What time is it really? Which way are we going? Time looms over us all, hanging right in front of our heads…. / Was completed in watercolor and gouache media on Arches cold-press 180lb. paper, circa 2007.
This image came about in an awesome way for me. Two weeks earlier, the model, Margrit, was telling me a bit about her life. She’s lived and travelled in many countries and taken lots of opportunities. She has also achieved great success with her photography. Several weeks later, I had an unusual chance to photograph her in an old train – the perfect location to reflect her life’s journey. / In Australia, Margrit has achieved her LAPS and AAPS, and is the only West Australian women to received international photographic honours AFIAP. She’s a perfectionist and it shines through in her work. Visit Margrit’s website For enquires about canvas prints, or photographic prints larger than Redbubble options, please contact me via bubblemail
Acrylic on stretched canvas. Digitally altered.
I finally got to paint this from my digital manipulation, Don’t Give Up Searching . I’m so pleased with the result. I used a few different textures and oil paint and made the eye brown rather then blue so that the image was unified in pallet to suit a college project so that I could paint this particular piece without abandoning duty. / UPDATE- / In 2008 this painting was STOLEN. / It was being displayed in Bentley Pines Restaurant with a group of other art from fellow students. toward the end of the year the restaurant went though refurbishments and stored the works in a disabled toilets :/ we were asked to collect the work but this painting had already gone before it could be collected. Ive contacted all the people in charge and been forwarded around like a telstra customer on hold and still haven’t gotten it back. :(
Abstract landscape. The original acrylic painting (30” x 24” ) was sold to a private collector. Visit my own website Arts-Fine.co.uk for more Contemporary paintings
tempera and pastel on mdf / cm 70×70
Surrealistic Painting / / The original painting is also available: / Painted 2008 / Acrylic on cotton canvas stretched on a wooden frame / 24 X 36 inches / 60 X 90 cm / / / / Mousepads in Zazzle / / / / MCN: C09E9-B9937-80E2A / / © Imber 2008. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Imber. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved.
acrylic on paper 14”x17” / Dancing in lighted pools of Jello-textured neon. “That’s the way to do it,” an old stranger called to the young man who, being suddenly aware of what he was doing, stopped, looked over his shoulder and glanced down at the ragged multi-colored sheet that was pulled tightly around his shoulders. He leaned back and peered up at the sun. Smoke rose from the side of a brick building and the odor or ginger floated through the air. The source of both puzzled him, as he remembered distinctly thinking he was the only person in the world just a few moments before. The old man smiled a toothless smear of flabby lips and bowed down to the dancing youth, who smiled back, jiggled aimlessly for a few seconds on thin, scratched legs and then sat down on a patch of grass in from of a building that had been painted by clowns. The young man pulled back the corner of his gown of rainbow hues and let out his heart, which had been beating all along, but in being freed, started to do a dance all of its own, though it had no legs. It also sang, which surprised the young man as he had always thought he was mute.
one of my very favorite songs… / love before time .
mixed media on wood. 24” x 36” i keep a grey bin full of photo copies, pictures cut out from magazines, polaroids, various papers, etc. as i work, i dig through it looking for elements that will fit in, compliment, or otherwise enhance the outcome of the painting… the leaves fall to the hard soil as winter sets in / there is an echo / hunger and longing drowns / and drowns / the night grows longer / a restless mind does not sleep / a thin blue-grey welcomes the dawn / the weary returns to the cave
This is a re-do of an older piece. This like the original is painted on an old recycled formica top table top. They are heavy but make a dramatic canvas and background. I have maybe twenty more on tables out there in the world. The size of this is roughly 6’x3’, the original is more like 8’ wide. Sam Dantone
acrylic on canvas / Done to Lonnie Liston Smith’s music as usual got up about 3 am to paint….sleep? lol…what’s that? / Main song…”Time is moving on, better get with it or it’ll soon be gone” / one of my paintings from my never ending series on “TIME”, something i have been thinking about very much lately as it has proven to become shorter and shorter….how do we ever finish what we feel compelled to do in such little “time”?
acrylic on canvas / Part of my “time” series”...which by the way…will never ever get finished….. / Living in NYC certainly keeps u on the clock…as everything here is run by “time”....always in a rush…..always too late…..always trying to catch up with …......time…............
