Night seascape
516 creative works found
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Full moon over the havre des pas lido in St Helier, Jersey.
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This is Aireys Inlet Lighthouse, played around with a couple of programs to achieve this effect.
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I was driving along a road in a seaside town at Jervis Bay National Park, just 2.5 hours south of Sydney Australia when I glimpsed this moon through some trees with a pathway of silver light across the water. A lucky moment, in that all the elements were there but tricky in putting them together because it was so dark I couldn’t see anything through the viewfinder and had to keep taking pics, viewing them on the LCD display and then moving the tripod to get the composition I wanted. / It looks to me like the trees on either side of the moon are partners about to dance onto the floor of some enchanted ballroom. Canon 30 D / Tv: 10 secs / Av: f/4.5 / ISO: 100 As of 12/11: / 17 Sales / 330 Comments / 227 peopleFavorited by / 13,823 Views Information for Sold! Group – Sold as a framed print to a work colleague and a laminated print to a mystery buyer off RB plus 9 cards off RB.
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A beautiful evening sky. The sea oats moving in the breeze with driftwood at its side. Another beautiful sunset in Destin, Florida. Late September; no crowds; just peace. / / Click on the buy/preview button to see the many RedBubble print options for this photo.
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/ . / Please view large photo to appreciate panorama fully / . / This is a panorama taken on the same night of my other photos “Luna Over Luna Park”, ““By Request””, and “Luna Harbours”. The photos were taken in quite quick succession. I attempted to combine the full moon, with the Sydney Harbour Bridge and Luna Park. You might be interested in viewing the other photos because one is in Portrait, two are in Landscape, and this one PANORAMA. It’s amazing how a similar subject can be photographed in slightly different ways, and produce different results. I will interested in knowing which of the four is you favourite !
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I took this shot last week. I hope you like it as much as I do? / Cheers, Joe
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It fascinates me how creation myths and evolutionary thought seem to converge around the possibility of a spark such as this igniting life. / Taken off the “Balcony” – a beautiful section of coastal cliffs in Royal National Park just south of Sydney Australia during a spectacular storm. I’ve shot about half a dozen storms here this year. The others all drifted out to sea which made them nice and safe and easy to photo so I got lulled into a false sense of security with this one. It decided to head straight up to where I was photographing and at one stage I had to hide under a rock overhang with bolts going off all around – deeply scary but wouldn’t have missed it for anything – a magic night of biblical proportions I can tell you and one I’ll never forget. More in this series coming shortly. / Canon 30D / Tv: 30s / Av: f3.5 / ISO: 100 / FL: 17mm
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Full moon to the left…airport to the right, a nugget in the sea and a sprinkled sky 13 Sec Exposure / Focal Length 16.0 mm / F6.3
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oil on canvas 190×120cm I’ve used “A Wave” by Ivan Aiwazovsky as a model. Even if it is a copy, it took 19 years (!) to paint this. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-——- PLEASE READ THIS BEAUTIFUL POEM OF C.C. ASHAGRA —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-——- / Author: C.C. Arshagra This poem is Based on at least (3) three events / 1.! See the painting A Wave by artist Jarko 2.! The Last months series of Events involving two other on-line communities and (Like the tile infers “The Plagiarism of Amanda Joy’s Poetry’ including may adventures here being inspired and spelling the inspiration out here on RedBubble. It’s really an amazing story of flowering creative courage. And three (3.!) while writing the poem the image of the painting “A Wave” just slid deeply into me deep and quiet as it just guided the poem’s writing the mysterious whole way. Thank you Jarko for your 19 years of work inspired by yet another work. / And so, as Jarko states in the images description: oil on canvas 190×120cm I’ve used “A Wave” by Ivan Aiwazovsky as a model. Even if it is a copy, it took 19 years (!) to paint this. —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-——- The Plagiarism of Joy’s Poetry (An Ode to the Courage of Art) (An Ode to the Courage of Art) —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-——- The vulnerable risk is eternal for all / Lest the sleep walk of safe dilutions protect you. The artists are / With the blessed curse to be beyond what is safe Suffering nothing / And sharing hungry moments somehow satisfied But a ship at sea we are / And the storms will come and be Being Alive / As the rocks catch flesh falling To feed you to the bellies of life / They are all here waiting to choose upon the carnage Or else, the bacteria you are will come to get you / Nothing is clean Especially the most pristine holy truths’ polished / And shined daily with rags of fearful hopes in hiding Buying predators are known here as the civilized people / Holding no mirrors lest the glass reflects outward Save the art works created so fine here by the lone artists ignored / Whose bones and blood are now here scraped off the street The Wall Street express bus speeding did not see the artist crossing / The Brokers on board had only moment before the starting bell … A good thing / The masterpiece was unharmed and there is no will The auctioneers decide not to say / The price they paid Yet the creation of arts’ fall goes on and on / Long … As the breathing lasts © Copyright 1/11/2008 C.C. Arshagra
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This shot was made possible thanks to Production & Art Director, Alateia and SHOOTERS GALLERY and her wonderful models vanessa and troy and staff. / The location for these shots were taken from hampton beach melbourne victoria. 1385 Views
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Santa Marta, Colombia ! Walking along the beach, I had to improvise a bit without my tripod ! / Anyway this inconvenient gives me the chance sometimes to take pictures I wouldn’t probably take ! - Please alsp view… / / . / / .
