Fiery red sunrises have often been a feature and a great experience of camping at Batton Hill in the North Simpson Desert.The black silhoutted trees and messe form a strong contrast against the fiery red sky
One in a series of four images. / Now available here at Red Bubble as a print. / Original: Oil on Canvas. / Size of original painting: 4 ft X 3 ft / - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - / / “A big part of the Red Dust Girl series was about trying to convey a sense of living in a regional area or a situation far from the influence of a metropolitan city. I wanted it to reflect a celebration of outback Australia, of the people living there each day of their lives and of the purity or innocence that can be found in such a seemingly baron and harsh landscape. / / Painting can sometimes be a very individual pursuit or in my case an infatuation, so I also wanted that series to express the joy (of all things) of being alone or separated, and of the contentment in that individualism. How “change” presented here as a metaphor (the seasons) can be a good thing and doesn’t necessarily need to change us as individuals. / / I knew that having a young girl or woman in the picture would be the perfect vehicle to present this idea. I’m not sure how the “floating” concept came about but I had previously painted a picture of a girl floating over the landscape and really liked the whole idea of the shadow beneath the feet etc. It certainly fitted the context of “separation” and when I mapped it out initially it just looked right. I decided that nothing in each of the four paintings would touch the ground, that the earth beneath her feet would remain unchanged through the seasons. “ - – - – - – - – - – - – - – - – - – - – - – - – - – - – - - - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – / THE “RED DUST GIRL” SERIES Review by Karl James At first glance, Leith O’Malley’s “Red Dust Girl” series invokes his love of contemporary illustration with its simplicity of design and striking power to just jump at the viewer. These large oil on canvas works are figuratively simple in composition but make no mistake, the paint work is delicious with luscious textures, tactile surfaces and collaged with natures discards. One wants to reach out and feel the very canvas. Full of outback hues, rich magentas, cobalt skies and desert ochre applied in buttery layers, these paintings have an underlying Australianess about them as the title of the series suggests. They also follow the seasons. Summer with its blazing, sizzling outback.. a sort of piercing Vincent heat, invigorating and maddening. Then there are the feather-like leaves of Autumn, falling about her and nesting at her feet. Thick and pillow soft, a season of calm reflection. Winter rain. Cleansing, ultramarine and diamonds, a cool tonic for the red raw earth. Finally Spring. All petals and newness, the simple joys of life, rebirth. A warm caress and motherly wonder. But who is the girl, this doll like puppet? Zen like in her calm yet so poetic and mysterious? Leith often incorporates metaphor in his work. Is she real or fictional? Or could it be “Eratos”, the artists muse guiding the creative spirit. Nothing is certain, but maybe we really see the artist here with his thoughts floating as visions do, bound not by the earth. Maybe he is like many of us, wary of change yet accepting of it. Of this new work Leith says “part of it is a reaction to living far from the city in a regional area. There is an underlying celebration of solitude and adaptation to my surroundings. That no matter what seasons bring we remain unchanged, and that isolation should be embraced. I believe in my own case it really is a stimulus for creativity”. If one looks beyond this little red dust girl of ponytail innocence and into those piercing cornflower eyes there is a knowing, an accepting. She hovers above the ground not at one with nature but unfazed by the seasons change, and like the hand that holds the brush, she adapts. More information here -
These sand dunes are situated just outside Wenthworth NSW near Mildura. / Original image taken on colour slide film Fuji 100,camera Minolta 700,24mm lens,polarizer filter
Desert sands turn a firey red as the sun sets in the Simpson Desert. A fragile environment. / Taken on Fuji S2 Pro
As Toyota and Jetstar are debating all around town, i thought i’d stir the pot with my little jump a bit more…
Driving along this almost deserted highway we spotted this Love heart, somewhere between Uluru and Kings Canyon. An amazing piece of work, literally in the middle of nowhere. Hence the title, Love is all around…even in the middle of nowhere….. Photo Taken: 28-Nov-2005 / Time: Early, 6:45PM / Conditions: Beautiful clear afternoon / / / / / / / Some other Australian Red Centre art: / / / /
100% of proceeds received from Redbubble in respect to sales of this item, will be donated to Bush Heritage Australia This photo was taken in the late afternoon. Dead Horse Springs is near Lake Argyle, Kimberley region, Western Australia.
100% of proceeds received from Redbubble in respect to sales of this item, will be donated to Bush Heritage Australia This photo of the Red-winged Parrot was taken near Cunnamulla, outback western Queensland. The bird was feeding on the low scrub that grows on the sand dunes.
This photograph was taken in the outback near Cobar in New South Wales, Australia.
Taken on Fuji S2Pro,Nikor 24-85mm @ 24mm
The only bit of water in a drought, I’m glad I found it. / Now available through RB big and beautiful!! Part of the ultimate reflections group / Avatar for National Parks of the World May 2008 / Extensive Folio Viewing / ”Caroline Ellis Web Site / / !http://images-0.redbubble.com/img/art/backingcolor:white/product:greeting-card/view:preview/311154-6-splendid-morning.jpg:http://www.redbubble.com/people/carolineellis/art/311154-6-splendid-morning More art check out my website Other limited edition art prints also available from my web site.
