Pastels
6982 creative works found
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Baby Tee @ Zazzle / / BEST VIEWED LARGE / from this…. / / to this…... / / / / Flower Power is a mixed media production on brown paper created from / white gesso acrylic / lead pencil / coloured pencils / marker pen / charcoal / acrylics / chalk pastel Flower Power is the latest design from my ‘Children of the World’ series, hope you like her…
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This one needs goggles in case of high speed insects. Except sometimes they fog up / / /
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tempera and pastel on mdf / cm 90×90
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tempera and pastel on masonite / cm 70×70 ARTROMGALLERY: Dedicated to women who paint – topten international competition – Exquisite Expression – 2^ award
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tempera and pastel on mdf / cm 102×103
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oil pastell
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I got sick of beakfaces and lizards momentarily and decided to paint some fishies – literally, goldfish…I’ve applied patches of gold leaf to their little heads. Despite being distracted by Eurovision I managed to finish it this weekend!! This one will probably be at Brunswick St Gallery in their small works show, June 6th. About 20×20cm, watercolour, chalk pastel etc on canvas. These enlargements are bigger than life size:
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Acrylic and pastel on illustration paper. (1995) This is truly the first tree I ever painted, the need to paint and create was something brewing so strongly inside I had to do something about it. Yet my resources were very limited, I grabbed the only paint I had any access to, a can of my father’s black spray paint, I sprayed it into the lid of the can and used the only paintbrush I owned a cheep nylon brush from a water color kit and created. I then finished my work with the only two pastels I owned brown and black. / Necessity is the mother of invention, or maybe it’s that there is more than one way to skin a cat. (Sorry cat lovers) At any rate I grew up in a home with very few luxuries but I did have a passion to create, always, I had to feed the creativity. So this is a very special piece to me and I hope to you as well. First Tree is officially published in Artists of West First Tree was Featured in Lifestyles Magazine as part of an article about the Artists of the West coffee table book. I am also honored to announce my painting First Tree was a part of the Rialto Towers two week art exhibit in Melbourne, Australia in of July 2007 For commissioned work you can contact Carrie at: carrie@carrieglennstudios.com and please visit Carrie Glenn Studios*
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framing suggestion / The very talented Cathrine / was kind enough to write this beautiful poem: Stranded I await / for signs, for answers / that may come my way / In a day, a word, a gesture / and when it comes, what would I say? For the path to walk is so unclear / My tide is low, my movement lost / Where to go, a mystery to me / Rooted, in this space of now / My final port, I don’t see Don’t want to falter / don’t want to fall / don’t want to sink / into an unknown hole / Just await, the best, I think It will come, it will tell / and then I shall answer / with a clarity of voice / in this circus of a world / I will make my choice and so I await / for my tide to come in / Entire being reaching / to be carried to the place / where my heart and mind would be meeting. / Thanks very much for all your kind support:) xxx
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My first piece finished in 09! Another octobeast from my series – here’s another one Watercolour, chalk pastel, ink, conte, metallic leaf on canvas. / He has golden suckers!
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tempera and pastel on mdf / cm 90×50
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A larger detailed image of a part of this drawing
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A grouping of boats on a lake in China
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a drawing using pastels on canson paper that I never finished… / used photo reference from some magazine cosmetics ad, probably CoverGirl :) close-up /
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tempera and pastel on mdf / cm 80×80
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BABY BULL GETS FAMOUS!!! GRIFFITH REVIEW!! CLICK TO LEARN MORE / Sales of this Design? – 3 sales so far :) / / / Baby Bull Production is something I created not that long ago. It’s a mixed media piece on canvas textured paper…...i did it in response to the chilled out cows at Mullumbimby, northern New South Wales, who seem to be very laid back, i suspect they are indulging in the ‘other’ kind of grass also….... they have this real chilled look about them, and I’ve never seen cows anywhere else that have this way about them. I put it in the Casino Art Exhibition and it was the only painting that sold, every year a male school teacher goes to that show, or so the legend goes…....and purchases a piece…...it was my lucky year. Tonight I was asked if I’d ever sold a painting in a gallery…well, yes, and at exhibitions and privately. To date I believe I have sold between 30 and 40 original paintings, which I am very proud of…..in the early days 2002 I was very prolific, things have slowed down a bit with my painting now, because i am much more deliberate and take a lot of time to imbue my paintings with layers and love and depth…..it is just how i have grown as an artist, it is nice to report that there is growth along the journey…(and sales lol)!!! Somebody also has a print of these cows and loves them very much from what I understand lol
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You know that kiwi band, straitjacket fish? I mean, straitjeckutt fush? This creature is badly behaved. 30×30cm, watercolour, pastel, ink, metallic pen, iridescent pigments on canvas.
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Through A Glass Darkly. By Paul D Robertson Pastels 140 cms x 97 I like this piece very much. Sometimes in my work I can witness myself taking leaps of quality, and I believe that this is one of those times. It is an indescribable sensation to see my own hands make something such as this. I begin the with a person, a woman, before me, some materials – paper, chalk, paint. At the end of the slow still hours quickening my fingers, I surface from the fugue and wake from the trance of working. And sometimes I have something before me that is beautiful that did not exist, that what the world did not hold before I began. And it will last for centuries. I love the idea of obscured reflections and scattered and refracted light – my desire to work is pushed further every time I stumble upon something I know I must pursue. In many of my works, whenever it is practical, I will place a left-hand print on a wall or smudging a piece of glass. I have done this for years, and I will never stop. Recently the idea occurred to me that since this has become one of the defining symbols within my work, I could execute a piece based entire on the idea. So I made it happen. I forced it into existence. And I am so left handed, you see, that I almost walk with a limp.
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Model: Sarah Lea Cheesecake Most of the credit in this series must go to / Sarah Lea Cheesecake and KellyAnndoll for / their amazing modeling and styling work. A series of posters exploring the 50s pinup posters / and learning how to use studio lights
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grow your own cupcakes! featured in Christmas and Seasonal Greeting Cards on August 16, 2008 Check out more products from this design here!
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18×24 pastel on pastelboard. The original is sold. / This was taken from a photograph by Rita Groszmann with her permission. The cat was a resident in California at the time. For some reason, the piece almost did itself.. it was almost like I was watching it come together from another vantage point. Really enjoyable.. time flew!! Scientific Name: Panthera tigris / Size: Male Bengal: Head to tail tip 8.8-10.2 feet (2.7-3.1m); Female 7.8-9.4 feet (2.4-2.8m) / Weight: Male: 396-573 pounds (180-260kg); Female: 287-353 pounds (130-160kg) / Distribution: India, Manchuria, China, Indonesia / Habitat: Varied, including tropical forest, snow-covered evergreen forest, deciduous forests, mangrove swamps and drier forest types. / Diet: Deer, wild pigs, buffalo, antelope, and gaurs (wild oxen) / Reproduction: After a gestation period of 13-16 weeks, female gives birth to 2-4 cubs / Longevity: About 15 years (to 20 in captivity) / Population: Estimated at below 2,500 / Status: Endangered (information from The Big Cats ) Completed 1998 I FINALLY found the original scan of this piece.. and here you have it..
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Pastel drawing and Apophysis overlays Under the wave it is altogether still, / Alive and still, as nourishing as sleep, / Down below conflict, beyond need or will, / Where love flows on and yet is there to keep, / As unconstrained as waves that lift and break / And their bright foam neither to give or take. from The return of Aphrodite by May Sarton
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