This is a copy of a Mod that Rain did for me a long time ago. I can’t find the Original so I have tried my best to emulate what she did for me :) See HIS
Three seperate canvases combine to create Scribbly Gum Tryptch / Oil on scretched Canvas. / 3 x (34cm x 120cm) Original available $AU3,000 – Postage extra Exhibited at Campelltown Regional Art Gallery Centre Layers of subtle glazes were used trying to create a flowing natural backgroud to this magnificent variety of gum trees. The texture of the knots were equally important. Leaving the looseness of the larval tracks to the last. This work was created to support an upcoming exhibition by the Southern Printmakers Association entitled ‘Earthwritings’.
Textured acrylic on deep gallery wrapped canvas.
This is an oil on canvas about 36” x 18” / The paint is built up in lots of thin, oil heavy layers / over a thick heavily textured impasto layer
18×24 pastel on pastelboard. The original is sold. Presently 2087 views. This was taken from a photograph by Rita Groszmann with her permission. The cat was a resident in California at the time. For some reason, the piece almost did itself.. it was almost like I was watching it come together from another vantage point. Really enjoyable.. time flew!! Scientific Name: Panthera tigris / Size: Male Bengal: Head to tail tip 8.8-10.2 feet (2.7-3.1m); Female 7.8-9.4 feet (2.4-2.8m) / Weight: Male: 396-573 pounds (180-260kg); Female: 287-353 pounds (130-160kg) / Distribution: India, Manchuria, China, Indonesia / Habitat: Varied, including tropical forest, snow-covered evergreen forest, deciduous forests, mangrove swamps and drier forest types. / Diet: Deer, wild pigs, buffalo, antelope, and gaurs (wild oxen) / Reproduction: After a gestation period of 13-16 weeks, female gives birth to 2-4 cubs / Longevity: About 15 years (to 20 in captivity) / Population: Estimated at below 2,500 / Status: Endangered (information from The Big Cats ) Completed 1998 I FINALLY found the original scan of this piece.. and here you have it..
I finally got to paint this from my digital manipulation, Don’t Give Up Searching . I’m so pleased with the result. I used a few different textures and oil paint and made the eye brown rather then blue so that the image was unified in pallet to suit a college project so that I could paint this particular piece without abandoning duty. / UPDATE- / In 2008 this painting was STOLEN. / It was being displayed in Bentley Pines Restaurant with a group of other art from fellow students. toward the end of the year the restaurant went though refurbishments and stored the works in a disabled toilets :/ we were asked to collect the work but this painting had already gone before it could be collected. Ive contacted all the people in charge and been forwarded around like a telstra customer on hold and still haven’t gotten it back. :(
My apologies for having no originality in flower choice but as you can see, I love my plain old dandelions! Anyway, in this image there are 3 stages of flower from the same plant, the bud, the flower and the post-flower fairy which to me are like 3 generations. I chose the layers and treatment to reflect all 3 generations by being aged yet still bright and not faded. / Have sold 1 x laminated print.
