Organ
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2833 creative works found
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Zen spa still life with Raku vase, natural dried flowers, and stones.
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Location: Wife’s grandmother’s garden. All artwork is copyright© to Stephen Mitchell / All Rights Reserved. / You may not use, replicate, manipulate, redistribute, or modify my photography, writing, and artwork without my express consent.
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One the walk to the train-station yesterday morning these two flowers appeared like magic right beside me. A few minutes work with GIMP … and now they are blue. All artwork is copyright© to Stephen Mitchell All Rights Reserved. / You may not use, replicate, manipulate, redistribute, or modify my photography, writing, and artwork without my express consent.
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SWMBO and I went to the Wittunga Botanic Gardens this afternoon to compare our macro’s. / ... / She has the 100mm Canon Macro, whereas I have the 60mm. / ... / Here is my first and favourite of the day. All artwork is copyright© to Stephen Mitchell All Rights Reserved. / You may not use, replicate, manipulate, redistribute, or modify my photography, writing, and artwork without my express consent.
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Medium: Multi/mixed-media – charcoal, pastel, gesso, watercolour, acrylic, oil, collage, leaves, fabric, papers – himalayan rice paper, cartridge, Arches 300 gsm rag paper. / Triptych: H.122 x W.170 / This work is from the curated group exhibition ‘Remnants of Presence’ Exhibition. Innisfail, Far North Queensland. / One of the conceptual challenges for each artist was to approach a work with subject matter in-two-parts to show recent practice/new work development and be shown together. Visible Traces represents renewal, journey of experiences and time passage. Part A – Of recent practice (the two outer side panels) makes reference to the initial inspirations from: the natural environment, the human figure, various motifs including banana fibre made receptacles/vessels, lino prints and evolved symbology. Part B – The new work (centre) Prior artwork imagery & object ‘remnants’ were used for the initial stimuli and also represents my ‘presence’. All is fused into an abstract multi-layered composition. It is a collective tribute to the tropical shapes, forms, patterns, and textures etc that were the initial inspirations, the visible signage. Organic, gestural and spontaneous in feel (energy), with collage and mixed media processes mingled with personal symbolism. The work provides the viewer with facets and moments. Although ambiguous, there are sufficient visual markers to draw them in to discover further information and help them to intuitively and conceptually complete what they may perceive in the work and to sense the presence of the artist (spirit).
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Model: Almudena_stock / Other stock: Resugere
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Two representations of leaves. / Plate 1: created with a blade cut into cardboard in a decorative style / Plate 2: created with real plants layered with heaps of resin. / Plate 1 was relief printed and allowed to dry. / Plate 2 was intaglio printed on top of the first plate via a stencil to get the squarish outline. / Edition 12 (aaahhhhh! What an exercise in discipline for me!) Printed on 300gsm Hahnemulle paper
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Best viewed LARGE Grass – Light / Grass – Dark /
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Woman with her arms raised walking from an open nautilus shell. Photo based illustration.
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This is one of my favorite antiques, it has been in my family for generations and has been handed down from mother to daughter, etc. It will some day go to my daughter also. This wonderful old pump organ still plays beautifully and when I play it I can imagine my Great Great Grandmother singing and playing on a Sunday evening. Image taken with a Panasonic DMC-TZ5 AVATAR FOR THE MONTH
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Architectural details of the Walt Disney Concert Hall , Los Angeles , California Nikon D700 / Nikkor 24/2.8 / 1/60 f/16 / 200 ISO —-—-—-—-—-—-—-—-—-—-—-—-- / —-—-—-—-—-—-—-—-—-—-—-—-- /
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Lively Union Square market gets fairly busy all week, but specially so during the weekend. New York, April 2009. Exposure: 1/90, f/5, 29mm, ISO-100. / Post-processing: Red and blues saturation modified. Contrast modified.
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Two pinecones on christmas green brunch in the forest / Nikon D60
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Apophysis Fractal with some light texturefilter postwork ___ / / __ / / ___
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Close up macro shot of autumn leaves, number 2. This is a Serie of two of the same theme, uploaded to be able to place both side by side as decorative contemporary art. / Shot with SLR EOS Canon 40-D Canon Lense 28-135mm IS macro / /
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I’m not ashamed, I will beg for your votes for the Music Machines contest :)
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Green peas from my garden, shot on a white background. This photo was shot using natural light in the shade. It is part of an ongoing series of images I’m developing on vegetables on white background.
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The surface was eroded in places where he leaned his hand. He brushed away the dust when he rubbed his palm across his eyebrow, pretending to brush at wiry black hairs. Then his fingers dripped across the ridge of his nose and quickly flicked under his eye. The hands that shook on the steering wheel were not rough, not muscular, yet strong. Farm hand genes. Or maybe a youth that was rougher than was obvious from the business suit and tie that was always worn. Or was that just the way I remember it? / “Brain cancer,” he said. / “Does that mean she’s going to die?” A child’s questions are more truthful than an adults. They don’t know yet about not mentioning certain things out loud. / His response was mumbled and unclear. But I saw tears in his eyes. And it frightened me. I don’t know why. Maybe it was that Daddy was suppose to be always in control, in charge and that meant the world would never fall apart. It was as if God lost control. How unfair I was. To not want him to be a person with emotions. But I was just a child. I didn’t know he was just a man. Weak and afraid. Sometimes. But also courageous and noble and fearless. “Beginning to Bread Away” is 24”x30” acrylic, ink, and gesso on stretched canvas.
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Taken in Organ Pipe Cactus National Monument which is located 145 miles west of Tucson, Arizona. Nikon D-80 at 40 mm / 18-135 mm lens / 1/320 at F/9 / ISO-400 Best viewed large
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Taken at Organ Pipe National Monument which is about 145 miles west of Tucson, AZ. Nikon D-80 / 18-135 mm lens at 44 mm / 1/250 at f/9
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Acrylic and Ink on Heavy Card used for background with digital painting in foreground layer. FEATURED in the following GROUPS / First Things – December 2009 / Creative Spirits of Qld – December 2009 / Going Green – December 2009
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