153cm by 122cm (it’s quite big!) / Acrylic and Mixed Media on Canvas “Time is… Too Slow for those who Wait Too Swift for those who Fear Too Long for those who Grieve Too Short for those who Rejoice But for those who Love Time is not.” Henry Van Dyke
Imagine the sunrises, sunsets, storms, and sunny days this water tower has seen in all its years. This day was not a particuarly memorable day in its history, but it will be remembered it as it appeared through the lens of an antique camera and now captured forever in this digital medium. The Clack produces only 8 negatives on a roll of 120 film. This forces the photographer to slow down and carefully compose each shot. This slowing down of time is exactly what is being portrayed in this photograph. The colors and clouds bleed into the background, highlighting how little has changed in this scene over time. Created using a 1950’s AGFA Clack camera with 4 year expired Fuji Velvia RVP120 (ISO 50) slide film cross processed with C-41. No digital manipulation necessary! This image is in Redbubble’s featured gallery . (c) Paul Lavallee 2007 /
acrylic on canvas
tempera and pastel on mdf / cm 58×92
acrylic on canvas
Pure Watercolour on Fabriano Paper, Holbien Paints…. Special thanks to photographer Melodi for allowing me the use of the photo…....
Patina (ˈpa tə nə) is a film on the surface of bronze or similar metals (produced by oxidation over a long period); a sheen on wooden furniture produced by age, wear, and polishing; or any such acquired change of a surface through age and exposure. On metal, patina is a coating of various chemical compounds such as oxides or carbonates formed on the surface during exposure to the elements (weathering). Patina also refers to accumulated changes in surface texture and colour that result from normal use of an object such as a coin or a piece of furniture over time. / Patinas are restricted to exposed surfaces and are fragile (that is, they can flake off). One reason bronze is so highly valued in statuary is that its patina protects or passivates it against further corrosion. This natural patina is solid and seldom shows a tendency to flake. Brass is also resistant to corrosion, but it is, in the long run, not as attractive since local pitting shows against the shiny background. / source: Wikepedia Dictionary :http://en.wikipedia.org/wiki/Patina credits: / MJRANUM for the torso / water and textures (photographs and digital paintings) by yours truly. © 2009 jokiargu creations / All rights rederved
/ __________________ Fictional traditional drawing, 21×29,7 cm / Markers & ink on canson paper. / Creation Date: 01.06.2009 — / / — Also available as art print / © All images copyright ROUBLE RUST / Spyridoula Bleta / All the images in this gallery are copyrighted, are NOT part of public domain & may not be reproduced, copied, edited, transmitted, uploaded, downloaded, or published in any way without my permission. Any violation of this copyright law will result in a lawsuit.
/ Between the greater-soul & fleshed reality are particles, the final tangible reaches of our thought, seeming like something singing out beyond the rugged tabletops of testable existence, & if we had eyes to see this outlandish world, we might see a swirling of mysterious cloudy forms, a blending of ourselves & our surroundings in a mystical dancing light, in salty jewels, our cloudy arms & hands would try to reach our cloudy chairs & sink & blend into a mad phantasmagoria… / We should be afraid until we learned that we were part of it, our bodies swirling clouds of atoms; but what’s important is that we would be seeing at the gate just beyond which is the home of Mystery, source of Soul, which is our truest life, our centrum… / Now where would we be if we stepped forward, through the gate, through the mysterious clouds of unknowing? / This makeshift shadowy world is a metaphor which is our chariot of choice, our light-inducting dark-proof vehicle ready to ride the road & river of space & time, to deliver us from evil, which is all that isn’t, in the vision of the cloud-bodied hungry soul, when it goes through the gate to the mystery of unanswering love.. / We see from there how all things flow outward toward wisdom, & back upon themselves toward joy, & that love is always answering, is the cloud formed into self, which is others & all, at once. E.M. Shorb We stand always on this side of the gate looking through to what is on the other side…it is light sometimes, it is dark at others…dare we go through?...in his brilliant poem Shorb says it for us.. Watercolour on Arches Not Paper 407 Views FEATURED IN CREATIVE CARDS
acrylic on linen, 30” x 40”
This is for the happy challenge / . / Rate yourself on a scale from 1-10 (1 being seriously depressed, 10 being the happiest) and then create self-portrait expressing that state. / . / I started with this photograph / . / / . / Then printed it out, painted and used sharpie and photographed it again and played some more in gimp lol why ? IDK I look so creepy …...............A rate of 7 out of 10 in happiness :)
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