Non 

609 creative works found

  • Tank Man, or the Unknown Rebel, is the nickname of an anonymous man who became internationally famous when he was videotaped and photographed during the Tiananmen Square protests on 5 June 1989. TIME included the “Unknown Rebel” in its 100 most influential people of the 20th century. This year marks the 20th anniversary of this shocking yet iconic image.

  • Fire fills the sky as it melts the earth into a large ocean!

  • Bryce 5 Just love this song! When I Fall In Love When I give my heart it will be completely / Or I’ll never give my heart / And the moment I can feel that you feel that way too / Is when I fall in love with you.

  • By special request =) What’s with the world today?

  • We feel very strongly about animal rights and hope that someday our artistic efforts may help change some minds. Animal testing is a barbaric practice that is not only cruel, but also unnecessary and inconclusive. Some examples of testing alternatives used in the U.S. are: / / • National Cancer Institute adopted in vitro initial screen for anti-cancer compounds – immediately replacing more than a million mice per year. / / • Episkin – a reconstructed human in vitro epidermis for evaluation of corrosivity of cosmetics, pharmaceutical and chemical compounds. / / • Corrositex – a two-chambered system with collagen membrane. Color (pH) change when test chemical penetrates to indicator chamber (widely used in the U.S. and Europe for corrosivity testing). / / • Computerized chemical structure-activity relationship (SAR) and knowledge-based expert systems allow prediction of efficacy and safety/toxicity of new compounds. / / • Epiocular- a reproducible, multi-layered human cell-derived tissue for testing ocular irritancy of chemicals and other materials. / / • EpiAirway- is a three-dimensional culture of human tracheal-bronchial epithelial cells for pre-clinical studies of inhalation drugs. / / • Epiderm- is a reproducible, three-dimensional, human cell-derived skin tissue for studies of corrosives and irritants. / / • Ames test uses specific strains of common bacteria to detect genetic changes caused by test substances – mutagenesis and carcinogenesis possibilities. / / • Toxicogenomics utilizes DNA chips to identify pattern of gene changes characteristic of specific toxicity endpoints. Will ultimately replace nearly all current animal-based tests. / / Examples taken from the AAVS website. For more info click here / / / / ALL proceeds will be donated to the American Anti-Vivisection Society.

  • A smoking, tattooed badass with a big bazooka. / ...what more could you ask for!? Some happy customers- / /

  • The star that burns twice as bright burns half as long.

  • Lisa C. Weber ©2007 (Created with Bryce 6.1) Visit My Complete Portfolio for all My 3D Rendering Artwork. Thanks for dropping by and enjoy!

  • I felt like uploading a picture of my hometown… I live in Sydney and do miss it a lot sometimes. I try to go back every 6 months (going there tomorrow actually yay!). Changed the name of it after Jason Moses’ comment :)

  • St Non’s Chapel, St Davids, Wales

  • This was not the actual “Lovers” card, however, it turned out so much better than the actual card design, I may just have to rework the actual card with this as a basis. I have to rework some cards anyway (I already redid “The Moon” and “The Emperor”, and returned to my roots a bit with “The Devil” and “The Hermit”). Keep an eye out…

  • Resin Sculpture..mixed media / fish hooks… Featured in “Contemporary Professional Painters and Sculptors ” group / Featured in “Unconventional Artistry ” group “Come live with me, and be my love, and we will some new pleasures prove, Of golden sands, and crystal brooks, With silken lines and silver hooks” / John Donne(1572-1631)

  • luna luminosa non e` da nasconderti / luminous moon no reason to hide no 4 watercolour and gouache / on arches / cp 300gsm 38×57 cm / ___ Moonlight Series / Inspired by the zodiac sign of Cancer / a water sign ruled by the Moon ____ / Original Artworks / by Patricia Vannucci PERUGINA ART / My Home – My Studio – My Art Journey

