Ourjrny 

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  • “Love Rests on No Foundation ~ It is an endless ocean, with no beginning or end. Imagine, a suspended ocean, riding on a cushion of ancient secrets. All souls have drowned in it, and now dwell there. One drop of that ocean is hope, and the rest is fear.” ~ Quatrains of Rumi Plumeria Blossom on Lava Rocks / Hamoa Beach Maui Hawai`i Copyright © Sharon Mau / All Rights Reserved Featured in Natural Colour and Light group 25 December 2008 Canon EOS Digital Rebel XTi This lovely Plumeria blossom floated from the tree which arches overhead as I was walking down the stone steps to the luxurious black sand beach of Hamoa, one of my favourite beaches on Maui. I was captivated with the beauty of it resting softly on the lichen blanketed lava rock and the contrasts of soft sensual beauty with the rough textures of the hardened magma. Of course I instantly stopped and photographed it. It is one of my favourites and I am happy you enjoy it

  • Adonidia Merrillii / Veitchia merrillii / Manilla Palm / Tropical Gardens of Maui Hawai’i Copyright © Sharon Mau 2009 / All Rights Reserved Canon EOS Digital Rebel XTi

  • From my collection: / Heaven In It’s Midst Ice Crystals and Formations Alaska Winter Scenics Copyright © Sharon Mau 2009 / All Rights Reserved Canon EOS Digital Rebel XTi

  • An amber street lamp glows through snow and ice on my windscreen / Winter North Pole Alaska Featured Art 03 January 2009 Natural Colour and Light Featured Art 18-25 August 2009 / Friends of Bangor and North Down Camera Club, Northern Ireland / and / Canon Vs Nikon_ / She Gracefully Surrenders / Copyright © Sharon Mau 2009 / All Rights Reserved Canon EOS Digital Rebel XTi / Photograph with no post processing

  • From my collection: / Perception is Reality Copyright © Sharon Mau 2009 / All Rights Reserved Featured Art 12 June 2009 Rural Around the Globe A composite of two of my images; one of Ho’okipa Beach Maui at sunset, and one of a beautiful horse / Upcountry layered over Ho’okipa. See the person on the lava rocks below? ;) “In Xanadu did Kubla Khan / A stately pleasure-dome decree : / Where Alph, the sacred river, ran / Through caverns measureless to man / Down to a sunless sea. / So twice five miles of fertile ground / With walls and towers were girdled round : / And there were gardens bright with sinuous rills, / Where blossomed many an incense-bearing tree ; / And here were forests ancient as the hills, / Enfolding sunny spots of greenery. / But oh ! that deep romantic chasm / which slanted Down the green hill athwart a cedarn cover ! / A savage place ! / as holy and enchanted / As e’er beneath a waning moon was haunted / By woman wailing for her daemon-lover ! / And from this chasm, with ceaseless turmoil seething, / As if this earth in fast thick pants were breathing, / A mighty fountain momently was forced : / Amid whose swift half-intermitted burst / Huge fragments vaulted like rebounding hail, / Or chaffy grain beneath the thresher’s flail : / And ‘mid these dancing rocks at once and ever / It flung up momently the sacred river. / Five miles meandering with a mazy motion / Through wood and dale the sacred river ran, / Then reached the caverns measureless to man, / And sank in tumult to a lifeless ocean : / And ‘mid this tumult Kubla heard / from far Ancestral voices prophesying war ! / The shadow of the dome of pleasure / Floated midway on the waves ; / Where was heard the mingled measure / From the fountain and the caves. / It was a miracle of rare device, / A sunny pleasure-dome with caves of ice ! / A damsel with a dulcimer / In a vision once I saw : / It was an Abyssinian maid, / And on her dulcimer she played, / Singing of Mount Abora. / Could I revive within me Her symphony and song, / To such a deep delight ‘twould win me, / That with music loud and long, I would build that dome in air, / That sunny dome ! / those caves of ice ! / And all who heard should see them there, / And all should cry, Beware ! Beware ! / His flashing eyes, his floating hair ! / Weave a circle round him thrice, / And close your eyes with holy dread, / For he on honey-dew hath fed, / And drunk the milk of Paradise.” ~ Samuel Taylor Coleridge – 1797

