Paint watercolor
3095 creative works found
-
Yes, before you say it … strange! :-) As of July 2009, this painting has had 5,048 viewings and has been favourited 79 times and had 194 comments, so I guess someone out there likes it. Many thanks for your enthusiasm. To be candid though, I’ll never cease to be amazed at its reception, as I didn’t spend too much time on it and even kept it out of my portfolio for ages as I thought it was sub-standard. PLEASE NOTE – AS THE PROPORTIONS OF THIS ARE NOT IN LINE WITH THE PRINTING REQUIREMENTS, IT IS NO LONGER FOR SALE FEATURED BY SURREALISM GROUP – 28th July 2008 FEATURED BY YOU’RE ACCEPTED GROUP – 11th November 2008 FEATURED BY BRITISH PAINTERS GROUP – 26th June 2009 FEATURED BY UNIVERSAL INNOVATION GROUP – 3rd August 2009 I continued this theme and did two more paintings: /
-
The original was done in watercolor and gouache on Arches cold-press in 2005. / Good composition and likeness in this one. Oh, how I miss the punk rock girl….
-
What time is it really? Which way are we going? Time looms over us all, hanging right in front of our heads…. / Was completed in watercolor and gouache media on Arches cold-press 180lb. paper, circa 2007.
-
The labyrinth was a maze created by the brilliant engineer Daedalus for King Minos to hold prisoners from ever escaping. The Minotaur resided deep within it’s depths, later to be slain by the hero Theseus. Of course Daedalus himself later became a captive to his own creation. Since even he could not find a way to escape from his own construction, he devised wings of wax and feathers and string, and, along with his son, Icharus, flew from the confines of the labyrinth. Icharus, not heeding his father’s warning, flew on too high toward the sun, causing the wax in his wings to melt; and he fell to the earth, and his death. / The labyrinth has been observed in many cultures to be a metaphor of the depths of the human psyche. From the ideas of old Greece to medieval cathedrals to the modern ideas of the psychoanylist Carl Jung, the labyrinthean depths of our own minds may very well be of the very highest construction and capability, as well as our greatest obstacle toward true enlightenment and freedom. / Original work was created using watercolor and gouache media on Arches cold-press 180lb. cotton rag.
-
The Sophia, in Jewish mysticism, was the personification of the female counterpart to god. She epitomized wisdom, and was looked upon as a deity that was elusive but could be searched out and found. The name Sophia itself is Greek and means wisdom, being the root in such words as philoSOPHY, SOPHIST, etc. Later religious groups, like some early christian sects, debased her as a heretical figure- her wisdom being superficial and of a false kind. / I personally like the idea of a female godhead, and in this enlightened age I thought it well to represent her in my own style and art. I looked to other female goddess roles for inspiration- Demeter, Minerva, Diana, etc. There seems to be an overwhelming degree of identification with the most popular- and powerful- female deities with the earth, with life, and with death. Of course in the real world woman do carry much of this burden- or blessing, however you look at it- like childbirth, and the stereotypical nurturing roles, etc. Men like myself are able to be brats and run off from our duties with family and home and life, pursuing silly things like war and death and the ‘sporting’ lifestyle. / The Sophia in this painting resides at her place in the cosmos- at once beautiful, stoic, matriarchal and proud. Flower petals symbolizing life fall from her fingertips, but there is brevity in this gift. The skull at her feet is death and the inevitable end of life, yet the skull remains after all else has decomposed; a permanence to this cycle. Accepting this truth and understanding it’s beauty can be enlightening and a release. Original painting was completed in watercolor, gouache, and some acrylic on Crescent illustration board, circa 2007.
-
views: 3424 / favs: 51 Completed 2004 age 18 I was inspired by the Japanese artist Hiroshi Senju, who tends to limit his colors in his paintings. Sometimes he paints an image where the background is the complimentary colors of the subject. His style is simple but at the same time intense, where the foreground stands out from the complimentary background. Medium: Watercolors This is a painting done in my sketchbook. The paper isn’t watercolor paper, but at least more durable than regular printing paper. This work has been featured in: / Bubbler’s Weekly Challenge Thank you Janis Zroback for being my first buyer! / / Also available at Zazzle / / / / Works by Category Featured/Popular Early Works [pre-university] / Origami / Drawings,Paintings and Graphics / Abstract Photography / Guessing Games Flowers, Trees and Plants / Water and Waterscapes / Scenery/Skyscapes / Light, Shadow, and Reflections / Still Life Living Creatures / Human Portrait Japanfluence / Canada / Europe / / / / / More Paintings: / / / / / / / More Trees: / / / For more images please visit the category links at the top.
-
pens, pencils, markers, watercolors a similar drawing / available on t-shirts here: http://www.redbubble.com/people/olechka/clothing/586733-2-sphera
-
Watercolour by Ruth S Harris
-
Fiiiiiiinally finished. A companion piece to this one I did a year and a half ago: I decided the other day that there was a distinct lack of blue paintings in my folio! Had to rectify the situation. He is approx 30cm square, watercolour/pastel etc on canvas. He has shiny silver leaf on his spikes too.
-
Watercolor painting of a kayaker on a misty lake. Painted on 140 lb Fabriano cold-pressed paper. Thanks to Michael Edward of Wetcanvas for permission to use his photo.
