I must admit I like it when I can identify with the person behind the work so I changed my avatar portrait today so it reflects my work a…
I must admit I like it when I can identify with the person behind the work so I changed my avatar portrait today so it reflects my work and introduces the person to you too. It has been lovely to meet and chat people in Redbubble and share our passion for creativity. My web work has taken much of my time lately but I am really feeling that itch to get back into my painting. Yep real itchy actually!
Water based oils on A3 Canvas Higherself / As intuitive Artist I channel artworks from spirit for myself and others. This is a “Higher self” Painting that I have channelled for a client. It shows an aspect of that person’s Sacred Geometrical blueprint for this incarnation. The painting is a vibrational healing tool for balance alignment and enlightenment and comes with channelled information/truth for the recipient. This artwork will also resonate with those beings of like vibration and so can be purchased as a copy….but be mindful that this type of work is to be approached for spiritual transformation. / If you would like your own Higher self painting done along with channelled information from your Higher self, please contact me via email: pr.barker@bigpond.com or via bubblemail.
I was looking through David Librach’s work this evening, some stunning photographs, of which one in particular, Yin and Yang connected wi…
I was looking through David Librach’s work this evening, some stunning photographs, of which one in particular, Yin and Yang connected with me on a particular emotional level as well as the more academic perspective i usually appreciate things from. It reminded me, instantaneously, of the only other moment i had looked at a piece of art and been moved to uncontrollable tears. This was 8 years ago, whilst i was working in The Netherlands, as an Intern at the Former Yugoslavia War Crimes Tribunal, and about to return to the UK to start work in criminal law here in Leicester. I attended a party, it was a tribunal thing, and i was hugely happy and having a good time, or so i thought, until i saw a picture on the wall, it was a coastal scene, the sea, a small beach and a large sand dune over which an African / Arabic shepherd was tending his flock of goats. It just kicked me in the stomach and from then until 4 or so hours later i was a wreck – the first time i had cried since i was a child in fact. I’ve been looking for the picture ever since, because it taught me that art can trigger memories or feelings deeply suppressed, and that can be a good thing, if properly managed. I’m really happy i don’t find myself breaking down at the work i see on here.. but its a great thing to connect with a piece of work and feel it on different levels. And if anyone out there knows what that particular painting / print was.. then i would appreciate a head’s up! Simon
Click on the image below to see the entire artwork / Excerpt One is a detailed section of the original painting “Finches On Parade” . Which is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing Original : / refer to See The Entire Artwork link above / contact my Agents at Gallery 112 / ...................................................................................
Click on the image below to see the entire artwok / Excerpt Three is a detailed section of the original painting “Finches On Parade” . Which is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing Original : / refer to See The Entire Artwork link above / contact my Agents at Gallery 112 / ....................................................................................
that simple dynamic that we all seek so desperately…
...and what are the words one uses to describe a compilation?, works from my entire life?, fifty years of carrying around a yellow pad?, fifty years of writing and rewriting, changing the words, as their meanings change for me? Constructive criticism regarding any of my work, always welcomed, appreciated and read with an open heart. / Personal eMail These pieces are extracted from my book of prose, “50 truths and 50 lies, the first 50 years.” Available Here
when ill-tempered and unrehearsed words wound others…
...and what are the words one uses to describe a compilation?, works from my entire life?, fifty years of carrying around a yellow pad?, fifty years of writing and rewriting, changing the words, as their meanings change for me? Constructive criticism regarding any of my work, always welcomed, appreciated and read with an open heart. / Personal eMail These pieces are extracted from my book of prose, “50 truths and 50 lies, the first 50 years.” Available Here
I just got this BM and I am honored…..... *_~Dear KJ, / Would you make a custom calendar for me? / I really enjoy your art and would l…
Artwork is for graphic project. / Please email as to the question of the purchase of this work in large size.
original watercolour painting 20×30 sm in size / A poplar tree in the yard of my house. Poplar trees grow fast. This poplar tree is of the same age with me
portrait painting of my daghter kat fantasy warrior style / watercolor on fabriano 8×11 / if you or a relative or freind would like a portrait painting of anyone or anything please go to our website and check out the portrait page / http://www.fitztown.com/art/portraits.html
A bit of fun I had, messing around with an abstract painting that didn’t work out, but from which shapes and forms seemed to arrive. Greenwich park is near to where I live. I love standing at the top looking out over the river at the docklands and at London beyond. This is perhaps what it might look like with palm trees and elephants! Wax, pastels and gouache on fabriano 240g watercolour paper.
2 minute life drawing from a local class / charcoal and linseed oil on cartridge paper
From a life class / Charcoal and Linseed oil on paper
On a wall in Amsterdam.
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