  • From my collection: / Alaska North Star ~ Arctic Fantasy Copyright © Sharon Mau 2009 / My images do not belong to the public domain. Reproduction is strictly prohibited. All rights reserved Beautiful Art and Greeting Cards For Sale ~ Shop securely and view my collection here “Our deepest fear is not that we are inadequate, our deepest fear is that we are powerful beyond measure. / It is our light, not our darkness that most frightens us. / We ask ourselves who am I to be brilliant, gorgeous, talented, fabulous? Actually, who are you not to be? / You are a child of God. / Your playing small does not serve the world. / There is nothing enlightened about shrinking so that other people won’t feel insecure around you. / We were born to make manifest the glory of God that is within us. / It is not just in some of us; it is in everyone. / And as we let our own light shine, we unconsciously give other people permission to do the same. / As we are liberated from our own fear, / our presence automatically liberates others.” by Marrianne Williamson ~ excerpts from Reflections on the Principles of A Course in Miracles. I use only my own images to create composites, matrix panoramic images and digital art, therefore I own full copyrights on all my work. This is one of my favourites. It is a composite of three of my images, one of the Chena Slough near North Pole Alaska and two of Interior Alaska brilliant skies Featured in Mountains and Light 29 December 2008 Canon EOS Digital Rebel XTi Świetna melodia

  • Alaska North Star Brilliant Skies Copyright © Sharon Mau 2009 / All Rights Reserved “Why would I wonder how you are about today and yesterday a wondering smile or frown because I cannot know and still I want to… But it is not you or your fault, nor is it mine, to accuse myself of anything but being me. And where, if ever, did you get that smile and laugh a little at the things so many people say… And how could I want to hear it (again and again)... Is it absurd for feelings to beg to be felt or do they, or is it just my mind reeling in the years trying not to forget, or yours (your mind is questioning the reason why you can’t touch my hand or feel the warm that is me and know the face again you see always – each night in your dreams when you are drifting in between – you wonder where has she gone) So I search myself to know the answer and often ask for no reason but the asking if I can even know what it was that made some far off voice a reason to ask yourself again can there really be love in this world (love outside of you) love that makes the birds sing. You ask: (what holds the sky up under the wind so that we know what blue is and how it feels to lose the sun when the rain washes it away and makes us blue with all its splatters)... no I can’t explain it, for it is something we have to feel (so far away)... How can I ever tell you I wonder sometimes how you are (what you are doing) if you feel loved … because I can’t see you doesn’t mean you’re not there or not here inside me in every little corpuscle that dances in my veins and keeps me alive to wonder some more… How do you feel (I remember)” by Peter Anthony Canon EOS Digital Rebel XTi

  • Clouds and Sky Reflections / Beaver Springs Slough / North Pole Alaska A stitched panorama of two of my images from North Pole Alaska, Beaver Springs Slough. Featured Entertainment Digital Art 07 September 2007 ~ “When I am Gone Away ~ Sri Chinmoy wrote this song for his students in 1976, and asked that it be sung only upon his entry into Mahasamadhi and departure from this earth. “During the memorial service for Sri Chinmoy yesterday, the song was sung by a choir of Sri Chinmoy’s students in a way that brought heaven down to earth. When I am gone away Remember me, O children sweet, / No, not because I failed, / No, not because I cried, / No, not because I tried, / No, not because I saw my Lord in you, / No, not because I served my Lord in you, / No, not because I fulfilled my Lord in you, / No, not because I was your Pilot true, / No, not because I was your Infinite blue, / Oh, but because my life was all gratitude, / Gratitude, / gratitude / To you, / to you, / my sweet children, / to you.” Sri Chinmoy died 11 October 2007

  • The luxurious black sand beach of Hamoa / Hana Maui Hawai’i Canon EOS Digital Rebel XTi Copyright © Sharon Mau 2009 / All Rights Reserved

