Nikkor
365 creative works found
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These are rather like broad tagliatelle and I prepared the dish like this… / Roast about 10 cherry tomatoes cut in half, in olive oil with 5 garlic cloves and a sprinkle of dried chili for twenty minutes. Halfway through the roasting, add some small whole mushrooms. I used oyster, buna-shimeji and shiro-shimeji varieties. Meanwhile bring some water to the boil, add salt and the pappardelle. After 5 minutes, add a handful of baby spinach leaves and cook for a further 6 minutes. / Serve the pasta with the roasted, tomatoes, garlic and mushrooms. / Total preparation and cooking time 25 minutes. Buon appetito! The lighting was overcast daylight (the best diffusser) through my kitchen window. N.B. This image is now for sale as laminated kitchen art! Technical Details: Camera: Nikon D200 / Lens: 12-24mm f4 / Focal Length: 20mm / ISO: 250 / Exposure: 1/125 sec at f /4 / Lighting: Daylight / Post Processing: Photoshop CS3 © 2008 John Hooton Photography
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Captured this image aboard the Cruiseship “Valor”, during a 7 day Western Caribbean Cruise. Some of the ships’ interior was quite interesting and warranted a few photo sessions. This is a 15 second exposure of some empty barstools, shot from the floor with camera angled upwards. Image made with tripod mounted Nikon D300 and Nikkor 18-70mm lens. The image itself has been run through ReDynaMix for an HDR “feel”, then converted to B&W, then with several layers gradually punched through the layers to achieve the selective coloring on the barstools from the original color HDR image. / Please view in Large to see all of the detail ….
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A picture that helped me become a ‘Featured Member’ for the first time on Redbubble in the Make-Up group, with the assistance of… / Model: Lucy Saunders / Make Up: Lauren Baker Technical Details: Camera: Nikon D3 / Lens: Nikkor 105mm f/2.8 / ISO: 200 / Exposure: 1/250 sec at f/9 / Post Processing: Photoshop CS3 © 2008 John Hooton Photography /
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Summer…goodbye…
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Unedited, shot in fog and rain in the Chugach mountains. Featured in Alaska ~ Beyond Your Dreams today – Thank you for the encouragement! Nikon D70, Nikkor 70-300mm VR, 145mm, f/5, 1/125sec, ISO 250, manual exposure, foggy day, Converted from 12-bit RAW to jpeg using Capture NX2.1.
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The wafer rolls provide an explosion of chocolate just before you counteract it with the rich taste of a freshly made cappuccino. Mmm… don’t forget to wipe that cream moustache from your upper lip! Technical Details Camera: Nikon D3 / Lens: Nikkor 85mm f/2.8 PC Nikkor / ISO: 200 / Exposure: 1/250 sec at f/16 / Flash: Bowens White Umbrella / Post Processing: Lightroom 2, Photoshop CS3 © 2009 John Hooton Photography
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Another take with beautiful model, singer and dancer Sydney Jo Jackson, who was a real pleasure to work with. The delightful Nicola Hamilton came over to do the make up at very short notice. Part of the brief was to produce some B/W shots, and as I was after a low key effect with smooth tones, I rigged a black tent arrangement to stop light bouncing around the room and give maximum density to the shadow areas. Camera: Nikon D3 / Lens: Nikkor 24-120mm f/3.5-5.6 / Focal Length: 35mm / ISO: 200 / Exposure: 1/200 sec at f/16 / Flash: Bowens / Flash Mode: White Umbrella / Post Processing: Photoshop CS3 and Silver Efex Pro © 2009 John Hooton Photography
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Found many of these lovely flowers blowing in the wind this evening. Poppies, perhaps. Used the opportunity to practice selective focus, since the aperture needed to remain large with as fast a shutter speed as possible in the wind. Nikon D300 and a Nikkor 105mm macro lens. 105mm, at f/6.3 and 1/400 sec, -0.3ev, IS0 200, manual exposure. monopod. Converted from 14-bit RAW to jpeg using Capture NX 2.1. Bright sunlight, windy. Unedited. 4288×2848px, high-res Meanwhile, I’ve been deleting landscape shots, all the while asking What makes a good landscape shot? in the forum of A Photographer’s Craft. Some great responses.
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Welcome to the planet Nagoya!! / Now we are on the side where I used to live and work for about three and half years :-)) For those who is wondering what “TTI” stands for: “Toyota Technological Institute”. A little bit about how it was done. Using Nikon D80 with 18-200mm VR Nikkor lense I first took 23 NEF (RAW) files, then processed them with CaptureNX to make several different exposures. After that with the help of PTGui created a normal 360° panoramic image. With a simple trick I could use absolutely same control points and alignment parameters for all exposure sets of images, so final panoramas were almost 100% same. In order to avoid some tonal or contrast mismatches at the opposite edges of panorama as a result of HDR processing, I first created “planetoid” images with different exposures. And making the HDR and ToneMapping by Photomatix was a final step. / Final touch was done in CaptureNX as it has a unique tool called “control points” (it saves a lot of time), and also it allows saving the modified image in NEF format preserving all the workflow so that later you can open it again and modify some control points or other settings.
