks / I can’t even recognise my tracks / You and I can’t turn the whole thing back / Ooh I wish you well
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The Gosling in the middle is the original, I decided to give him a couple of clones to race with.
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Not broken down, just making the most of an amazing scene. Paul seems to attract these places!!! Canon 5D Mk II, 24-105mm at 24mm, f/4, 1/125”, ISO 50
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