Nightscape Wall Art
115 creative works found
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I was driving along a road in a seaside town at Jervis Bay, just 2.5 hours south of Sydney Australia when I glimpsed this moon through some trees with a pathway of silver light across the water. A lucky moment, in that all the elements were there but tricky in putting them together because it was so dark I couldn’t see anything through the viewfinder and had to keep taking pics, viewing them on the LCD display and then moving the tripod to get the composition I wanted. / It looks to me like the trees on either side of the moon are partners about to dance onto the floor of some enchanted ballroom.
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Millennium Bridge and St. Paul Cathedral, London, Uk !
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Looking south to Wollongong from Garie Cliffs in Royal National Park. Royal lies sandwiched between Wollongong and Sydney. Because of the light from both cities this shot of the Milky Way has but a fraction of the actual stars visible and less than 1% of this would be visible within the cities. / Makes for a pretty picture but where does wonder go when the light blocks out the stars? The night sky is the only time we ever get to see the infinite. What happens to us when we lose that? / Tv 30s / Av f3.5 / ISO 3200 / FL 10mm
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Louisville, Kentucky USA 21 April 2008 10:06 PM EST This shot was NOT easy due to another photographer trying to take this same night shot using a flash. From this vantage point, the city is one mile away. He ruined 5 of my long exposures with his flash. Finally, I politely ask him to please let me get one good shot. / MCN: C30-NP3U-4430 LIMITED EDITION PRINTS CLICK HERE
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Finally got around to adding water to the bottom of this photo. You can see the original modded version of this here
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Taken looking south to Wollongong from Providential Point, Royal National Park, just south of Sydney Australia. / This is my first attempt at a multi-exposure blend. This image is a combinations of 57 X 30sec exposures using the fantastic Startrails Photoshop Action that you can download free from this excellent site: / www.schursastrophotography.com/software/photoshop/startra… I was put on to this action by Dave Burrow whose amazing startrails image can be seen here: / http://www.redbubble.com/people/davidburrows/art/321722-3-startrails The brilliant thing about this PS action is that the longest exposure you need to take is 30sec and so it virtually eliminates the noise problem of conventional long exposure startrails. You can imagine how much noise this shot would have as a 30min exposure. / The straight lines are some of 9 planes that flew through these exposures over the half-hour I was taking them – amazingly consistent flight paths. It got so busy I had to delete some of the planetrails, hence the little gaps in the startrails.
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Photograph of my original monoprint which was part of a “night” series I did in the late 1990’s.
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downtown Paris 2002
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Date Pictures Taken: 24/4/2007 / Camera: Canon EOS 350D / Lens: Canon EF-S 10-22mm f/3.5-4.5
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View another version of this here
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Looking south from Caves Beach Jervis Bay. One of these “I don’t believe this” moments. One of the problems with Royal NP (where I shoot most of my photos) is that it’s under the flight path for Sydney airport which is a problem at night because I end up getting lots of distracting light trails from the planes (there is often no more than 90 seconds between one plane flying out of a frame and another flying in). Given it takes 10 minutes to start getting decent star trails you end up with 10 plane trails in the shot. / So me and my partner headed south to the almost equally gorgeous national park at Jervis Bay 2.5 hours south of Sydney. Whoopee I thought – no planes. And then, just as I pressed the shutter this tiny light plane flew into frame. My first reaction was #$Q #%$## what do you have to do to get away from aircraft and I nearly closed the shutter. But then I thought just leave it and take another shot after this one. So I left it and it turned out to be my favourite shot of the start trails I took that night. The white glow is the Milky Way and the orange glow is from a village on the other side of the bay. / Tv: 619secs / Av: f/3.5 / ISO: 200 / FL: 17MM / Canon 30D
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My entry in the contest. Future looks blurry to me, but I hope it will be beautiful.
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Fertiliser Works, Ellesmere Port by night, 30 second exposure.
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A nightscape shot of Sonoco manufacturing in Hartsville, SC.
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London 2006 !
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What does the title mean?! / ... / By night: This chair sits nonchantly at the front door to wife’s parent’s home. / ... / By day: Danny, the farm dog, sleeps here whenever he isn’t working. / ... / PS. Shot at night, no flash, long exposure to capture all the colour. All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / (c) Stephen Mitchell : Using this image for any purpose and in any way, without prior permission, may lead to legal action.
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Photograph taken in Rome.
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Nightshot of the famous London Trocadero building at Piccadilly Circus. Trocadero started out as a restaurant at the end of the 19th century and lived through couple of reincarnations as an entertainment, theater and opera hall, before finally assuming the current role of a shopping complex. / / Photos in this series: / / / Some of my other work: / / / © Kuntal Daftary
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Beautiful night in Melbourne Australia, looking towards Flinders St Station end of the city.
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“The cold wind howled across the plains, a feeling of uncertainty was rising in my chest. The landscape was dark and gloomy and the moon shed little light from behind the windswept clouds. I thought I saw figures moving along the lake by the village. What were they carrying? Why do they not have lanterns to light their way? The silhouette of the church steeple loomed in the distance, near but yet so far. The rendevous should be in 30 minutes time…..would I make it there without being intercepted?” Macro photograph taken from a rockface! It’s amazing when the earth is cut to make way for a highway or some sort of construction. All these wonderful colours and textures have been hidden for maybe 100’s or 1,000’s of years. And then they are exposed for all to see!
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