-
Here’s yet another take on the Polaroid camera.
-
Another slightly deaf creature, like this one Watercolour, chalk pastel, ink, conte, iridescent pigments and copper leaf on canvas. In this one you can see the copper on the suckers:
-
Watercolor and pencil on illustration board, / 15×20 / 2009 Related work: / The Waterman: Unio Mystica This is the second panel of The Waterman triptych. While the central panel represents the Christ as the macrocosm, the side panels are the microcosm, represented by the Four Elements and their manifestation in the physical world. Ignis Aeris is the yang pillar, the elements Fire and Air. Volatile and oriented upward, these elements are connected to the realms of the abstract thinking and intuition. Fire is the energy, passion and primeval instincts, that need to be balanced by the intellect (Air) in order to manifest in a most constructive way. The certainty of the Divine, that comes from the heart and from a primal knowledge, needs to be shaped by the intellect in order to become less aggressive and to expand (the butterflies rising from the fire and flying upward). Only through a perfect combination of faith and reason we can access the Divine and understand Its Laws. At the basis of the picture, handling the creative power of Fire, we see the Magician of the Tarot, which I represented wearing the skin of Nemean Lion, just like Greek hero Herakles. He represents the first step in the Hero’s Journey, or that path that each one of us need to find out and go through in order to become Whole with the Universe. The Magician is the one who uses his power of will (Fire) and mental skills (Air) in order to find his own path.
-
This watercolor by artist Paul Jackson captures 42nd Street in Midtown Manhattan on a rainy day. The pelican stopped for a quick “Detour” on it’s way to the Fulton Fish Market. Completed in 2008, this 22” X 36” painting is part of the Paul Jackson New York watercolor series. Detour won The Margery Soroka Memorial Award from the American Watercolor Society.
-
A simple sidewalk in New York becomes a reflective kaleidoscope of color after a rain shower. This 22” X 30” watercolor by Paul Jackson is a perfect example of his artist’s eye, finding the extraordinary in the everyday and his mastery of color and composition. The painting one of a series by the artist featuring New York City.
-
Mixed Media Work – Pink Blossom digitally mixed with paint
-
Painting by Dorina Costras / 45/65 cm / Acrylic and watercolor / on Canson paper / —-—-—-—-—-—- / ORIGINAL FOR SALE Please click for detail!!!
-
Watercolor and pencil on illustration board, / 10×8 / 2009 Model: Adhara Batul One of the Greek myths I adore the most, for its incredible strength, poetry and significance, is the myth of Persephone. In Greek mythology, Persephone was the goddess of the underworld and of the Spring growth. Daughter of Demeter, goddess of the harvest, she was abducted by Hades and taken to the land of the dead. By a determination of the Fates, she was forced to stay for two seasons each year after eating pomegranates seeds, thus becoming consort of Hades and queen of the underworld. This time I opted by depicting her sorrow and solitude after having the seeds, although there’s quite an air of resignation with her destiny.
-
Everything is long on a giraffe; the neck, the legs…..and the tongue. Paul Jackson’s elegant creature’s neck leaving and coming back into frame in this painting emphasizes what’s not there as well as the artist’s creative vision. The watercolor is one of a series featuring wildlife.
-
Watercolor and pencil on board. / 11×14 / 2009 Model: Adhara Batul Life came from many seas. Seas of deep blue and secrets unknown that keep myriads of bacteria and beginnings. Seas of wombs and their sacred silence. Seas of past and forgetfulness, alive in the depths of our souls, dark and mysterious.
-
Watercolor, gouache and pencil on board, / 11×14 / 2009 Model: Kambriel One of my latest passions is the symbolism of the peacock, and how it has been associated to immortality and renewal. His feathers were used as talismans and protection against evil spirits. In the Eastern traditions it has been seen as symbols of wisdom, benevolence, compassion and kind-heartedness. The “eye” in the peacock feather is associated to the pineal gland, making of it a sacred symbol. Through the development of the pineal gland one can awake the Kundalini and achieve understanding of the spiritual world.
-
Mixed Media (Watercolor, gouache, graphite and colored pencil) on board, / 9×12 / 2009 Model: Adhara Batul Illustration for a brief moment in the wonderful Tennyson’s poem “The Lady of Shalott”.
-
Inspired by the music of Sam Phillips, too much coffee at 4 am, Alice, and the first hint of autumn in Boston
-
From my original mixed media painting. Original Painting Details Size – approx 16in x 13in, 41cm x 33cm / Paper – Saunders Waterford 200lb / Paints etc. – ‘Winsor & Newton Artists watercolours’ watercolour pencils, ink, pastel and gouache / Original Available
RedBubble is a great place to find art, design, photos and writing from over 80,000 talented people.
You can buy their stuff
On stunning greeting cards, awesome t-shirts or beautiful prints to hang on your walls.
Risk Free Returns
It’s really simple. If you’re not happy with your purchase for any reason, we’ll fix it.
About RedBubble
Since February 2007 we’ve shipped over 309,900 items to more than 70 countries around the world.
Join In
Sign up for your free account, upload your work, join some groups and share your creative genius with the world.