East McDonald Ranges. I love outback Australia, such contrast and sharp light. Visit website / Extensive Folio Viewing / ”Caroline Ellis Web Site and go to outback gallery for more images. more on my bubble: / !http://images-0.redbubble.com/img/art/backingcolor:white/product:greeting-card/view:preview/311154-6-splendid-morning.jpg:http://www.redbubble.com/people/carolineellis/art/311154-6-splendid-morning
Large Oil Painting on Canvas 120×85 cm of two emormous Boab trees dancing together in the Kimberleys. top end of Australia. / http://images-3.redbubble.net/img/art/backingcolor:white/product:greeting-card/view:preview/380005-9-kimberley-giants-boabs.jpg! / ! / o get an idea the size please view the two figures at the base
This pool in Karijini National Park / Western Australia is a bit hard to get to but well worth the effort. Equipment: CANON 5D, CANON 24-105 f4 L IS Framing suggestion: / Photo was featured in Style! Class! Elegance! Excellence! SOLD: / Durst Lambda Fuji Flex Print 20×12 inch, / Sold to person from Western Australia, / through www.aabz-imaging.com / Matted Print, 218mm x 326mm, through RB-site © aabz-imaging / ALL RIGHTS RESERVED
Incredibly shaped rocks in Hamersley Gorge, Karijini National Park/Western Australia Equipment: CANON 5D, 17mm This image has won the following RB-Challenges: / Australian Traveller Travel Photography Challenge / National Parks of the World Group – Your Best Feature Framing suggestion: / / / SOLD: / 2x Laminated Print, Large 610×406mm, through RB-site / / Image was featured in Fine Art of Landscape Photography – Style! Class! Elegance! Excellence! – Australian Travel Photography and Writing – Your Magic Place – Beautiful / / © aabz-imaging / ALL RIGHTS RESERVED
The Simpson Desert there is always some form of tough plant life looking for a niche in the environment
for the 365 project / limited edition of 25 $320.- signed and numbered on Hahnemuehle Bamboo Rag Art paper 60cms x 80cms please contact me directly. / jess.tremp@gmail.com thank you
/ half coloured image, thanks to gottheshot friend and fellow bubbler for the idea Sales of this design? – 1 framed print sold / / / Binda an aboriginal name meaning ‘deep water’ / I originally drew Binda in pencil and coloured her later in Photoshop / this is a recent drawing I completed a couple of weeks ago / /
I wonder who it was that left this beautiful old car behind in the middle of no where? This mystery is what I love about these old wrecks, so many bits and pieces taken from the old girl, maybe to help another breakdown get going again? This beautiful wreck was about 50 klms out of Mildura, on the way to Mungo National Park, on the unsealed and rough road. Canon 50D, 15mm. Available large, and best viewed large!
A shot from April 2006, my first with cokin ND grads….fumbling in the dark, absolutely no idea what I was doing…. Canon 20D, 16-35mm at 16mm, f/22, shutter speed says 1/0.31second….whatever that means, ISO 200, and P121 Cokin ND grad…plus tripod, of course, and photoshop jiggery pokery Another OE reject….LOL Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
Thank goodness she’s gone back to seascapes….Phew! / Don’t get too comfortable….LOL! Now I’m off to prepare for a visit from Tanya…..cya Canon 5D Mk II, 16-35mm at 32mm gasp f/ 6.3, 15”, ISO 100, tripod, lee ND grad 0.9, pre-dawn by a good half an hour…which is why the light is so good, that was kindly supplied by the lights at the pool… OTHER SHOTS FROM THE ROADTRIP OTHER BEACH SHOTS / REAL ESTATE SERIES / NEW ZEALAND / FROGS / LENSBABY / INFRARED / INDUSTRIAL / SPAM / PANORAMAS / LANDSCAPES
/ / Original pencil drawing on Aquarelle Arches paper 56×76cm / Drawing 15 hours/painting 12 hours = 27 hours total A digitally painted hand drawn artwork… the inspiration for this is “Meeting Places”... As a child one of the most frequent things we did together as a family was to attend church on Sundays, I went to a Catholic School and the church I remember best was St Agnes’ at Port Macquarie… the nuns would come over for morning tea sometimes, and the priests would come for dinner occasionally…they were the days of fun parish picnics and life that wasn’t so hurried..when we took time to socialise, meeting and enjoying one another’s company. Mum was/is a great cook and host…and although this picture isn’t authentic as a portrait of her and myself…it’s representative. It’s also representative of new life and hope for the future, as the mother figure is with child….. and the child herself nurtures the wildlife…perhaps she is taking them to church for a blessing… perhaps the joey has lost his mother and needs nursing til he can fend for himself. The kookaburra is all seeing and all knowing….. the wise overseer of the bush… in this case, he stands in as the owl figure.
Taken at the Perry sand dunes at Wenthworth. / This was taken about half an hour before sunrise rather then sitting in the sand waiting for the sun to rise I took a couple of pictures to kill the time:)
Some of my favourite images of Central Australia, including Uluru, Kata Tjuta and the red sand landscape of my favourite corner of the Northern Territory. Captured during my time spent living and working at Uluru. Enjoy the beauty of this magical landscape with the new release of 2010 Calendar images.
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