the quintessential australian childhood; playing with the Hill’s hoist in the backyard!
For those not from Melbourne, this building is actually the Melbourne Exhibition Centre but we locals like to call it Jeff’s shed because when it was built it was seen as something of a folly of our rather arrogant and autocratic then incumbent state premier.
Taken with a Minolta 5xi on Fuji film
Taken with a Minolta 5xi on Fuji film Shot in 2000
Do you remember? This is an interpretation of a particular that have signed an era…
An octopus can shot a laser ray?
It’s the scene where Bob helps Remi and Mattia wash Capi. / See the translation, as Nobody’s Boy, here! A most pleasant 23rd of December, was had, looking after the (temporary) Dutch Australian Cultural Centre, working on the painting between visitors, to the centre. / This painting was part of my: Jo Mulholland – Remembering – an anthology, exhibition. Tap Gallery, Darlinghurst, Sydney. 6-12 October. (Celebrating my 65th birthday, October 8, with an opening of the exhibition.) / .. /
Eye felt. Eye stopped. Eye KNEW Eye turned. Eye was RIGHT ...
OPÇÃO / OPTION Foto original e edição de Carlos Teófilo ALL MY WORK BY SERIES:
OPÇÃO / OPTION Foto original e edição de Carlos Teófilo ALL MY WORK BY SERIES:
Chopin was born is Poland and regarded as one of Poland’s most famous composers. Although he left to live in Paris in 1891 his passion for this beautiful country never died. His music reflects his great love of the country. It was he wish to have his heart removed after his death and for it to be buried in Poland. It was sealed within a pillar of the Holy Cross Church (Kościół Świętego Krzyża) on Krakowskie Przedmieście, beneath an inscription from Matthew VI:21: / For where your treasure is, there will your heart be also. Chopin’s heart has remained there—except for a period during World War II, when it was removed for safekeeping—within the church that was rebuilt after its virtual destruction in World War II. This is dedicated to both Chopin and the land I love. / Chopin Acrylics,ink and graphite / 100×42cm on paper
Everything seems to have a place. / It all fits together perfectly. / It has pattern and order and purpose. / / But sometimes, despite your best efforts, things unravel. / The ends fray. / Stuff becomes unstuck. / You lose track of the delicate interplay of all those nameless ‘bits’. The next thing you know, it’s falling apart. / Flying in in the breeze. / And it will never be the same again. But it feels… free. _ / The acrylic on canvas version (small child not included) /
Created in Ultra Fractal 4. In this one, I wanted to create the mood of my Apophysis fractals. As always, thank you for the support and the favourites. :)
CORPMAN 2 THE RESCUE! Charity Tee Shirt for WoundedWarriorProject.org. / 50% of profits will go to aid this project / ~ Please Support ~
La Salle des pas perdus (the room where the spectators walk during the entracte) A detail: / This picture is part of the calendar My Paris
A Susan Epps Oliver original 2009. All rights reserved. Digitally adapted pen drawing.
Inspired by 1960s opart. The “daisy” was a fractal generated in Tierazon, and manipulated in PhotoImpact.
Simply Holes was featured on the RedBubble home page September 2009 © Walker 2009 No part of this image may be copied or reproduced in any way without permission. All rights reserved.
This harks back to the days when I did nearly all my art using drawing instruments. I then went through a phase of doing scenic pen and inks. I have phases … like the moon :) FEATURED BY FINKS OF INKS GROUP – 19th August 2009 / FEATURED IN ESCHER & PERSPECTIVE ART – 4th September 2009
Self Portrait. I added a few golden layers and finished it off with Topaz Labs to further enhance details.
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