  • Copyright © Sharon Mau 2009 / All Rights Reserved Featured in Mountains and Mountain Light group 08 January 2009 / / Canon EOS DIGITAL REBEL XTi / 19 August 2007 22:06:27 / Tv 1/60 Av 5.6 ISO 400 The wild beauty and brilliant skies of Interior Alaska “Can you hear the gentle rippling of the shallows? / You can see by the convergence of diminutive waves and crests? This is the where the current reflects off objects in the stream, and creates the dance of light and sound. / And there, / just below the surface, / a fallen leaf waits patiently, / taking a little respite from its journey down stream. Soon enough, the water will shift again, and an upward current will likely bring it back to the surface. / Soon enough – but until then – it is art. / We call it art, / nay, / together, / we make it art. / But of course, first we must notice … “The moment one gives close attention to any thing, / even a blade of grass / it becomes a mysterious, awesome, indescribably magnificent world in itself.”—Henry Miller And what of it? / Well, listen closely. / Can you hear the notes … / the melody? / I can. / So soothing, / so moving. / As you lean back and soak up the afternoon sun, / smell the pine bows, / feel the damp soil with your hands, and smile. / Something connects. / Nothing else to do. / Nowhere else to be. / This is where you belong, right here, right now. / What of it, indeed … It’s waiting for you, / just below the surface of our work-a-day world. / There, / just below the surface, / where you are protected from the current that is trying to sweep you along, / to jostle for your attention, / to whisk your day away, / in the never ending lists, and the stuff that must be done. Listen again, more closely. / Isn’t that your song? / Don’t you recognize it? / It is in us all, somewhere deep within … / “To live content with small means; / to seek elegance rather than luxury, / and refinement rather than fashion; / to be worthy, not respectable, / and wealthy, not, rich; / to listen to stars and birds, babes and sages, / with open heart; / to study hard; / to think quietly, / act frankly, / talk gently, / await occasions, / hurry never; / in a word, to let the spiritual, unbidden and unconscious, grow up through the common ~ This is my symphony.” ~ by William Henry Channing

  • Palm Silhouettes / Sunset Christmas Day on Maui My images do not belong to the public domain and may not be reproduced in any manner whatsover without my express written authorization. / Copyright © Sharon Mau 2009 / All Rights Reserved Canon EOS DIGITAL REBEL XTi / 25 December 2008 19:25:33 / Tv( Shutter Speed ) 1/250 / Av( Aperture Value ) 10.0 / ISO Speed 100 / Lens EF28-135mm f/3.5-5.6 IS USM / Focal Length 28.0 mm

