Australia
Australia
Who knows what we’ll find if (when) we eventually explore other worlds? Just imagine the cans of soup these mushrooms could supply. Acrylic
part of a project..then again i always have some kind of projects
I was in northern Rwanda in April 2007 as a volunteer with an aid group and we had stopped to talk with people at a local church. The town was Rhuengeri, it sits close to the border with the Democratic Republic of Congo and has the unfortunate reputation as having been home to a number of those who perpetrated the horrific genocide of 1994. / The atmosphere in Rwanda is one of pervading ‘brokeness.’ Millions of orphans live side by side with those who tortured and massacred their families 14 few, short years ago. Millions more suffer the newer enemy – HIV Aids and countless others wander ghost like in a state it seems of perpetual shock, haunted by the past and overwhelmed by the concept of a future. / This was April. The official month of mourning. When people publicly face what privately never leaves them. / I was sitting on a step tired and desperate for fresh air when I looked into the crowd that inevitably gathered wherever we were. / This woman, is by my guess perhaps 30 and she is as are most, dirt poor. / I was absolutely transfixed by her and her child. / She seemed to me to sum up so much of what I saw. / Love and desperation and yes, compassion. / Her breast is bone dry and cracked and yet she tries to feed her baby. Perhaps it is the hope inherent in the action which feeds her. / At the same time, she looks totally preoccupied by her struggle for survival. / What is she thinking as she gazes into the middle ground? / My thought is, ‘where is the next meal.’ Where will she get it from? How will she share it? And upon finishing it, where will she find the next one? / I was overwhelmed by seeing the reality of those who live literally from hour to hour, day after exhausting day. / It confronted me then. / It continues to confront me now. / – Dog photography – Africa photography / - Beach photography - Black & white photography – Dog photography – Africa photography / - Beach photography - Monotone photography
This was shot in an amazing house, it was caught in a time capsule….the property was recently sold and the furniture sold off too, this shoot is all that remains. I wanted to look back, not through the rose coloured glasses we usually gaze back with, but to look at the tension that lies just below the surface. The 50’s and early 60’s have this all to perfect image, surface image that is…
Hmmmm? / . /
She’s Taking Our Photo Again !!! Beautiful horses in the field next door at the end of the day – they obviously found having their photograph taken an amusing experience!!!
The one on the left looked as if there was a problem with the pram…..:)
details of original painting / acrylic, collage and hand stitching on canvas / 76×52 cm / painted in Osaka, Japan 2007 original painting is sold
I know I’m a day late for the Agent Provocateur something different challenge but this one was a struggle! In the end I decided to combine all the things I wanted to try into one. There’s some pixel action, a bit of black on black and even some braille. The song I’ve chosen is Leif Erikson by Interpol. If you haven’t heard this song you must go and buy the album now. It’s worth it just for this track and NYC. The braille idea comes from the opening lines and the red on the shirt represents the lyrics “brief things” in braille. She says It helps with the lights out / Her rabid glow is like braille to the night. / She swears I’m a slave to the details / But if your life is such a big joke, why should I care? The clock is set for nine but you know you’re gonna make it eight. / So that you two can take some time, teach each other to reciprocate. She feels that my sentimental side should be held with kid gloves / But she doesn’t know that I left my urge in the icebox / She swears I’m just prey to the female, / Well then hook me up and throw me, baby / cakes, cuz I like to get hooked. The clock is set for nine but you know you’re gonna make it eight. / All the people that you’ve loved they’re all / bound to leave some keepsakes. / I’ve been swinging all the time, think it’s time to learn your way. / I picture you and me together in the jungle it will be ok. I’ll bring you when my lifeboat sails through the night / That is supposing you don’t sleep tonight It’s like learning a new language / Helps me catch up on my mime / If you don’t bring up those lonely parts / This could be a good time / You come here to me. / We’ll pick up those lonely parts and set them down / You come here to me… She says brief things, her love’s a pony / My love’s subliminal
11/2/09 – 1540 views Close up macro of a water-spewing fish on a fountain at the Kennywood amusement park. Many people simply walk past this charming fountain on their way to the Exterminator, Pittsburgh Plunge or Phantom’s Revenge, but I always stop to enjoy the novelty of it. Got some strange looks from people while hanging halfway into the fountain to get this close to the little fish. Kennywood Amusement Park – Lost Kennywood / Fountain in front of the Pittsburgh Plunge water ride / Pittsburgh, PA Panasonic Lumix TZ-3 (Semi Advanced Point-and-Shoot) Featured in Dimensions / Featured by Redbubble under Art Tab / Winner of I Challenge You challenge in Public Art group / Featured in Public Art group / Featured in All About Water
The first two wolves of the pack materialise as they emerge from the falling snow. acrylic/canvas
I missed a hawk pulling a bird from the sky just feet from my head- I then missed a Woodpecker chuntering at a tree, so back to the old favourite- Bees are far more sociable- but this one seems to have drawn a blank!! / Taken with a Fuji A600 Digital camera! / Top TenPlace in the Bees./ Wasps Challenge- for Extreme Close Ups-September 2009*
Some two years ago we were sitting around a table talking about what should be important to RedBubble. Mark Williams...
