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  • Spirit Tee from Spritual Art / / Created this spirtual work in honor of Mel Davies whose work I totally adore and found because of my friend Stephanie posting a buyer’s booth photo of Mel’s work. Mel invited me to a Halloween Party / Feel free to joun us. All my work was created in Corel PaintShop Pro. : ) / /

  • Incendia Image created from / Colors enhanced in PaintshopPro and Weave created with Redfield PlugIn Lattice Composer / Created Tee from art image 11-14-09 / / / / Images also available in these calendars / /

  • Another Dragonfly At Boca Grand Tee / The Dragonfly saga continues, the first one was in my backyard, and I am a dork / / The second, also at Boca Grande State Park, gulf coast in Southwest Florida / / The third (have I improved?) taken with a Nikon D90 DSLR and a Nikkor 70-210 mm Zoom / / / / Featured in Buyer’s Club 11-16-09 / Featured in The Patchwork 11-16-09

  • Art and photography with something blue! / / / / / / / / / / / / / / Other calendars / / / If you would like a custom calendar, please Bubblemail or e-mail me!

  • Flowers for that Special Lady by Kim McClain / Hibiscus, Roses, Daisies, and a few others for your lady to enjoy! / / / / / / / / / / / / / If you would like a custom calendar, please Bubblemail or e-mail me! / Other calendars available / /

  • When you’re hot, you’re hot!

  • Seasons Greetings from Florida / Sanibel Island Lighthouse at Christmas / Christmas card created for a challenge in / All Around Florida Group / / Placed in top 10 in a challenge in All Around Florida

  • Lone Tree Silhouette taken in the vacant lot next to my parents house in Port Charlotte, Florida with a Nikon D90 DSLR and a Sigma 17-70 mm lens, manual focus, 70 mm focal length / / / Image also available in /

  • Captured this Great Blue Heron at the Gasparilla Fishing Pier in Florida with a Nikon D90 DSLR and a Nikkor 70-210mm Zoom / /

  • Lose Something? Black Panties shot in a tree at the path to the Gasparilla fishing pier with a Nikon D90 DSLR and a sigma 17-70 mm lens / / / Featured in Speaking Photos 12-15-09

  • Yellow Fin Tuna Mosaic from Seashells-painted and unpainted surf clam shells, cracked, and Cape May, New Jersey oyster shells for the fin coming out. I opted for a purple squid lure. The photo doesn’t show all the cool textures. The water and bubbles are done with acrylics. / / / Featured in First Things 11-29-09 / Featured in Images & Ideas 11-30-09 / Featured in Live and Let Live 11-30-09

  • I Haven't Done this in a While
    by Kim McClain

    Posted my features, I saw several this weekend and thought I would do again! Don’t worry, I’m not going back to August 31st (last time I …

    Posted my features, I saw several this weekend and thought I would do again! Don’t worry, I’m not going back to August 31st (last time I did it)! / Thank you to the hosts and friends! / / / /

