New redbubble Wall Art
724 creative works found
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100% of proceeds received from Redbubble in respect to sales of this item, will be donated to Bush Heritage Australia Small New Holland Honeyeater at the top of a Banksia tree on the sand dunes at Lake Tabourie, NSW
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100% of proceeds received from Redbubble in respect to sales of this item, will be donated to Bush Heritage Australia Sulphur-crested Cockatoos photo taken in Maandowie Bushland Reserve, Loftus, NSW, Australia
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Testimonial from a happy buyer – “I sent out my Christmas cards and got RAVE reviews from my special friends and family that I sent your card to. They were thrilled that I bought something unique.” Top ten finish in the Inspiring Greeting Cards Christmas challenge November 2008
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THE UNCONDITIONAL LOVERS / 110 X 160 cm canvas. / For details see it in a large view. The Fool comes to a cross-road, filled with energy, confidence and purpose, knowing exactly where he wants to go and what he wants to do. But he comes to a dead stop. A flowering tree marks the path he wants to take, the one he’s been planning on taking. But standing before a fruit tree marking the other path is a woman. He’s met and had relationships with women before, some far more beautiful and alluring. But she is different. Seeing her, he feels as though he’s just been shot in the heart with cupid’s arrow, so shocking, so painful is his “recognition” of her. As he speaks with her, the feeling intensifies; like finding a missing part of himself, a part he’s been searching for his life long. It is clear that she feels the same about him. They finish each others sentences, think the same thoughts. It is as if an Angel above had introduced their souls to each other. Though it was his plan to follow the path of the flowering tree, and though it will cause some trouble for him to bring this woman with him, to go somewhere else entirely, the Fool knows he dare not leave her behind. Like the fruit tree, she will fulfill him. No matter how divergent from his original intent, she is his future. He chooses her, and together they head down a whole new road. I Invite you to enjoy one of the songs i listened to when i created / THE LOVERS / right click the link below and open it in a new Tap or window. / Soulmate by Natasha Bedingfield * To read more go to this site* Details /
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110×160 cm canvas. Spiritual ENLIGHTENMENT is living LIFE in UNITY with the underlying ENERGY of LIFE you are free of internal negativity, not absorbed into external ones and in full Creative experience of MIND and the potential of Self you know and live the Greatness within yourself and Fully experience and enjoy the Grandness of LIFE. Spiritual ENLIGHTENMENT is a State of Being in which you are free of all internal negativity and not attached to any external ones, in TRUTH you are in complete Conscious UNITY with the ENERGY of PERFECTION that underlies all of LIFE PURITY of LOVE . You are and live the Fullness of your Being. Spiritual ENLIGHTENMENT in process has already started to become yours by opening up your MIND and your Heart to it; patient PERSISTENCE, Strong DESIRE and a True path are a few essentials. Throughout your WONDERFUL Journey of ENLIGHTENMENT remember to pause and refresh, and look around: you will be Splendidly impressed with what you see. Details /
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Black and white study with photo model. Poster.
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120×160 cm , Canvas. / Would like to share with you one of the song i was listening to when i created this work , right click the link below and open it in a new tab or window / Kurt Nilsen music / if you never heard of him I think he is one of the best out there now days, Kurt from Norway. Details / Romo wrote an amazing poem which fits perfectly with this painting / thank you very much Robin . Emotions / Strong feelings within my soul / is it coming from within me…. / or from someone I don’t know / it has taken a hold of me…. / and it just won’t let go / leaving my days wandering…. / through this foggy mist… / and my nights in a dream / with a lover that I cannot see… / Is this my soul searching…. / for something missing within…. / or another soul searching…. / and reaching out to me….
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120×160 cm Details /
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120×180 cm Details /
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120×180 cm Details /
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120 X 180 cm. Details /
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Rolleiflex and olympus
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USA New Mexico. Route 66. San Jon. Alan Copson © 2008 All Rights Reserved No Unauthorised Reproduction
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Swing Ride in Action, this nightshot was taken at Playland’s Castaway Cove in Ocean City, NJ at 10th and the boardwalk, this park incuding this swing as one of the original rides was built in 1959, the amusement parks (this and Wonderland) were built to attract family vactioners to Ocean City. Photo taken with a Nikon D90 DSLR and Sigma 17-70 mm lens, focal 17 mm, f2.8, 1/60 sec, ISO 800 / Featured in Those Childhood Memories 10-16-09 / / / Image also available in / / / Featured in Those Childhood Memories 10-16-09 / Featured in Night Photography 11-18-09 / 348 views 11-9-09 / 378 views 11-21-09 / 517 views 12-11-09 / 30 Favoritings 12-11-09
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Aug 2009 – Taken as a 2 piece, hdr panorama. This is a view of the South Street Seaport in NY. / Suburban Scenes by Mike Savad / Postage, Cards, Framed Prints, Keychains, Shirts, Stickers, Magnets, Shoes, and more.Plus everything is customizable and can be bought in bulk. Mike’s Americana / Gifts for the Barber, Dentist, Doctor, Writer, Fireman, Mailman, and hobbies including sewing. Houses, Trains, Cars, Motorcycles, and more. Suburban Scenes II / Featuring puzzles, watches, clocks, clothes and so much more. Squidoo Lenses / Advanced HDR methods.