/ My ‘First Tree’ is officially published in the coffee table book Artists of the West / For information on purchasing a signed copy of the book, go to Carrie Glenn Studios Thanks! First Tree was Featured in Lifestyles Magazine as part of an article about the Artists of the West coffee table book I am also honored to announce my painting First Tree was a part of the Rialto Towers two week art exhibit in Melbourne, Australia in of July 2007 Acrylic and pastel on illustration paper. (1995) This is truly the first tree I ever painted, the need to paint and create was something brewing so strongly inside I had to do something about it. Yet my resources were very limited, I grabbed the only paint I had any access to, a can of my father’s black spray paint, I sprayed it into the lid of the can and used the only paintbrush I owned a cheep nylon brush from a water color kit and created. I then finished my work with the only two pastels I owned brown and black. / Necessity is the mother of invention, or maybe it’s that there is more than one way to skin a cat. (Sorry cat lovers) At any rate I grew up in a home with very few luxuries but I did have a passion to create, always, I had to feed the creativity. So this is a very special piece to me and I hope to you as well. Down through the dark trees, you came and saved me... For commissioned work you can contact Carrie at: carrie@carrieglennstudios.com and please visit Carrie Glenn Studios / CarrieGlennStudios.Com
We wanted to send man to the moon. / We did. We wanted to supply man with a / way to communicate through fiber optics. / We did that too. But what happens when the / human counterpart is so reliant on technology, / that it forgets to…be human? Numbers, dates, / appointments all stored in a portable database. / Families neglect to interact with each other because / they all have a human counterpart that they can connect / with. Patience is a thing of the past because anything / they want is at their fingertips. Ideas are unoriginal / because they have all been thought of before; typed, dated, / and logged. Welcome to the Butterfly Effect. / Welcome to our world. / / / Hand painted (mouse painted..heh.) digital oil / (taken from my own eye) / Corel Paint Shop Pro/Corel Painter X/Apophysis / This is my first hand painted digital oil. / Challenge Cafe Entry / / / Special thanks to Helene Kippert Paul Tupman and Stacylee for your influences. ;) / / / Runner up in the Challenge Cafe Contest / Thanks to all who voted on it! / / / / sold:1 mounted print + 1 laminated print / (both to RB members/artists) / /
oil pastell
Monarch Butterfly about to land on the canvas / Oil on Board – no airbrushing 10 X 8 inches / 25.5 X 20 cm Original : / Sold / contact my Agents at Gallery 112 / ....................................................................................
Traveling on his way, the Fool first encounters a Magician. Skillful, self-confident, a powerful Magus with the infinite as a halo floating above his head, the Magician mesmerizes the Fool. When asked, the Fool gives over his bundled pack and stick to the Magician. Raising his wand to heaven, pointing his finger to Earth, the Magician calls on all powers; magically, the cloth of the pack unfolds upon the table, revealing its contents. And to the Fool’s eyes it is as if the Magician has created the future with a word. There are all the possibilities laid out, all the directions he can take. The cool, airy Sword of intellect and communication, the fiery Wand of spirituality and ambition, the overflowing Chalice of Love and emotions, the solid Pentacle of work, possessions and body. With these tools, the Fool can create anything, make anything of his life. But here’s the question, did the Magician create the tools, or were they already in the pack? Only the Magician knows – and on this mystery, our eloquent mage refuses to say a word. At #1, the Magician is the male power of creation, creation by willpower and desire. In that ancient sense, it is the ability to make things so just by speaking them aloud (“And God said ‘Let there be Light!’ and there was Light”). / —-—-—-—-—-—-—-—-—- / To read more go to this site
views: 3424 / favs: 51 Completed 2004 age 18 I was inspired by the Japanese artist Hiroshi Senju, who tends to limit his colors in his paintings. Sometimes he paints an image where the background is the complimentary colors of the subject. His style is simple but at the same time intense, where the foreground stands out from the complimentary background. Medium: Watercolors This is a painting done in my sketchbook. The paper isn’t watercolor paper, but at least more durable than regular printing paper. This work has been featured in: / Bubbler’s Weekly Challenge Thank you Janis Zroback for being my first buyer! / / Also available at Zazzle / / / / Works by Category Featured/Popular Early Works [pre-university] / Origami / Drawings,Paintings and Graphics / Abstract Photography / Guessing Games Flowers, Trees and Plants / Water and Waterscapes / Scenery/Skyscapes / Light, Shadow, and Reflections / Still Life Living Creatures / Human Portrait Japanfluence / Canada / Europe / / / / / More Paintings: / / / / / / / More Trees: / / / For more images please visit the category links at the top.