  • Eastpoint Lighthouse, Delaware Bay, New Jersey, USA Photo taken near sunset at the point in the road near the lighthouse with a Nikon D90 DSLR and a Nikkor 70-210 mm lens, focal length 210 / Description from Lighthouse Friends / “Description: On the northern side of Delaware Bay, not too far from the Atlantic Ocean, is found the mouth of the circuitous Maurice River. In 1894, the Lighthouse Board used the following justification for a set of range lights at the entrance to the river. / It is claimed that some 500 sailing vessels are engaged in the oyster trade on the Maurice River during the season, and that they give employment on average to 1500 men; in addition, a number of coasting vessels visit this river, and the establishment of manufacturers at Millville, N.J. is increasing the marine traffic. / Half a century before, the Maurice River Lighthouse had been built near the river’s mouth, but the reason for the erection of the earlier lighthouse was seemingly due more to the persistence of an individual than the need of a trade or community. The Maurice River Lighthouse had its name officially changed to East Point Lighthouse in 1912. Mariners had for some time been using the name East Point before the change, likely to avoid confusion with the recently constructed Maurice River Range Lights. / Around the start of the year 1849, Joshua Brick wrote to his congressman, Representative Charles Brown, requesting the establishment of a lighthouse at Maurice River. Congressman Brown forwarded the petition to Stephen Pleasonton, Fifth Auditor of the U.S. Treasury, who was responsible for the country’s lighthouses. In his response to Brown, dated January 22, 1849, Pleasonton wrote: “I do not recollect ever to have heard it suggested before that a Light House was necessary at this place, and therefore cannot form an opinion as to the propriety of recommending an appropriation for the erection of it.” Pleasonton went on to explain the typical procedure for soliciting the construction of a lighthouse. “It is usual for the parties interested to unite in a petition to Congress, in which they will state their reasons, and this being referred to the Committee of Commerce of the proper House of Congress, is by them acted on. I would advise Mr. Brick to take this course in the present instance, more particularly as it is not probable that Congress will, at this short session, pass any bill for the erection of new Light Houses.” Congressman Brown or Mr. Brick must have had some powerful connections for Pleasonton sent a letter to Henry Hicks, Superintendent of Lights at Wilmington, Delaware on March 10, in which he communicated that $5,000 had been allocated by Congress for a lighthouse on the East Point of Maurice River. Hicks was asked “to cause the best site to be selected and purchase a few acres of land, if it can be had at a reasonable rate.” An elevated, half-acre knoll was selected on marshy East Point and purchased for $250 from its owner, who just happened to be Joshua Brick. Joshua Brick still wasn’t done with the lighthouse matter, for he sent Pleasonton a letter suggesting that he himself be awarded the contract to build the lighthouse. Pleasonton responded on April 10 saying, “It is my practice to advertise for proposals to build all Light Houses by contract, (unless it be very difficult work requiring an Engineer) and to give the contract to the lowest bidder.” Brick was then invited to submit a proposal when the project was advertised. The outcome of the bidding was known by June 22, and a Samuel Ellis, with a bid of $1,975, was the lowest bidder. Pleasonton didn’t feel Ellis could accomplish the task for that sum, but was constrained to accept the bid if Ellis was able to post a sufficiently high bond to ensure completion of the lighthouse if he should fail to do so himself. Pleasonton was likely relieved that Ellis was unable to post bond, and the contract was given to Nathan and Samuel Middleton, who had recently completed the second Cape May Lighthouse. Joshua Brick stepped in one more time and wrote to the Treasury Department asking that an additional story be added to the proposed lighthouse so that its light could be visible above low-lying fog. The patient Pleasonton replied that eight more feet could be added to the lighthouse if the Middletons could accomplish the additional work for a reasonable sum. Brick even offered to contribute the $250 he was paid for his land towards the extra story. The detailed exchange between Pleasonton and Brick is quite unique, and makes one wonder if Brick was trying to serve his own interests or was simply working for the good of the local community. William W. Yarrington was appointed first keeper of the Maurice River Lighthouse on September 10, 1849, but just two weeks and a day later, he was replaced by Francis Elberson. The following detailed description of the lighthouse at which they served was given in 1878: / Oil house at East Point Lighthouse / / The light is exhibited from [the] lantern on top of keeper’s dwelling, and is 48 feet above ordinary sea level; it is of the 6th order, fixed white, and is supplied with Franklin lamps. The dwelling is of brick, two stories high, and one-story kitchen adjoining east end, which is also used as oil-room. The first story is divided into two rooms and a hall, with stairway to second story, which is divided in the same way. There is a cellar under whole house, which is wet in very high tides; it contains a cedar water-tank of a capacity of 700 gallons.” / / Another NJ Lighthouse / / Featured in New Jersey Scenery 12-9-09

  • Come With Me To The Sea is a fusion of two images, one of an old pier in Cape May, New Jersey, the other was a foggy morning at the swamp on my way to work! The mermaid was added to be be the siren enticing you in! / /

  • Poinsettia Tree in Fort Myers, Florida USA Airport / I have seen this tree many times, as they place every year. This one is for my fiancees daughter, Madison, as she took photos herself of this last year! Photo taken with a Nikon D90 DSLR and a Sigma 17-70 mm lens / /

  • The heron did not move from this / / I moved and switched to my 70-210 mm lens on my Nikon D90 (because I can’t buy a second body right now). / Another work from Stump Pass State Park in Florida / / / /

  • Close up of a Christmas Cactus, taken over a month ago when I brought it inside it had gorgeous blooms, shot taken on my dining room table with a Nikon D90 DSLR and a Sigma 17-70 mm lens, focal length 70, macro mode, manual focus / Uploaded to send ecard to my bubble friends, an idea I got from Ann / /

  • A Flower Abstract-created in Corel PaintShop Pro / /

  • For the first time in 7 or 8 years I won’t be spending the holidays with my folks in Port Charlotte, Florida, USA but will be in cold New Jersey. So I had to think tropical with the tree, which I finally put up yesterday! Photo captured with a Nikon D90 DSLR and a Sigma 17-70 mm lens / /

  • I Love Turtles in Mosaic colors, loggerhead silhouette / View Larger to see the turtles word pattern

  • Adobe Illustrator. For this project my class and me had to create “characters” that flowed well together. Inspired by music, I thought of the experiences of listening to music. I kept the theme of music notes throughout both pieces.

  • Adobe Illustrator. For this project my class and me had to create “characters” that flowed well together. Inspired by music, I thought of the experiences of listening to music. This one is focusing on feeling music.

  • Stump Art with Many Artists, not sure which one I added any more! Photo taken with a Nikon D90 DSLR and a Sigma 17-70 mm lens / Other works from Stump Pass State Park, Florida, USA: / / / / /

  • Tropical Christmas Dolphin, work in PaintShop Pro of Photo from my tropical tree taken in Macro Mode with a Nikon D90 DSLR and a Sigma 17-70 mm lens, isolated and corrected paint / Another work from the tropical tree: / /

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