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Can make larger prints available upon request :)
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Summer is not too far away and this soup is a great way to consume that flood of tomatoes when you grow your own. Come to think of it, this tastes great anytime, so why wait? Cream of Tomato and Basil Soup 1 Onion / 4 Garlic Cloves / 1 Long Sweet Red Pepper / 12 Medium Size Tomatoes / 2 oz or 50g Butter / 250ml Chicken Stock / 75ml Double Cream / 1 Desert Spoon of Dried Basil / Some Fresh Basil / ¼ Tsp Ground White Pepper / 1 Level Tsp Sea Salt Peel and chop the garlic cloves and the onion. De-seed and chop the long sweet red pepper. Melt the butter in a large saucepan and add the onion, garlic and sweet red pepper. Cover and simmer gently stirring now and then until the onions are soft – about ten minutes. Meanwhile, cut the tomatoes in half, splitting where the stalk was. Cut out a V to remove the hard stalk remnants and roughly chop the tomatoes. Add them to the other ingredients and bring everything back to a simmer. Add the dry basil, salt and pepper, cover, and let it all stew gently for about 20 minutes stirring occasionally. Add the chicken stock and simmer gently for another ten minutes. Remove from the heat and now blend all the ingredients in a liquidiser or with an electric hand blender. Return it to the saucepan, taste and adjust the seasoning if necessary. Stir in 50ml of double cream saving 25ml for presentation. Serve with some torn fresh basil leaves and a swirl of cream. Revel in the taste, consume luxuriously then relax for ten minutes. Take the dog for a walk. Technical Details: Camera: Nikon D3 / Lens: Nikkor 14-24mm f/2.8 / Focal Length: 24mm / ISO: 400 / Exposure: 1/80 sec at f/11 / Lighting: Sunlight though Venetian blinds / Flash: SB800 bounced off ceiling to fill-in / Post Processing: Photoshop CS3 © 2009 John Hooton Photography
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Captured this image of the Mayan Temple ruins in Altun Ha, Belize. Depicted is “The Temple Of Masonry Altars”, which is the largest structure here. Beautiful place, very peaceful area, inhabited by quite a few interesting bird species which I had never seen before. / This HDR image was created from a single image, using ReDynaMix.
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My beautiful wife Valeria with her beloved guitar. / Valeria is a very talented songwriter. / Portrait. June, 2009. / Portrait in natural light – no flash. / At home – No studio. Nikon D90. Nikkor AF-S 18-105G ED VR. Featured in Family Unlimited – June 2009
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I was a young fashion photographer’s assistant who had also photographed racehorses trained by my father. ITV heard the story and wanted to interview me with pictures of girls and horses. In this picture shot for Biba’s, a world famous boutique in Kensington High Street in the 60’s, I decided to combine them both. I borrowed the 20mm lens and the 250 exposure back from my boss, John Cowan, whose studio was used in the 1966 cult film Blow-Up and set off for Sussex. The 20mm lens had only just been introduced and was the first of it’s kind. Technical Details: Camera: Nikon F / Lens: Nikkor UD Auto 20mm f/3.5 / Motor Drive: 250 Exposure Back / Film: Bulk Ilford FP4 / ASA: 200 / Exposure: 1/250 at f/5.6 / Developer: D76 © 1966 John Hooton Photography
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Taken for a charitable GHD products hair show. Technical Details: Camera: Nikon D3 / Lens: Nikkor 105mm f/2.8 / ISO: 200 / Exposure: 1/250 sec at f/16 / Flash: Bowens / Flash Mode: Silver Umbrella / Post Processing: Photoshop CS3 © 2008 John Hooton
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Taken for a charitable GHD products hair show. Technical Details: Camera: Nikon D3 / Lens: Nikkor 105mm f/2.8 / ISO: 200 / Exposure: 1/250 sec at f/16 / Flash: Bowens / Flash Mode: Silver Umbrella / Post Processing: Photoshop CS3 © 2008 John Hooton Photography
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Shot on the way up to Bowfell in the English lake district national park in Cumbria England / Shot with a Nikon D70s and 18-70mm lens
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Taken for a charitable GHD products hair show. Make up by Lauren Baker, Hair by GYI Hair. Technical Details: Camera: Nikon D3 / Lens: Nikkor 24-120mm f/3.5-5.6 / Focal Length: 120mm / ISO: 200 / Exposure: 1/250 sec at f/16 / Flash: Bowens / Flash Mode: Silver Umbrella / Post Processing: Photoshop CS3 © 2008 John Hooton Photography
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Back then only the truck was beaten and battered. Now the entire company resembles this …. Sure hope someone will throw that life ring!
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Italian beauty Marisa Nitti taken in Milan 1967. Used a 35mm PC Nikkor on this one for extra leg stretch. Technical Details: Camera: Nikon F / Lens: Nikkor 35mm PC f/2.8 / Film: Tri-X / ASA: 400 rated at 200 / Flash: Balcar 1200 with Single White Umbrella / Exposure: 1/60 sec at f/11 / Developer: D76 © 1967 John Hooton Photography
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Nikon D200 and a Nikkor 70-300mm, 112mm, at f/8 and 1/400 sec, -0.3ev, IS0 100, monopod, and a bench. Converted from RAW (12 bit) to jpeg using Nikon’s Capture NX 2.1. 3872×2592 pixels Or do you prefer to see the bench as focal point?
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After almost a year of eradic migration patterns, this little duckling was captured to undergo further studies by a team of international scientists. Initial reports indicate that this may be THE duck that some have come to known as being named Herman. Scientists fear an imminent public outcry of his immediate release. The laboratory is being picketed by protestors, several researchers have already removed themselves of this study, fearing personal harm. Updates to follow.
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