New artist
1338 creative works found
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This watercolor by artist Paul Jackson captures 42nd Street in Midtown Manhattan on a rainy day. The pelican stopped for a quick “Detour” on it’s way to the Fulton Fish Market. Completed in 2008, this 22” X 36” painting is part of the Paul Jackson New York watercolor series. Detour won The Margery Soroka Memorial Award from the American Watercolor Society.
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Mix medium photograph of a nest with 3 eggs and the Chinese characters LOVE, TRUST DREAM FORTUNE.
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1 sale of this tee so far! thx so much to the person who purchased this one recently ;) created with ink and marker pen on foam core
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Portrait of Georgia O’Keeffe. Oil on Canvas / American Artist. Georgia O’Keeffe was raised in Wisconsin, educated in Chicago and Virginia, taught, painted, and lived on the east coast until her early sixties when she moved to Abiquiu, & Santa Fe, New Mexico. Close to one hundred when she died in 1986, living alone and painting in scenery that inspired her famous flowers in closeup with strong sexuality, voluptuous lilies and poppies, stark desert landscapes and animal skeletons. She worked in charcoal, water color, and finally oils, and worked large. I’m not sure her story is known well outside the states. She was photographed, courted, and married (1924) by famed 1920’s photographer Alfred Stieglitz who adored her, left his wife and family for her, and made her more famous than he was. She too, was madly in love with him. His black and white photographs of O’Keeffe filled Stieglitz’s famed “291” gallery in New York and caused a sensation with portraits focused on her beautiful bone structure and striking looks, and spectacular nudity. He took over 300 portraits of her from 1918 to 1937. Stieglitz may have been in love, but smart enough of a businessman to cause O’Keeffe’s work to skyrocket in price, averaging $100,000 a painting, monumental for a living artist and a woman in that time. What he did for her career lasted, interest waned some but revived and her work is priceless now. Every girl painter can use a Stieglitz, few get one. Stieglitz died in 1946 and she moved permanently to New Mexico three years later after cataloguing his work and papers. She was 59, began a new life in a landscape she claimed as her own. “God said I may have that mountain,” she’d written, “if I paint it enough.” So she did. / I painted this from one of Alfred Stieglitz’s famous photographs of Georgia O’Keeffe. / When you do portraits, you start to hear conversations from that time, get a sense of the thinking of the subject, smells and impressions wander through you or assault you inescapably. It’s a fascinating and somewhat dangerous occupation because when you put down the brush and turn away you wonder where the hell you’ve been and question your sanity. I’ve come to accept it as just what happens and there it is. One cannot help but see Stieglitz’s fascination with O’Keeffe’s profound physical symmetry. It bothered me. I thought it annoyed Georgia, too, that he was making more of it than in truth was there. Certainly a thoughtfully bright, introspective & solid woman. But he did not capture the O’Keeffe who stood in the desert in thunderstorms alone in the middle of the night to draw the electricity in the air into her being, which she was notorious for doing. Or the O’Keeffe who lived alone on her Ghost Ranch, and drove in her Model A Ford recklessly to plateaus and mountains of New Mexico to soak in the wilderness. DH Lawrence, Ansel Adams, the Lindberghs were visitors. / It’s not the last portrait I’ll do of her, but I wanted to see more in her than Stieglitz’s precision, no matter how beautiful that is to see. / I think he was incredibly kind and thoughtful about this woman’s life, and helped her reach a financial independence undreamt of for an artist of her time and sex. Stieglitz said of the first drawings of Georgia O’Keeffe that he saw: “Finally, a woman on paper!” He admired her, and he loved her. I can’t blame him for thinking her perfect. I’m just not so sure he saw the savage in Georgia. Other US photographers who did some earlier radical work in b/w, nature, and nudes you might want to visit: Ansel Adams. Brett, Edward, and Cole Weston. Edna St Vincent Millay wrote: “My candle burns at both ends; / It will not last the night; / But ah, my foes, and oh, my friends— / It gives a lovely light!” / Which, published in 1918 became an anthem to end constraints on overwatched Victorian girls. A wild, free life… edged with death. / The Hawks Perch
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The original painting is 30” x 20” acrylic on 4 cm deep stretched canvas frame. You can find Original art for sale from the Arts-fine online gallery
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Vintage Music Records
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DETAIL: “The Studio & Spirits Dream” Oil on Canvas. / I spent the last decade uprooted and on the road. I landed in a barn for awhile on a millionaire’s horse ranch, eventually turning the tack room into a studio that was liveable, enabling me to move out of the ranch’s bunkhouse (12 X 12 foot room with sink) and take up barn residence. It was a wonderful place for 4 years with horse pasture – about 200 occupants – out the door. Goats, sheep, mule named Corizon and Rambo the Ram in stalls and paddock on the other side, the Santa Lucia range all misty , mooned, sunned, gusted, and Milky Wayed before me. And it was the first functional studio I’d had in years. I wrote. And I painted. / This dream, this studio I painted there, is crowded with things I loved and hadn’t seen in ages, stored on the other side of America. Over filled with people I’d loved who’d died. With animals alive and not, who still owned my heart. With a chair from my twenties that no longer existed and the dream of my own bed again where such dreams could populate my nights. The cats who survived the move from Brooklyn then to Virginia’s wilderness then across country are on my bed, and some who departed before we got there, here too. My wonderful chocolate Lab – Rodin – is on alert at the bed’s end. A woodstove I’d seen once that would restore life to this heatless barn (I eventually got a kerosene heater). Some of my many thousands of books I carry with me that prop up my life are here, and all the intimate angels swinging through the undone work, the ready easel, the heart’s workplace. The Hawks Perch
