Paint relationship Wall Art
120 creative works found
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gouache on paper
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Click on the image below to see the entire artwork / Excerpt Two is a detailed section of the original painting “Finches On Parade” . Which is about the communal abstract chatter that one encounters when in amongst a crowd of like-minded personalities. / I have chosen not to emphasize the precise detail of each bird but rather their general shape as they caper around, to give the impression of constant movement. Oil on Stretched Canvas – No Airbrushing Original : / refer to See The Entire Artwork link above / contact my Agents at Gallery 112 / .........................................................................................
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Not sure quite what’s going on here; this is just an image which popped into my head. perhaps we need to ask ourselves just what the relationship between merfolk and fish is?
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Movement of the Cobra / Digital Hybrid / This work was originally a mixed media paint and charcoal inspiration on paper. The image has been loaded into Photoshop and digitally enhanced and manipulated using the painting and blending tools and image adjustments. Work from my “Liberating the Angel” exhibition. / This image is about the co-dependent or dominant-submissive relationship where one person likes to control another. The power over partner has low self-esteem and is afraid to open the door on emotions, usually because huge pain has been locked away and submerged. The dominant partner therefore projects their emotions onto the submissive partner so they don’t have to deal with them. The submissive partner takes on these emotions so the power over partner can carry on. This weakens the submissive partner who then carries a double load of emotions. The power over partner convinces the submissive partner that their strengths are useless and their weaknesses are strengths, really screwing their mind and destroying in effect, the identity of the person. / In time, the submissive partner will need to move away and restore their stolen energies and begin to recover and heal. They will have been psychically battered from all the verbal games that did not and could not make sense, because it was never about love, it was only about rescue. They will also have to face the underlying reasons for choosing an abusive relationship. From pain and suffering comes growth and the test of that personal growth will be in not repeating the same choice of partner again. One thing LOVE is not…….is the power and control over another.
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Acrylic, oil and pastel on canvas / 0.8×1.2 metres
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OIl, acrylic and pastel on canvas / 0.8×1.2 metres
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The original photograph from which this oil / painting was derived was taken along Main / Street in Nashua, New Hampshire (USA). / The photograph was unaltered and / captured a somewhat precarious glance / between the cafe patrons and a passer-by. / A Sunday afternoon in a small city in / New England. Both the photograph and / painting are 2008.
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Man and woman figure in water. Oil. 8”x10”
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Photoshop painting. /
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Homage to Rabi Khan, a good RB-friend and my first inspiration in this style. Oh, the title has nothing to do with him, though ;-) And title is inspired by the following pop song from the 60’s… ARTIST: The Turtles / TITLE: Happy Together Imagine me and you, I do / I think about you day and night, it’s only right / To think about the girl you love, and hold her tight / So happy together If I should call you up, invest a dime / And you say you belong to me, and ease my mind / Imagine how the world could be, so very fine / So happy together I can’t see me loving nobody but you / For all my life / When you’re with me / Baby the skies’ll be blue / For all my life Me and you, and you and me / No matter how they tossed the dice, it had to be / The only one for me is you, and you for me / So happy together…..... /
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“Chilly contact” was featured in the groups The Patchwork and Outsiders
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“Love” was featured in the group Outsiders
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Apologies for the crap photo. Not sure what got into me when I painted this. I had a blinding headache and with each daub of paint it got worse and worse…and the painting got more and more strange.The entire background was filled with tiny coloured dots and looking at it was making my vision blurry….which is why I painted out the background with this very dull beige colour…that was my way of trying to turn down the volume of the pounding in my head. Interestingly, as soon as I signed it, my headache disappeared. medium: acrylic paint on stretched canvas size: 50cm x 70cm currently listening to: / Gabriel Yared – Like A Bird On The Way To Montreal / – from one of my favourite films of all time, Map of a Human Heart .... Please, please, please get this film out on DVD. If it doesn’t fill up your heart…..well…... Here is a review by Siskel & Ebert ... What does this have to do with my painting? So much….its hard to explain. I saw this film when it was released in ‘93. Perth girl in Melbourne for the first time, I was 29 and nursing a broken heart. My friends, Sue and Julie, had been taking me out every night of the week for approximately two months…when shopping in the city one afternoon, I saw a poster for the film and was struck by the title. Map of a Human Heart......hmmmm…I thought…....that’s quite a concept. I wondered whether the film could deliver such a promise. Thinking back on it now, I see that I wanted to escape into someone else’s life for a couple of hours. What happened was…I saw the…. magnificence ... the enormous, open landscape of my own life that I had only just begun. I wanted one day to look back on the story of my own life…and for it to be interesting and beautiful and poignant ....and for that to be the case, then there had to be heartbreak and pain….and although embarking on each new love affair carried the certain promise of anguish at some point…..a life without love would not be much of a story at all. I’m gonna stop writing now. I could easily bang out 3000 words if I had the time. I may come back to this later.
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Joy Of View
by MaijaSomething we all know, / why to shame it.
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Getting this one out of me was like pulling a tooth. medium: charcoal and watercolour on 300gsm Arches watercolour paper. All materials are professional-quality, acid-free and archival. size: 42cm x 59.4cm (A2) / approx 16.5” x 23.4” currently listening to: / Tracy Chapman – Baby Can I Hold You This painting is currently listed on eBay
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Second of the works on canvas, using acrylic background and black and white spray paint with stencils I created from my photography and with text I came up with. This is a valentine artwork to celebrate my husband and my relationship of 16+ years. Again influenced by my admiration for street art.
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Acrylic, linen thread, collage, stitching on canvas. 2007 / Size: 152.4×91.5 x 0.37 cm Work is from ‘ELEVATING THE SPIRIT’ Solo Exhibition of abstract works, 2D & 3D … “where connections, relationships and unity are explored through visual language elements and symbology, between one’s inner-self (soul, spirit, life-force, essence), psyche and the outer world. Notions of passage, transition (change), duality, reflection, containment and synthesis (fusion) are contemplated and reflected upon. My use of symbolic colours and threads combine for linking and connecting to the human psyche, exposing parallels, for example, conscious and subconscious realms, matter and spirit and other dualities, archetypes, the spirit and alchemy of ‘relationships’ and the embodiment of it all in the vessel…” / Exhibiting/touring venues schedule: 2009 April 24 – May 31, Main Space (selected), Umbrella Studio, 482 Flinders St., Townsville, Queensland, Australia* / 2007, July 22 – Oct. Sugarama Gallery, ASIM, Bruce Hwy, Mourilyan (Next to PO; just south of Innisfail) Qld. / 2007 May 18 – June 17 Selected for the Community Exhibitions Program at Cairns Regional Gallery, Qld.
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