  • From my collection: / Emerquinox / Spirit of Alaska ~ Alaska North Star Winter Scenics Copyright © Sharon Mau 2009 / All Rights Reserved Emerquinox is a word I coined when I combined the words Emerge and Equinox The Great White North I took this photo in deep winter 20 January 2008 midway between Fairbanks and North Pole Alaska. In summer this area is a peat bog. It is actually quite deep as in late Autumn I have watched a cow Moose submerge herself and swim in the pond at sunset. Near the Chena River, in winter it is used as a ‘highway’ for mushers and their dogsleds and also for snowmachines. I removed the natural blue hue with a white balance adjustment. Then I desaturated selective colours pulling down the yellow, magenta, and green. With a slight adjustment on contrast, I then used the lasso tool and selected only the sky to remove the digital noise as I had my ISO setting too high at 400 and, along with the cold, this created too much noise with the original photograph. The temperature on this day had actually warmed to about 10F. Within a week it plunged again to appx minus -47F. Canon EOS DIGITAL REBEL XTi / Shooting Date/Time 20 January 2008 16:41:50 / Tv( Shutter Speed ) 1/125 / Av( Aperture Value ) 5.6 “Permafrost, perennially frozen ground that maintains a temperature at or below the freezing point for at least two years. Vast tracts of permafrost lie across Alaska, Canada, northern Europe and Asia, and Antarctica. About 80 percent of Alaska’s land area contains permafrost. In the Interior region, vegetation must adapt itself to short, warm summers and long, cold winters. Trees grow slowly, and their root systems must be shallow because they cannot penetrate the permafrost. In Alaska, permafrost occurs as a continuous sheet north of the Brooks Range, extending from a few inches below the surface down to as deep as 1,000 feet. As one goes south, however, it gets progressively thinner, the melted layer on top gets thicker, and holes or gaps begin to appear in it. Permafrost may extend to depths of more than 500 m (1,600 ft). Clues to the age of the permafrost of the Northern Hemisphere lie in the numerous discoveries of mammoth remains embedded in frozen ground. Mammoths became extinct about 10,000 to 15,000 years ago, coincident with the end of the most recent ice age. Some scientists, however, think that much of today’s permafrost may have formed as long as 120,000 years ago.” Source: Wikipedia “As with all great journeys, the vision is the beginning / Dreams of all the possibilities, / of the many paths widening to the future / Of all the great and extraordinary things our mind can imagine / The persistence of our own opportunistic souls reaching for what is yet unabridged / An unconscious decision to struggle forward yet again / And without even knowing of our focus / We start forward / All of our past, our teachings, our experience are brought into play / The trials of our past giving us the tools that we need to find our way / Our way to fulfilling this newest quest for our dream / No obstacle too great, / no argument rebuff / The journey begun, we will not allow defeat / We can only see the unfolding, as it will be / And as always, / the goal is reached / And there, / sated in the peace of our newly added thread in the web of our life / We rest / And the vision comes again” / ~ by Steve ‘Easy’ Whitacre 2005

  • Sold One Calendar 01 November 2009 Aloha ‘oe, mahalo nui loa, thank you so much to the anonymous buyer who purchased one of my calendars. It means so much to me that you enjoy my work, thank you!! / / Aloha e Malama pono, / Sharon / / / /

  • Ula Aloalo Hanohano Tropical Red Hibiscus Kahului Maui Hawai’i Fine Art Photography by Sharon Anne Mau SOLD 1x Laminated Print: Ula Aloalo Hanohano for a Tropical State of Mind / Large / Black Border with Artist’s Details / It is a beautiful greeting card! It would look lovely matted and framed displayed on a wall in your dining room! / ! It is believed that there are only five species of Hibiscus that originated from Hawai’i. Other species found their origin in Asia and the Pacific islands. In the early twenties, the Hibiscus Brackenbridgei was adopted as the official Territorial flower of Hawai’i. It kept this status throughout the 20th century, but only in 1988 its yellow colour was defined as the official colour for the Hibiscus representing the State of Hawai’i. Before 1988, the official Hibiscus could have any colour. Additionally, it was not until 1988 that the flower could represent the State of Hawai’i, because before that time the territorial status of the group of islands was unclear. Hawai’i’s state flower (Hibiscus rosa-sinensis) originated in Asia and the Pacific islands. Interestingly, it is also the national flower of Malaysia. Research suggests there were originally only five species of the tropical Hibiscus that were native to Hawai’i. Growers began to hybridize these native species with other varieties imported to Hawai’i, which produced the huge kaleidoscope of colours and sizes available today. There are several ways to tell the difference between the tropical and hardy perennial varieties. Tropical hibiscuses have dark green glossy leaves, sporting 3-4 inch flowers that are either single or double in colors of yellow, orange, pink, or red. Also, tropical hibiscus can have blossoms of salmon, orange, yellow, or peach with double flowers. Hardy perennial Hibiscus have foliage of medium-green with leaves that are heart shaped. Their flowers of white, red, or pink are much larger than those of the tropical Hibiscus. Many hibiscus aficionados increase the number of plants they have by using cuttings, a practice known as cloning or asexual reproduction. Select the best tips; look for good leaf color and a robust upright growing stance. Water the plants in the morning before taking the cuttings. Use sterilized shears. Count down about 4 leaf nodes to where the stem starts turning from light green to brown. Make each cut at a 45 degree angle just below a leaf node. Remove the lower leaves from the cutting, as well as any large top leaves. Dip the point of the cutting into a rooting stimulant, and then insert them into the growing medium only as deep as necessary to keep them upright. The cuttings should be fully rooted by the end of 6 weeks, and can then be transplanted. If the cuttings have been rooted in a green house, they should be hardened off before transplanting, by switching them to regular irrigation, and moving them out into the sunlight during the day, and back indoors for the night, for a few days. This is a hardy perennial Hibiscus Canon EOS Digital Rebel XTi / Shooting Date/Time 21 Apelila 09:42:53 / Tv( Shutter Speed ) 1/200 / Av( Aperture Value ) 7.1 / ISO Speed 100 / Lens EF28-135mm f/3.5-5.6 IS USM / Focal Length 135.0 mm