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Seastorm off Bundeena Cliffs in Royal National Park just south of Sydney Australia. Taken using the brilliant Startrails Photoshop Action to blend 15 X 30sec identical exposures. You can download the Action from here: / http://www.schursastrophotography.com/software/photoshop/startrails.html If you view in Large mode you can see startrails between the clouds. Also the short horizontal light along the horizon is a fishing trawler. Funnily enough there was an average of only one lightning bolt per exposure. / I’ve now photographed 5 storms off these cliffs and the really curious thing I’ve noticed is that the lightning always seems to concentrate in the same places – here and about another 45 degrees to the right along the horizon. I know now that if I set my camera up here or at the other angle I’m always going to get the best lightning shots – weird or what? I would have thought the lightning strikes would be much more random than that.
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Worth going to Larger for this one – heaps more stars. Storm off Bundeena Cliffs, Royal National Park. This shot has all my favourite elements in one image – the moon, stars, lightning, storm clouds, and ocean. What a treat this night was – getting some fantastic storms here. This is about the sixth I’ve photographed. There are two lightning cells here – the white one under the moon and the orange one off to the right of the main cloudbank. This is one shot in a continuous sequence of 100 I shot to create a startrails version. Unfortunately my computer is choking on processing that many 50mb files at once so may be delayed in posting the startrails version. Shot with the Big Scary Monster: Canon 1Ds MkIII – 16-35mm f/2.8 LII USM lens / Tv: 30secs / Av: f/3.5 / ISO: 200 / FL: 17mm
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Taken an hour before dawn. A five minute exposure allowed the one nearbye floodlight to illuminate the posts of the jetty.
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The Flat Earth Society / “The facts are simple,” says Charles K. Johnson, president of the International Flat Earth Research Society. “The earth is flat.” He believes that the main purpose of the space program is to prop up a dying myth—the myth that the earth is a globe. “Nobody knows anything about the true shape of the world,” he contends. The sun and moon, in the Johnson version, are only about 32 miles in diameter. They circle above the earth in the vicinity of the equator, and their apparent rising and setting are tricks of perspective, like railroad tracks that appear to meet in the distance. The moon shines by its own light and is not eclipsed by the earth. Rather, lunar eclipses are caused by an unseen dark body occasionally passing in front of the moon. Johnson’s beliefs are firmly grounded in the Bible.
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Taken at Telok Cempedak, Kuantan, Pahang, Malaysia. Thanks for viewing. !
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A long exposure after sunset at Blairgowrie beach.
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Palm Silhouettes / Sunset Christmas Day on Maui The Adventurer “Dusk on the sea; the fading twilight shifts / The night wind bears the ocean’s whisper dim wind, on your bosom many a phantom drifts - A silver star climbs up the blue world rim. / Wind, make the green leaves dance above me here And idly swing my silken hammock – so; / Now, on that glimmering molten silver mere / Send the long ripples wavering to and fro. / And let your moon-white tresses touch my face And let me know your slim-armed, cool embrace While to my dreamy soul you whisper low. Dream – aye, I’ve dreamed since last night left her tower And now again she comes on star-soled feet. Welcome, old friend; here in this rose-gemmed bower I’ve drowsed away your Sultan’s golden heat. Here in my hammock, Time I’ve dreamed away For I have but to stretch a hand out, lo, I’m treading languorous shores of Yesterday, Moon-silvered deserts or the star-weird snow; I float o’er seas where ships are purple shells, / I hear the tinkle of the camel bells / That waft down Cairo’s streets when dawn winds blow. South Seas! I watch when dusky twilight comes Making vague gods of ancient, sea-set trees. / The world path beckons – loud the mystic drums – Here at my hand the magic golden keys / That fit the doors of Romance, / Wonder, / strange / Dim gossamer adventures; seas and stars. Why, I have roamed the far Moon Mountain range When sunset minted gold in shimmering bars. / All eager eyed I’ve sailed from ports of Spain / And watched the flashing topaz of the Main / When dawn was flinging witch fire on the spars. / I am content in dreams to roam my fill / The vagrant, drifting sport