  • Submerged in the descending crash of condemnation, I felt the bright, red, fiery, blinding light of anger well up—unstoppable. I refuse to stop breathing. I reach out to God for strength to swim. Am I in a garden pool, or a tidal wave? Does it matter? I still am drowning. Self-doubt holds my head under water. Is is ego, self-preservation or childish reaction that causes me to want to fight? The stone statue face of judgment twists in profile and shouts, “Whatever. Just get over it. Stop whining.” / Still, I see through layers of water above me that the sunlight is streaming. There is more. There is a solution. I do not have to drown. If only I could be patient. / So I paint. It seems to give the waiting a purpose. And after awhile I am no longer waiting. I am there. And I am swimming. / Acrylic on masonite, 24”x34”

  • This is a happy bear on a scooter. He is not bothered by this non-troversy.

  • Chidlhood Kitsch!! featured in Light in the Darkness 06-10-2009 MUSIC Je T’aime moi non Plus Lyrics: / Je t’aime je t’aime / Oh oui je t’aime / -Moi non plus / Oh mon amour / -Comme la vague irrésolue / Je vais, je vais et je viens / Entre tes reins / Je vais et je viens / Entre tes reins / Et je me retiens Je t’aime je t’aime / Oh oui je t’aime / -Moi non plus / Oh mon amour / -Tu es la vague, / moi l’île nue / -Tu vas, tu vas et tu viens / Entre mes reins / Tu vas et tu viens / Entre mes reins / Et je te rejoins Je t’aime je t’aime / Oh oui je t’aime / Moi non plus / Oh mon amour / L’amour physique / est sans issue / Je vais je vais et je viens / Entre tes reins / Je vais et je viens / Je me retiens / Non ! maintenant viens… a Trio; Incendia, Apophysis and Fractal Explorer /

  • I surrender to green glow. I fall into the grace of foliage that grows with sweating hands and naked limbs that bend with storms and fears and regrets and pull themselves back to the sun and continue to seek solutions from light and the drizzle of summer rains and the sound of whispering time brushing against green leaves. Always waiting for nothing and everything without expectation. Living in Trees is acrylic on canvas 36”x48”

  • A thin line of regret grabs at my throat and thickly floats to my chest as I awaken. / What I said. / A pencil of characters sketched along a split second. Too late to pull them back. And apologies are only a reminder to the other person. Why remind them and double the insult? / I allow my brain to lazily assemble events and go back in time. My discovery is that I am the root. What I see as irritating in others, is a reflection of me. / The past and other people can not change. That leaves me and the present. / I can’t stop the flow of barbed, insensitive remarks that spew from my mouth. But I can change the way I feel in the first place. I can change that chunk of anger that is stapled to my back and then forgotten. I can remove it and throw it to the wind, let it fly, let it burn, let it turn to ash, let it blow away so it can be replaced by light. / Roots, once choking, can now nurture. “Roots,” is acrylic on canvas 24”x36” / July 2009

  • Glance to the window and then back and then to the sky and then to the walls waiting for words to let go and move. Holding fast inside a dream and always wanting to escape and then to run home and then to move and then to settle in. I remain in one spot for a second and see, if not enjoy, the view. / Hard walls, melting into dark sun streaks left for the heated concrete. Rusted foliage and stale clouds. And inside are crowds. Outside are faces. Everywhere are windows, ruins of the future rising into cold fortresses. / I see through the surface to the stars. The wonder of the light. / I realize I am right where I am suppose to be. Someone told me that long ago. I didn’t like it. Now they are gone. I remember. This can’t be a prison if it is chosen. It is all a playground. Forever changing. Walls only crumbling reflections from and into my own mind’s eye. / Another eyesight sees beyond. Or tries to. / Yet for now, this is a chosen place. Not a lesson, but a heaven. Not a restraint, but a dance. Not an end, but a beginning. Not a wall, but a mirror. This a Chosen Place is 24”x36” acrylic and India ink on canvas. July 2009

  • The Soft Sell - Creating Sales Through Non-Salesy Actions
    by selling

    You can reach a lot of people using the Internet, but creating personal and lasting relationships is a more difficult task. It requires a…