Some two years ago we were sitting around a table talking about what should be important to RedBubble. Mark Williams, our first engineer, said he felt we should be seeking after beauty. I recall being perplexed by this at the time. I have sat through a lot of corporate meetings striving to define “values”. And even within the freedom of vaporous rhetoric the word “beauty” is a step to far. And so it is in our culture. The scientists will pull apart the universe to the last proton without getting a micron closer to beauty. The accountants will count to the last bean and beauty will not have been found. Somehow it seems an ugly utilitarianism has pervaded our priorities. Beauty it seems is a casualty of our relentless desire to comprehend and value. Being without value, beauty is ignored. Perhaps this is no more evident than on the Internet. Web design frequently pursues a relentless focus on functionality at the expense of any consideration of aesthetics. If any design ethos pervades the web it seems to be pursuit of banal utility. Too frequently this is simply ugly. And the problem with ugly is that it diminishes us. Our humanity cannot be found in the protons or chromosomes of which we are made. It certainly may not be found in the value of our work (or the perhaps the weight of gold in our teeth). The beauty that can neither be found nor counted is at the heart of that which gives value to life. Beauty is both part of the ultimate destination and our signpost that we are on the right road. Martin (aka Pilgrim)
This is one of my favorite and best drawings. It was done in charcoal and I would estimate that it took roughly 5 hours to draw. The referece photo was taken with permission from here. http://ssuunnddeeww.deviantart.com/
Something about the faces of men / who’ve passed through your life to touch you and then / drifted away to begin new lives / forgetting the …
I just lay here on my bed with an old notebook thinking ‘I want to write something about…’ But I still haven’t done it. I guess there’s still something inside of me waiting for the right time. xox
Completely different Canon powershot pro1 – infrared, f/3.2, 1/20”, ISO 50 Infrared / Seascapes / New Zealand / Frogs / Lensbaby / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
Location: Destin, FL – Regatta Bay Golf & Country Club / Camera:Canon A-10 EOS 35 mm / Lens: Tamron 28-200mm / Film: Fujicolor 200 speed This shot was taken on a very foggy night in April of 2000. I was driving by the Regatta Bay Golf Course while the country club had a tournament going on. They had the restaurant all lit up behind this stand of trees. We could see the shot from the road and though it was misting rain. I managed to risk my camera equipment and trespassed onto the golf course to get the shot. It was my FIRST time trespassing and I was sure I would get caught, but the shot was totally worth it. The fog the mist and the lighting all combined to make a once in a lifetime eerie effect. Even the colors in this shot have not been adjusted much. The lights shooting into the air were blue in color. Only minor cropping and editing of contrast were done in Photoshop CS3.
♥♥♥♥feel my love♥♥♥♥-CLICK HERE ”” .
This is a drawing I’d done inside my own leather journal. I scanned it and added lots of textures and colour. Of course… recognition goes to the great JL for his lyric. Featured in Peace Love & Happiness Hippies / Featured in Inspired Art / Featured in 60s Glory Darker tee version & print/poster also available (click on thumbnails to view) / / ♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥ /
Oil on canvas, 18” x 14” (457×356mm I’ve borrowed the title of a poem by Samuel Beckett for this painting. I can’t quote the whole poem but here’s a section: at the faint sound so brief / it is gone and the whole globe / not yet bare / the eye / opens wide / wide / till in the end / nothing more / shutters it again
oil, acrylic gel on canvas, original size: 40cm x 50cm Based on “Breakfast at Tiffany’s” movie.
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