of wind and tide, / Slave of the greater freedom, venture’s thrill; / Here every magic ship on which I ride. Gold, green, blue, red, a priceless treasure trove, More wealth than ever pirate dared to dream. / My hammock swings – about the world I rove. / The sunset’s dusk, the dawning’s glide and gleam, Moon-dappled leaves are murmuring in the wind Which whispers tales. Lo, Tyre is just behind, Through seas of dawn I sail, / Romance abeam.” ~ by Robert Ervin Howard My images do not belong to the public domain and may not be reproduced in any manner whatsover without my express written authorization. / Copyright © Sharon Mau 2009 / All Rights Reserved Canon EOS Digital Rebel XTi / 25 December 2008 19:25:33 / Tv Shutter Speed 1/250 / Av Aperture Value 10.0 / ISO 100 / Lens EF28-135mm f/3.5-5.6 IS USM / Focal Length 28.0 mm Currently with 995 Views and 1 Sale
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What else is there to do on these hot nights but to take advantage of the sunsets and light / Werribee South Beach well know for its still water and sun sets Part of a Summer Down under Under Series This photo was FEATURED in the All-water-in-motion & Light Group , Reflection Groups also the Professionals Group and Nautical Group Thank you so very much. / 629 views 25 favs wow!!! thanks Best viewed large / Shot with a Sony 350a / Focal length 18.0mm / Aperture f/3.5 / ISO 400 / Exposure time 0-5009 (1/2) / Soft glow added…. increased tone a fraction only
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At last! We’ve had four brilliant storms through here in the last few weeks and I’ve missed each of them. Man these have been tricky buggers – short, very violent, straight overhead – and I’ve miss-timed them each time. The problem has been go out too early and the gear gets soaked and you can’t photograph anyway because of the rain. Leave it a few minutes tool late and that’s it – show’s over folks. / Three times I’ve gone tearing out as the rain eases off with huge, spectacular bolts going off all around and then when I get the tripod out EACH TIME (I kid you not) the moment the camera has gone on the tripod that’s it – the bolts stop dead. I have been teased mercilessly! But this time – gotcha! / This is a single exposure. Two bolts on either side and one overhead – doorway or what!! / And to get an idea of the scale of these bolts those lights off to the left are perched on top of 100m cliffs. And the reddish clouds on the left are reflecting the light from Sydney which is just out of shot. / Taken on the track to Bundeena Cliffs, Royal National Park, Sydney Australia Canon 1Ds MkIII / Tv: 30secs / Av: f/5.0 / ISO: 200 / FL: 45mm
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Canon 30D / 18-200 IS lens Ss: 8, f 4.5, FL: 65mm, ISO 400 Caroline Bay / NSW Central Coast Thank you for featuring ‘By the Light’ in the groups; “Sydney”, “Your Magic place”, “Color & Light”, “NSW Photography”, “Night Photography”, “Unlimited Quality”, “Going Coastal”, “All Countries ~ Wetlands, Ponds, Lakes and Rivers” and “Phography 101”, and also in “Featured Features”. http://i162.photobucket.com/albums/t247/pip_pip_hooray/art-photofeaturedlogoSMALL.jpg
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Port Noarlunga Jetty. / South Australia. A combination of all my favourite techniques: / Wide angle, long exospure, HDR and night photography. Canon 50D. / 10-20mm (at 10mm) HDR – 3 Bracketed Exposures (up to 30 seconds) blended manually in CS3. The longest exposure (2 stops overexposed) brought out the unusual streaks from the jetty lights. Click for larger preview. See also: /
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Oct. 2009 / Featured in the group Out of the Blue (75%+ Blue) / Featured in Canon DSLR / Featured in Dimensions / Featured in Your Magic PLACE / Featured in Smugglers Havens La Corbière can be found at the extreme south-western point of Jersey, in St. Brelade. It is probably the most photographed landmark of the channel island, and is known for its lovely panoramic views and the extreme tidal activity. Victorian engineer Sir John Coode is responsible for the design by which the lighthouse is built. It was the first lighthouse in the British Isles to be built of reinforced concrete and was lit for the first time on the 24th of April, 1874. The beam of light has a reach of 18 nautical miles. which is a brilliant distance. The lighthouse finally became automated in 1976 and was no longer manned. Canon EOS-1Ds Mark ll / 28-300mm IS zoom lens / f/29 / Shutter 15 seconds / Cokin ND 8 Graduated filter / ISO 100
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By this time the mist was heavy enough to distort things but gave a painterly effect. Ocean Beach Pier, San Diego California.
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