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Im quite new to watercolour. Just ‘testing my wings’ so to speak :) / Hope you like my baby water bird! Suggestions for improvement would be valued. First Place in the Prize Challenge Group’s ‘Trust – Word Association’ Challenge! :)
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ARTISTIC PHOTO SHOOTS: STUDIO OR LOCATION: AUSTRALIA & EUROPE, JOIN THE MAILING LIST
by AlateiaI PRODUCE & DIRECT PHOTO OPPORTUNITIES FOR STILL CAPTURE TO PROMOTE AND MARKET EMERGING TALENT / for Amateur & Professionals alike *PRI…
I PRODUCE & DIRECT PHOTO OPPORTUNITIES FOR STILL CAPTURE TO PROMOTE AND MARKET EMERGING TALENT / for Amateur & Professionals alike PRIVATE ENQUIRIES ALSO WELCOME / I work out of Europe & Australia. I source, manage and market emerging talent from both continents. / I engage photographers, models, actors, performers, stylists and artists alike. I create opportunites that merge a miriad of creative talent into marketing events for the International marketplace. / Je travaille à la fois en Europe et en Australie. / Je cherche, dirige et lance de nouveaux talents. / J’engage photographes, modèles, acteurs et stylistes. / Si vous désirez en savoir plus sur les diférentes / opportunités que je peux vous offrir, veuillez me contacter à / director@arthouseproductions.com.au / to register email me your areas of interest with your location subject MAILING LIST + LOCATION in captials please / 3 Faces: Courtesy of Maree Toogood / photo courtesy of MAREE TOOGOOD / / photo courtesy of Jodie Johnson / / courtesy of Phil Wright / / courtesy of dominic o’brien / / / / courtesy of photoeclipse / AERIAL ACROBATS ARTHOUSE PRODUCTION / If you are interested in attending any of the PHOTOGRAPHIC SESSIONS that i stage and stepping off the virtual platform for a shoot, meeting other bubblers, working with excellent models, picking up tips on the job, let me know! and i will add you to our mailing list and keep you in the loop. I organise, models, drops & props, venues, equipment etc. for on location and studio shoots. So jump on the mailing and stay informed. / These are some of the ways YOU & YOUR WORK gets promoted. / ARTHOUSE PRODUCTIONS VIDEO MONTAGES / Some of the sessions are by invitation only as location can restrict numbers so let me know what areas interest you ie, dance, portraiture, black and white, cityscape, sports, nudes, fashion, catwalk, landscape, storms, seascape, animals, babies, night , long exposure, photo journalsim, macro, etc. etc / ARTHOUSE PHOTOGRAPHIC EXHIBITION MELBOURNE / & / EUROPEAN EXHIBITION Look forward to seeing you at the next ART HOUSE PRODUCTION !! / A SNAPSHOT OF THE WORK BEHIND THE SCENES
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NOLA artist at work Copyright
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New RedBubble Series - Artist Profiles
by RedBubbleHello all! I’m constantly inspired by the people I meet via RedBubble. There are so many interesting and inspirational people involve…
Hello all! I’m constantly inspired by the people I meet via RedBubble. There are so many interesting and inspirational people involved in RedBubble … and I’d like to help get more of our stories out. As one way of doing this I’ve started (today) a series of ‘artist profiles’. The guidelines for these profiles are very broad. People involved in RedBubble write about other people involved in RedBubble. The profiles should be short (500 words) and interesting. The first profile is on the wonderfully talented Tom Godfrey So if there’s someone on RedBubble who inspires you – and you’d like to write a short piece on them please get in touch with Peter.
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Here’s environmentalist Pooky out watching and helping to Save the Whales :) On Paper. Hand drawn then coloured with pencil. FEATURED IN THE PATCHWORK GROUP Here’s Pooky’s other adventures: .
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Glowing with experience
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Impressionist image, taken in Autumn at New Norfolk, Southern Tasmania.
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Copyright © by MOC2designs, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without written permission.
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This is my second version of “Finding new galaxies” created with one of my fractal designs and the tools of Photoshop.. Designer Thea Walstra / CanDuCreations
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Who’s says women are not equal may as well join the dark dOveside. These Hijabi Heroines might just surprise us by saving the planet from all out avain aniallation by putting the dOvemaster in his place. The bigger they are the harder they fall.
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Applied alpha layer to photo with leaves in it and removed background with erase tool, pasted it to photo of eyes and anchored it. Used glow, and sparkle effects, then added nova effect to each eye Slightly adjusted color and contrast with GiMP2. All artwork is © Rhonda L. Hall, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without my express consent.
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Copyright © by MOC2, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without written permission.
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Copyright © by MOC2designs, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without written permission.
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Desert Vision Sketch II / Fractal Explorer render / Milan Dobrojevic
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One ring to rule them all, one ring to find them, one ring to bring them all, and in the darkness bind them. Concept Art / s1 3D fractal render Milan Dobrojevic
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