  • Embracing Nature / My darling identical twin sister / Karon Melillo d’Vega / among the beautiful split leaf Monstera leaves standing near the Taro fields of Wailua below Waikani Falls Maui Hawai’i / I love you Karon Copyright © Sharon Mau 2009 / My images do not belong to the public domain. Reproduction is strictly prohibited. All rights reserved Beautiful Art and Greeting Cards For Sale ~ Shop securely and view my collection here Canon EOS Digital Rebel XTi / Shooting Date/Time 15 May 2009 11:50:28 / Tv 1/200 Av 6.3 ISO 100 / Lens EF28-135mm f/3.5-5.6 IS USM / Focal Length 135.0 mm Embracing Nature

  • Ke’anae Peninsula / Maui Hawai’i Copyright © Sharon Mau 2009 / My images do not belong to the public domain. Reproduction is strictly prohibited. All rights reserved Beautiful Art and Greeting Cards For Sale ~ Shop securely and view my collection here “Be still, and you shall hear the distant thunder of yet a storm unknown. / Quietly watch, and you shall see the shadows fall from footprints across the sky. / And rejoice within your heart as the Gardener of the Earth, Planter of your soul returns, / for long were the days of rootless weeds starving the Life from His planted garden. And bitter was the darkness that befell the bloomless rose. Only after this earth has been bathed in its holy baptism / shall it become the glorious garden it was truly meant to be.” excerpts from The Prophet’s Candle by Daniel Canon EOS Digital Rebel XTi / This is a composite of two images taken at the same coastal location on Ke’anae Peninsula at the same time stitched together with Smoky City Design – The Panorama Factory software. / Shooting Date/Time 16 April 2007 20:32:35 / Flash Off Shutter Speed 1/250 Aperture10.0 ISO 400 / Lens EF28-135mm f/3.5-5.6 IS USM

  • “The Bhakti path winds in a delicate way. On this path there is no asking and no not asking. The Ego simply disappears the moment you touch him. The joy of looking for him is so immense that you just dive in, and coast around like a fish in the water. If anyone needs a head, the lover leaps up to offer his.” ~ poetry by Kabir Copyright © Sharon Mau 2009 / My images do not belong to the public domain. Reproduction is strictly prohibited. All rights reserved Beautiful Art and Greeting Cards For Sale ~ Shop securely and view my collection here Canon EOS Digital Rebel XTi

  • Mokulehua Stream Ulaino Rainforest Hana Maui Hawai’i Copyright © Sharon Mau 2009 / My images do not belong to the public domain. Reproduction is strictly prohibited. All rights reserved Canon EOS Digital Rebel XTi Featured Art 21 August 2009 / Colours of Water / and / The Art of Intrigue / Mokulehua Reflections of Beauty /