    You can reach a lot of people using the Internet, but creating personal and lasting relationships is a more difficult task. It requires an openness and reciprocity that doesn’t come easily to most people. Not that we artists don’t have the ability, but exposing ourselves emotionally outside of our art takes practice and a thick skin. There’s also a tension between wanting to sell our art and not wanting to be too salesy nor abuse others with self-promotion. So, how can we promote ourselves using a ‘soft sell’ or ‘no sell,’ yet create sales? Here are a few ideas that members have shared in the Selling Group. 1. Share information, help others, and give encouragement on RedBubble It’s easy to get mired in the minutia of everyday life. No one can fault you for addressing personal priorities and work, but it only takes a moment to comment on an artwork, t-shirt, or a bit of writing. Share your expertise or give another member an encouraging sentence or two about how their work made you feel. These activities help elevate your profile – and work – on RedBubble. The more people that view your work, the better your chance of receiving a personal referral. If you’re interested in sharing ideas or have questions about selling art, join the Sales/Sharing Group here. We don’t judge and we don’t bite. Also, check out the RedBubble site and individual group forums. 2. Network web-wide with kindred spirits Track yourself and your interests with Google Alerts and Google Blog Search, among other tools. Alerts and Blog Search help you find websites that have content related to your artwork, t-shirt designs, interest areas, etc. A practical example would be for the Game of Kings to track websites that talk about chess. Chess destinations and fans would surely be interested in learning more about a stellar collaboration featuring artwork about chess. Track them, and then contact them with a friendly head’s up about your work. 3. Add people to your RedBubble Watchlist, Favorite work, and Comment on work Here’s a case of quality over quantity. Discover new kindred spirits, curate your Watchlist, and make insightful and positive comments that spur conversion and relationships. These relationships can bring helpful advice, collaborations, and again, referrals. There have been a number of times that my work didn’t suit a friend’s aesthetic, so I referred them other RedBubble artists. I sent a quick Bubblemail to these artists to note my referral. It’s good karma, and the artists appreciated my thinking of them regardless of the outcome. 4. Publish a blog or website about your subject matter, geography, technique, etc. The key to a blog is updated content. Ask yourself if you can commit to updating at least once each week – if only to post a quote and a link to relevant resources. Readers can visit your website directly or subscribe to a feed of its content. Did you know that you already have a RSS (Real Simple Syndication) feed in your RedBubble profile? Just go to your Profile page, click on Journal, and then find the “RSS” button in the address bar of your browser. You’ll see a page like this one: Simply copy the RSS URL from the browser bar and add it to your iGoogle, MyYahoo, Feedburner, or other newsreader account. Outlook and Apple Mail accept feeds too. Here are a few members that have used their blogs and websites to drive sales on RedBubble: Matt Moylan and Lilformers Helen Nehill and Bowerbird Blues As well as, Ron Moss, Bryce Casselman, Diesel Laws, Soniei, among many others. Please post your blog/website below. 5. Develop a rapport with industry websites Giant caveat – DO NOT simply email a thought-leading website with a generic note and URL, e.g., “please highlight my t-shirt.” Try to develop a rapport with the author first. Start by reading their website. Make sure their content matches your artwork. Ask what it takes to be featured on their website. Send them occasional links to related articles unrelated to your artwork. You’ll make friends in no time. We previously discussed tactics for contacting periodicals, magazines, etc. here. RedBubble can help you find the best press contact for your announcement; learn more in the Sales Group PR forum. 6. Give a little, get a lot Everyone loves freebies, chotchkes – whatever you want to call them. Email a digital postcard to a friend or contact. Embed you message in your artwork and subtly note your URL in the email body copy. Create business cards or product cards. Here’s an example from the always-giving Nuh Sarche. Another way to share is to show works in progress. Sam Dantone is painting a wall mural. It’s not for sale, but I loved that he shared his progress on RedBubble. Whenever I think of costal scenes, I’ll return to this mural and then browse through his portfolio. I could go on forever, but I’m interested in the things that members have tried. Add you comments below, or join the conversation here. Thank you. Regards, / Jason

  • Oil on canvas

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