Ngv
49 creative works found
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I’m a fountain of blood / In the shape of a girl / You’re the bird on the brim / Hypnotised by the Whirl Drink me, make me feel real / Wet your beak in the stream / Game we’re playing is life / Love is a two way dream Nikon D70s with 50mm f/1.4 at NGV / Melbourne
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At the water-feature at the NGV, Melbourne.
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At the water-feature at the NGV, Melbourne.
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Found … @ the NGV Melbourne
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The famous water wall at the entrance of the National Gallery of Victoria (NGV), Melbourne
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Taken through the waterwall at the NGV.
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This is another portraiture experiment – the figure is a friend posing for me on the second floor of the National Gallery of Victoria. / Please, let me know what you think : )
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this is the same as the other one except for this time i have edited it in Photoshop Lightroom version 2.0 beta, great program, i highly reccomend it, so enjoy
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An old 1930’s Mercedes Benz on exhibition at NGV (National Gallery of Victoria) in Melbourne. This car was a V8 had automatic transmission and went from 0 – 100kmph in only 16 seconds! haha how times change! Background desaturated in Photoshop and Gaussian Blur applied to background layer. Featured on the RedBubble homepage on the 1st of May 2009 Click here for my other photos of cars! / /
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This photo was taken at the National Gallery of Victoria on St. Kilda Rd, Melbourne. There was a girl resting on one of the concrete slabs. Highlighting her was what I wanted to achieve in this image. The large black area in this is the archway entrance and reflection to the building.
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projection
by sjem ©A piece of Ecstatic City by Chris Doyle. It’s a temporary installation in the moat of the NGV and part of the Melbourne International Arts Festival. More info here.
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Detail of the windows/roof of the amazing National Gallery of Victoria, in the revamped Federation Square, Melbourne.
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NGV, St Kilda Rd, Melbourne. It took ages for the security guard to stand where he was supposed to. Worth the wait though.
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Water fountain outside of the NGV. / Taken on a Canon EOS-1Ds MkIII.
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This Pic was taken at the NGV in Melbourne. They had a Bugatti display and I decided to take a few photos there. Photo was shot at about iso 1600 as the gallery was really dark, I think to stop fading of the Bugatti colors. Photo has not been altered much with a slight cropping, color to sepia, contrast and brightness adjusted and a pic just to the left of the engine cloned out.
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The business of suburban life is reflected here. Sometimes we have to stop, but if we look, this billboard allows us to be transported to a world of art…...to photographs larger than life. To the world as seen by the famous photographer Gursky. (I am so glad that the sign is still here even though the exhibition has finished in Melbourne)
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This shot of my home city, Melbourne, looking across Princes Bridge and the Yarra River, was taken exactly two years ago, on a freezing cold winter’s day in 2007. I was standing at the parkland known as Birrarung Marr, photographing Deborah Halpern’s Angel when I realised that if I stood under the 30-foot tall (almost 10 metres) work of art , I could actually use its shape as a triangular frame for the cityscape. The perspective was perfect for me to include the city’s second-highest building, The Rialto. “Angel” was commissioned in 1987 for Australia’s Bicentennial celebrations the following year. Then in 2006 it was painstakingly moved from the south moat of the NGV (National Gallery Victoria) to its present spot at Birrarung Marr. I honestly don’t think this unusual shot would have worked as well in bright, sunny conditions – but come summer and I’ll shoot the same frame from exactly the same spot to find out, so watch this space! I do not crop, enhance or post-edit my images in any way. Shot with a Pentax K100D, using a Sigma 18-125mm lens. F9.5, 1/250 sec, ISO 200, focal length 50mm. Featured in AUSTRALIA YOU’RE STANDING IN IT, July 09. (36-9897)
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Outside the National Gallery of Victoria and the water wall. / This is a blend of 3 images taken handheld 2 stops apart and combined as a HDR image. The HDR image was then combined selectively with two of the original images and further manipulated. / Nikon D90 18-200mm VR lens.
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Dali
by Peter HammerThe NGV is holding an exhibition of paintings by Salvador Dali and have a big illuminated sign to that effect.
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The fountains on both sides of the moat at the National Gallery of Victoria always hold me in their thrall. Why? Because there are so many of them that it’s like trying to photograph whirling dancers in mid-motion. Their form changes constantly. Their shape changes constantly. Their relative height changes constantly. And all the time, the backdrop of the city and the shadows and the shapes and the light changes too. It’s a static scene in one sense, but a completely fluid scene (yes, literally and metaphorically) in every other sense. Sometimes the water can look green, sometimes it can look grey, sometimes it can look icy-blue – again, it all depends on the light and the time of day. I shot this about six weeks ago, when the moat looked silvery-blue on a sunny, cool afternoon. I shot the fountains from several angles and then began shooting from this vantage point, just so I could include passers-by who were entering or leaving the gallery that Melburnians refer to as the NGV. There was a lot of luck (or maybe good timing) in this shot, because the tallest fountain just happened to peak at the very apex of my frame, exactly when I was trying to incorporate these two women into the frame in an unobtrusive way, so they would complement the dancing waters and not detract from the beauty of the fountains in any way. In the foreground, the dancing bubbles are myriad. In the background, the city is a silent spectator. I do not crop, enhance or post-edit my images in any way. Shot with a Pentax K100D, using a Sigma 70-300mm lens. F8, 1/350 sec, ISO 400, focal length 300mm. 119-0647
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