  • Copyright © Sharon Mau 2009 / My images do not belong to the public domain. Reproduction is strictly prohibited. All rights reserved Family: Rubiaceae / Common Name: / Kula Gardenia Grandiflora / Gardenia tubifera Kula / Gardenia tubifera / Gardenia carinata / Gardenia pfordii / Some call them Malaysian Jasmine. I believe the correct name for this gardenia is Gardenia lamingtonia. / Two forms are known, a large flower and a smaller. / G. tubifera is five petaled and has wider, ovate petals with downturned tips. From sepals to bloom face its throat measures 3-4 inches. It is a small tree from up to 15 feet with infrequent, sparse blossom set. G. lamingtonia grows to 20 feet with very heavy bloom set every 2-3 months in Hawai’i. An outstanding and beautiful Gardenia from Thailand cultivated here on Maui. They open with rich creamy white single flowers which turn bright orange as they age. It is a great bloomer that is in full display twice a year on the islands. It has a beautiful fragrance. They must be kept from cold and need full sun to bloom best. These large shrub is growing naturalized in Lower Nahiku. / It is a rare collectible plant. A 4 ” pot will cost from $18.00 to $30.00. Some of the flowers are up to 4” wide. This large, rounded shrub can be trained into a small tree, maintainable to a height under 10 feet. Acid, organic and fertile soil are necessary for healthy plants They produce large, single golden yellow flowers. Flowers change colour while maturing from ivory through golden yellow to orange-yellow. The wonderful fragrance is very strong. They bloom in spring onward. A slow-growing gardenia, they are a challenge to propagate Canon EOS DIGITAL REBEL XTi / Shooting Date/Time 16 August 2009 11:41:09 / Shooting Mode Macro White Balance Cloudy / Tv Shutter Speed 1/500 Av Aperture Value 5.6 / ISO 100

  • A collection of my favourite composites. Fine Art Photography / Copyright © Sharon Mau 2009 / All Rights Reserved He pua laha ‘ole / A collection of exotic tropical flowers of Hawai’i / Extremely Maui ~ Essence of the Island / A Rich Mix / Awakening in Paradise

  • An Alaska Winter Sunset over Fairbanks North Star Borough From my collection: / Emerquinox Spirit of Alaska / Emerquinox is a word I coined when I combined the words Emerge and Equinox. Alaska North Star Winter Scenics Copyright © Sharon Mau 2009 / My images do not belong to the public domain. Reproduction is strictly prohibited. All rights reserved Canon EOS Digital Rebel XTi / Shooting Date/Time 13 January 2008 16:03:36 / Tv Shutter Speed 1/1600 Av Aperture Value 5.0 ISO 1600 / Lens EF28-135mm f/3.5-5.6 IS USM

  • Featured Art 23 September 2009 / The Beauty of Nature Pū is the Hawaiian name for Conch Shell. A gift from the Ocean, the Pū emerges from the life giving waters with a sound that flows across the ‘Aina ( land ) and Kai (the ocean). The blowing of the Pu, a deep part of the Hawaiian culture, has multiple uses and communicates various meanings in both Religious and secular traditions. Blowing the Pū is sometimes used before a ceremony to mark the official beginning. To blow the Pū is a call to the divine. The blowing of the Pū should always be accompanied by protocol. When it’s blown, how many times and in which directions all have a complex set of meanings. The Hawaiian cultural practice of blowing the Conch shell dates back to ancient times and continues in many present day traditions. Here on Maui as well as the other Hawaiian Islands, Indonesia and the Indian Ocean, sacred protocol surround the blowing of the Pu and define when, where, for what purpose, how many times and in which directions the Pu may be blown. When done properly, the blowing of the Pu produces a sound which can carry for miles across land and sea. This beautiful and distinctive resonance once heralded the arrival of Ali’i (Royalty), the beginning of Makahiki season, and many other notable events. Special shells are cherished and handed down from generation to generation. The Triton trumpet shell is the most common type Pu used today. Many collectors and tourist have little idea of the cultural significance and of the beautiful animal which produced and lived inside this shell. The shell’s spotted inhabitant is the largest snail in Hawaiian waters and the second largest in the Indo-Pacific. When permitted to mature undisturbed, Triton’s trumpets may reach as much as 20 inches in length. Copyright © Sharon Mau 2009 / My images do not belong to the public domain. Reproduction is strictly prohibited. All rights reserved Canon EOS Digital Rebel XTi / Read more about this beautiful creature here

  • Nymphaeceae / Puohokamoa Valley / Tropical Garden of Eden / Maui Hawai`i Copyright © Sharon Mau 2009 / All Rights Reserved Canon EOS Digital Rebel XTi

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    by Sharon Mau

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