The Himba People live in Northern Namibia and Southern Angola, and are one of the last pastoral groups living in Southern Africa. Himba ladies are renowned for their smooth, reddish skin, and even the elderly are wrinkle-free. The effect is achieved by daily applications of an ochre-colored clay mixed with ash and animal fat. This lady was photographed at Epupa Falls, Northern Namibia on the Angola border.
Three seperate canvases combine to create Scribbly Gum Tryptch / Oil on scretched Canvas. / 3 x (34cm x 120cm) Originals $AU3,000 – Postage extra Currently on exhibition at Campelltown Arts Centre Layers of subtle glazes were used trying to create a flowing natural backgroud to this magnificent variety of gum trees. The texture of the knots were equally important. Leaving the looseness of the larval tracks to the last. This work was created to support an upcoming exhibition by the Southern Printmakers Association entitled ‘Earthwritings’. Currently on exhibition at Campbelltown Arts Centre / / More of my Works /
/ “Fandango” is part of the new Collection “Tropics”.. the coconut tree in hot colours, temperature and mood, close-up…inspired by the Latin Dance the Fandango, with music by the Gypsy Kings… Watercolour on Fabriano Artistico Hot Pressed Paper… Dance a light fandango / Take me ‘round and ‘round / Dance a light fandango / Never let me down Steve Miller Band Gypsy KIngs Baila Me (I danced) / Fandango (The Dance).. /
Often those we believe we are closest too are no more than strangers in our lives. Acrylic On Canvas. Original Painting is 110cm x 110cm. / Painted 13.10.2007
This is a further interpretation of a previous painting- sometimes I love the theme so much I have to keep revisiting it to do it better. I love the way the rainbow bee- eater’s colours glow against the earthern backdrop- it tunnels deep in the ground to nest, and I love that contrast. Go to Deb’s website for more info on workshops, giclee prints, sculpture and news on this North Queensland Australian Artist.
Burnt Ochre, Burnt Umber and Black coloured pencils on Windsor & Newton smooth surface cartridge paper
Acrylic on canvas.
Abstract botanical. Acrylic on canvas. /
I measure every Grief I meet / With narrow, probing, Eyes.. / I wonder if it weighs like Mine / Or has an Easier size. I wonder if They bore it long / Or did it just begin / I could not tell the Date of Mine / It feels so old a pain I wonder if it hurts to live / And if They have to try / And whether..could They choose between / It would not be..to die I note that Some, gone patient long, / At length, renew their smile.. / An imitation of a Light / That has so little Oil I wonder if when Years have piled / Some Thousands on the Harm / That hurt them early..such a lapse / Could give them any Balm Or would they go on aching still / Through Centuries of Nerve / Enlightened to a larger Pain / In Contrast with the Love The Grieved are many…I am told. / There is the various Cause.. / Death is but one..and comes but once / And only nails the eyes There’s Grief of Want..and grief of Cold.. / A sort they call “Despair” / There’s Banishment from native Eyes / In Sight of Native Air And though I may not guess the kind. / Correctly..yet to me / A piercing Comfort it affords / In passing Calvary. To note the fashions…of the Cross, / And how they’re mostly worn… / Still fascinated to presume / That Some, are like My Own.Emily Dickinson / / 12×14 is a bit of an anomaly for me, and is the beginning of a new journey….painted in watercolour on Arches Rough Paper it is also part of the Abstract Collection and the Tools Series…...the title refers to numbers and shapes and lengths, a carpenter, tools, math, metaphor, humanity, stories….. / There are so many layers to the painting…as part of the tool series, it is a picture of nails, but once you get past that, it turns into something else…the pain of piercing grief, the ties to Christianity, death and eyes nailed shut, the number of triangles which seem to go on to infinity, three points, the measurement of time, the measurement of the nails themselves…the structure that they make which is somewhat like a house…the sharp points etc..etc..and the background which though it seems like a landscape, is also reminiscent of the nails… the poem says so much too…. I hope it helps to get a deeper understanding of the painting /
Digital collage
Monotype printed with inks in blue , ochre red and brown and drawn into / on Arches 88 paper
Acrylic on canvas.
Acrylic on masonite. Stairway To Heaven was one of the first abstracts that I ever painted and is still one of me best-selling prints to this day.
Oil on canvas. 2007. 1000mm x 1000mm / Original $680 + p&p This panting explores that moment when the veil lifts, then drops – the fleeting glimpse passes and you are not quite sure if you understand what you understood a moment ago. Finished in the Top 10 of They call me Mellow Yellow challenge. March 2009 Featured on the Home Page April 2009
An exploration of the turbulence of flight and the incredible harlequin colours of the rainbow bee-eater. This painting won the People’s Choice Award at the 2007 Ergon Energy Waltzing Matilda Art Competition, Winton, Australia. Go to Deb’s website for more info on workshops, giclee prints, sculpture and news on this North Queensland Australian Artist.
/ “Imagination “is part of the series “The Trees”, all the seasons together, inspired by the Green movement, and painted in Watercolour on Arches Hot Pressed Paper..see others below The tree which moves some to tears of joy, is in the eyes of others, only a green thing that stands in the way. / Some see Nature all ridicule and deformity, and some scarce see Nature at all. / But to the eyes of the man of imagination, Nature is Imagination itself. / William Blake, 1799, The Letters* / / / /
A vine clings to the wall with hand-like grabbers as it searches for the sun. / / / / © Shelley Heath (aka Soul Creates), Copyright 2008, All rights reserved.
/ “Bamboo Night is Part of the new “Tropics” Collection... Watercolour on Fabriano Artistico Hot Pressed Paper.. The aura of bamboo grove by night is charming to behold, / The moon peeks thru the leaves painting the grove in silhouette and silvery shadows, / The trees resonate with the heartbeat of romance, / Each knot feels like the ladder to advance to the higher level of ecstasy of love. J.Narain.. /
This is Susan, drawn from life at an Art Event called “His and Hers”. 3 models, 6 artists, live music and readings, and an audience watching it all unfold. Fantastic! Susan was my muse that night, I kept shutting my eyes and letting the music of Madonna and the Flumes carry me, then a quick peek and let the line flow where it will. Pure Bliss.
Acrylic on canvas / Abstract painting by Carmen Cilliers
Acrylic on canvas.
Abstract Painting with layers of yellow and ochre and blue
Contemporary geometric abstract. Acrylic on canvas. Mark 13:8 Nation will rise against nation, and kingdom against kingdom. There will be earthquakes in various places, and famines. These are the beginning of birth pains.
Heavily textured and scratched acrylic and gesso on canvas. Large view recommended. /
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