Another collaboration with the amazing photographer John Edwards… his gallery can be seen here.. http://www.redbubble.com/people/johne
Painting inspired by an autumn walk in the woods. (Corel Painter)
From the Series-The Trees-”Autumn”....this painting is the essence of Autumn in Ontario Canada, especially in the countryside near Toronto….every year we experiece this stunning blaze of colour, this entrancing backdrop, that heralds winter... Watercolour on Hot Pressed Arches…. TOP TEN WINNER IN THE CALENDAR CHALLENGE / TOP TEN WINNER IN THE TREES CHALLENGE / TOP TEN WINNER AUTUMN 2009 CHALLENGE IN LIVE AND LET LIVE GROUP / TOP TEN WINNER IN THE AUTUMN CHALLENGE / TOP TEN WINNER..YOU’RE ACCEPTED FALL/THANKSGIVING CARDS / TOP TEN WINNER IN THE INSPIRED ART CHALLENGE / FEATURED IN CHANGING LEAVES / TOP TEN WINNER IN THE FALL COLOUR CHALLENGE / TOP TEN WINNER OF THE TREES IN WATERCOLOUR CHALLENGE IN THE WATERCOLOUR GROUP / FEATURED IN FIRST THINGS / FEATURED IN ART FOR THE WORLD / FEATURED IN CREATIVE CARDS / FEATURED IN JUST WATERCOLOURS / FEATURED IN TREES AND THEIR PARTS / FEATURED IN INSPIRED ART / FEATURED IN CANADA GROUP / FEATURED IN IMPRESSIONIST ART 1331 VIEWS Season of mists and mellow fruitfulness, / Close bosom-friend of the maturing sun; / Conspiring with him how to load and bless / With fruit the vines that round the thatch-eves run; / To bend with apples the moss’d cottage-trees, / And fill all fruit with ripeness to the core; / To swell the gourd, and plump the hazel shells / With a sweet kernel; to set budding more, / And still more, later flowers for the bees, / Until they think warm days will never cease, / For Summer has o’er-brimm’d their clammy cells...John Keats.
Surrealistic Painting / / The original painting is also available: / Painted 2008 / Acrylic on cotton canvas stretched on a wooden frame / 24 X 36 inches / 60 X 90 cm / / / / Mousepads in Zazzle / / / / MCN: C09E9-B9937-80E2A / / © Imber 2008. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Imber. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved.
Original 120×120 cm , canvas. This work is my take on Fatima hand , the hand of protection and spiritual healing.
acrylic on canvas 75 faves
Copyright 2008-2009 © Helen Chierego / This image is protected by copyright law and is not to be used without express written permission from the copyright holder. / Images may not be copied, reproduced, altered or used for any advertising, displays, any other web sites or for any business or promotional purpose or any other way (whole or in part) without prior written approval of the copyright holder. / All Rights Reserved / / I started with a photograph that I set up and captured. The objects and flowers were arranged to face the Northern light that streams through myhome. I edited in Photoshop and hand painted with Corel Painter and my stylus and graphics tablet. Featured in the following Red Bubble / Groups / Digital Artists United / Impresionism Cafe / ” Impressionist Art” / Featured Fraternity 2010 Calendar now available!
in Italy we use to call it “Albero delle nebbie” (tree of fogs) tempera and pastel on mdf / cm 50×75
“The Sentinels” is part of the Winter Collection... we barricade our doors and guard our lives every day, but storms come and go regardless of locks…so we pray for the sun, and cry relief relief!! Watercolour on Fabriano Artistico Hot Pressed Paper.. HOME PAGE FEATURE 20/12/08 / FEATURED IN EVERYTHING WINTER / LIVE AND LET LIVE / NATURE’S WONDERS / JUST WATERCOLOURS 919 Views They stand as sentinels against azure storms / Assured as most storms of life, it’s supposed / Although bared of dress, although naked as jays, / Winter’s trees umbrella from worst those / Emptied of warmth.. why stand themselves here? / None rest beneath, cold is this grayness / Determined, enduring Hail’s hiss, they stay / Limbs upturned, beg the sun from her shyness… / These brown-barked sentinels recall blue-green days before / With soft nests of down in lofty leaved reaches / Where bodies under there sparkled in prisms / When leaf-scattered-light danced on now barren benches.. / They stand as sentinels against azure storms ...Barbara Attaway / /
TWO PICS….one taken at the same place as Headland on a foggy morning and a pic of some painting peeling off from metal piece…. for fun… :))) / /
Original oil painting produced on stretched 91cm x 61cm canvas using a knife, mixing only on the canvas using a limited colour palette.There’s many more figurative, dance and portrait fine art original oil paintings, pastels and gicleé prints on my website: ryoung-art
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