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822 creative works found

  • Can anything represent diversity better?

  • Portrait in oil on prepared masonite. / This painting was featured in the Red Bubble groups Strictly Faces, Impressionist Art, and Hombres Fatal. / /

  • Portrait of Jo, oil painting on stretched canvas. / This painting won a highly Commended at Brighton Art Society Annual Exhibition. / It was also voted into the top ten of the Painters in Modern Times challenge ‘It’s in the Eyes’ and was featured in the Red Bubble group Fine Art approaches to Figure and Face. It was also voted into the top ten of the Woman Appreciation challenge ‘what women mean to me’ / / /

  • Images copyright ©Kimberly Palmer / Copying, displaying, manipulating or redistribution of any image from this portfolio without permission from the artist is strictly prohibited

  • drawn/sketched pencil / color and texture Photoshop CS a tale of my recent experience with mysterious,chronic pain that the doctors / cannot explain…...one can only wonder and be left to the horrors of the imagination. i want my life back. :(

  • As a once psychology major, I was intrigued by Freud’s theory on the id and ego of the human psyche. It has been many years since those classes so my words may be somewhat off. But this piece is a self representation (aren’t they all?) of myself and how the “id” and “ego” play in our life decisions. We all seek pleasure and that constant feeling of euphoria, and our “id”’s only goal is to achieve those feelings without worry or care about the consequences of such actions. It is our “ego” that keeps the “id” in line, allowing us to think before we act, and to be able to foresee what may come of this pleasure seeking. It is a constant battle that wages on beneath our skin and sometimes the “id” overcomes. Some choose to live only by the “id”s bidding and never realize the destruction they leave behind when seeking their pleasures. I have been through that lifestyle once, and as much as I enjoyed such pleasures in bountiful amounts….the aftershock of those actions can still be felt today.

  • Sorry about the pun, ‘revamped!’ I’ve put a filter on my watercolour painting, to increase the moonlight atmosphere

  • Sales of this TShirt ? – 2 sales so far :) / ...here are my ears!!! / a pen illustration on brown paper over streaks of white gesso / with the addition of wire mesh on her little white tee

  • Everything on the walls behind the kid is work that I did either in grade school or high school. Yes, I still have EVERYTHING that I did back then. It’s taking over every nook and cranny in my house, much to the chagrin of my loving wife. What can I say, I’m sort of a pack rat. Do I really need the cartoons I scribbled on my math homework when I was eight? No. Am I going to keep it anyway? You better believe it.

  • Images copyright ©Kimberly Palmer. / Copying, displaying, manipulating or redistribution of any image from this portfolio without permission from the artist is strictly prohibited

  • The North Sea at Whitby. The Herring boats at misty dawn, / To get the details of the boats correct, I’ve used a Victorian photo as the subject. I liked the very hard pen ink lines of the foreground, contrasting with the soft, misty, wet-in-wet background. 90 lb watercolour, medium rough paper. / 12”x8”

  • Mixed Media

  • In my Painting the Masters series, at Shipley art gallery. This is a John Callow (1822-1878) Watercolour on hand-made Not paper. / 17” x 10.5”

  • Another in the Masters series. / This is the centre part of a long panoramic watercolour. By Thomas Bush Hardy, 1895. I’ve moved some of the boats to be closer together, as my version is a small painting, 10×7 inches, on rough Bockingford tinted cream paper, 140lb. I will be painting the full length seascape in the future.

  • White cat in night

  • After I demonstrated a few wave painting techniques, I later thought to join them up into a painting! A Spontaneous watercolour! Watercolour 14” x 10” on Bockingford rough 140lb. So far, nobody has spotted the little men in white shirts, clinging for life, to the torn-off mast (left side of painting).

  • Self portrait… Featured on : Layered with Texture / International Super Heroes of Illustration

  • This piece was sketched on 300gsm watercolour paper and then inked and watercoloured. I felt fancy that day and added gold enamel to her eye lids . Enjoy! :)

  • The street was crowded with shouts and chanting. Posters with slogans I didn’t understand moved along Main Street like thicken blood in veins too clogged with soot to notice. Faces turned to the distance and then waved aside the shoulders of police to stare into me or beyond me or through me or into cameras or maybe knowing that my two eyes saw everything as an abstract painting and they didn’t want to be abstract. The proud wrinkles shouted to be seen and be remembered for the hardship that had etched its way into flesh. No, you can not turn away, you can not cover me with cosmetics, you can not still the motion of music and feet shuffling along sidewalks that once were dirt. My dirt. Their dirt. Our dirt. The land that formed everything and out of which we grew. Before cement towers blocked the view to the sea. Before garbage covered the ashes. / The ashes. The ashes. Burning limbs from a sun that sets only once some days and twice when it feels the mood. Burning wind that torches leaves and dries the dreams of soldiers of the theater. Ashes that were baked onto the hillsides before they held mosaics of naked colors and hungry lights. Ashes that were blown from nature’s own breath and will still blow again and always even as merchants try to sell hot dogs to musicians and music sells to thin, clogged ears and ears are covered from the sound that the hands have created so that nobody realizes what is really happening. Nobody hears the clapping. / Blinded. Blinded by the brain’s efforts to see more and hear more and be more and sell more and buy more until there is no more and more has no meaning because it is less. Less. Less. / Yes the street was crowded. Yet I saw only one face. And that was enough.

  • Fictional 21×29,7 / Ink & Markers on paper — / / — Also available as t-shirt / © All images copyright ROUBLE RUST / Spyridoula Bleta / All the images in this gallery are copyrighted, are NOT part of public domain & may not be reproduced, copied, edited, transmitted, uploaded, downloaded, or published in any way without my permission. Any violation of this copyright law will result in a lawsuit.

  • Fictional / ROUBLE 21×29,7 / Ink & Markers on paper — / / — Also available as art print / © All images copyright ROUBLE RUST / Spyridoula Bleta / All the images in this gallery are copyrighted, are NOT part of public domain & may not be reproduced, copied, edited, transmitted, uploaded, downloaded, or published in any way without my permission. Any violation of this copyright law will result in a lawsuit.

  • mixed medium of paint, ink marker ect… Thank you for your purchase, it’s always such a compliment when you choose my artwork. Wish we could see who is purchasing our artwork so I can properly say thank you, but since we can’t on redbubble, I would like to say thank you in advance. :-) I put every emotion I am feeling at the time into my work. Each original piece is for sale upon request, if it’s not sold already. Sylvia Lizarraga / http://www.myspace.com/artistmind

  • Medium: Woodblock Print, Edition of 15 Only when there gone there gone currently on #8 of the edition 15 original woodblock prints. / Size: 49” x 50” / $500 Original signed piece buy it now www.krystalkuhn.com

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