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Matted print without frame shown on the right – it is a modern sleek look without the added cost of custom framing and it looks great on any office or home wall. Also consider a loose glossy canvas as option to flat frame as you would with normal paper prints; the texture on a cotton canvas plus the fact that the larger the print (I have personally printed at sizes of up to 1.5 meter on satin semi gloss and glossy canvas) the more spectacular it looks and the texture compliments my art and the ethereal color tone extremely well, it also blends iso200 & iso400 noise so well that it has become a preference in some photos even if I could have used a much lower iso100 speed just for the added painterly effect the grain produces and ‘life’ of the fiber texture it gives prints printed this way – definitely an option I would recommend before considering any other cotton rag matte paper when a bigger size is preferred. Flickr Gallery http://www.flickr.com/photos/soulmyst/ P.S If you prefer to view this on imageKind do a search “soulmyst”
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This kaleidioscope just seemed to scream “Happy New Year” to me! Created in Corel Paintshop Pro / / / / Image also available in these calendars / / / Featured in The World As We See It 11-11-09 / Featured in Buyers Club 11-12-09 / 118 views 11-20-09
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Eastpoint Lighthouse, Delaware Bay, New Jersey, USA Photo taken near sunset at the point in the road near the lighthouse with a Nikon D90 DSLR and a Nikkor 70-210 mm lens, focal length 210 / Description from Lighthouse Friends / “Description: On the northern side of Delaware Bay, not too far from the Atlantic Ocean, is found the mouth of the circuitous Maurice River. In 1894, the Lighthouse Board used the following justification for a set of range lights at the entrance to the river. / It is claimed that some 500 sailing vessels are engaged in the oyster trade on the Maurice River during the season, and that they give employment on average to 1500 men; in addition, a number of coasting vessels visit this river, and the establishment of manufacturers at Millville, N.J. is increasing the marine traffic. / Half a century before, the Maurice River Lighthouse had been built near the river’s mouth, but the reason for the erection of the earlier lighthouse was seemingly due more to the persistence of an individual than the need of a trade or community. The Maurice River Lighthouse had its name officially changed to East Point Lighthouse in 1912. Mariners had for some time been using the name East Point before the change, likely to avoid confusion with the recently constructed Maurice River Range Lights. / Around the start of the year 1849, Joshua Brick wrote to his congressman, Representative Charles Brown, requesting the establishment of a lighthouse at Maurice River. Congressman Brown forwarded the petition to Stephen Pleasonton, Fifth Auditor of the U.S. Treasury, who was responsible for the country’s lighthouses. In his response to Brown, dated January 22, 1849, Pleasonton wrote: “I do not recollect ever to have heard it suggested before that a Light House was necessary at this place, and therefore cannot form an opinion as to the propriety of recommending an appropriation for the erection of it.” Pleasonton went on to explain the typical procedure for soliciting the construction of a lighthouse. “It is usual for the parties interested to unite in a petition to Congress, in which they will state their reasons, and this being referred to the Committee of Commerce of the proper House of Congress, is by them acted on. I would advise Mr. Brick to take this course in the present instance, more particularly as it is not probable that Congress will, at this short session, pass any bill for the erection of new Light Houses.” Congressman Brown or Mr. Brick must have had some powerful connections for Pleasonton sent a letter to Henry Hicks, Superintendent of Lights at Wilmington, Delaware on March 10, in which he communicated that $5,000 had been allocated by Congress for a lighthouse on the East Point of Maurice River. Hicks was asked “to cause the best site to be selected and purchase a few acres of land, if it can be had at a reasonable rate.” An elevated, half-acre knoll was selected on marshy East Point and purchased for $250 from its owner, who just happened to be Joshua Brick. Joshua Brick still wasn’t done with the lighthouse matter, for he sent Pleasonton a letter suggesting that he himself be awarded the contract to build the lighthouse. Pleasonton responded on April 10 saying, “It is my practice to advertise for proposals to build all Light Houses by contract, (unless it be very difficult work requiring an Engineer) and to give the contract to the lowest bidder.” Brick was then invited to submit a proposal when the project was advertised. The outcome of the bidding was known by June 22, and a Samuel Ellis, with a bid of $1,975, was the lowest bidder. Pleasonton didn’t feel Ellis could accomplish the task for that sum, but was constrained to accept the bid if Ellis was able to post a sufficiently high bond to ensure completion of the lighthouse if he should fail to do so himself. Pleasonton was likely relieved that Ellis was unable to post bond, and the contract was given to Nathan and Samuel Middleton, who had recently completed the second Cape May Lighthouse. Joshua Brick stepped in one more time and wrote to the Treasury Department asking that an additional story be added to the proposed lighthouse so that its light could be visible above low-lying fog. The patient Pleasonton replied that eight more feet could be added to the lighthouse if the Middletons could accomplish the additional work for a reasonable sum. Brick even offered to contribute the $250 he was paid for his land towards the extra story. The detailed exchange between Pleasonton and Brick is quite unique, and makes one wonder if Brick was trying to serve his own interests or was simply working for the good of the local community. William W. Yarrington was appointed first keeper of the Maurice River Lighthouse on September 10, 1849, but just two weeks and a day later, he was replaced by Francis Elberson. The following detailed description of the lighthouse at which they served was given in 1878: / Oil house at East Point Lighthouse / / The light is exhibited from [the] lantern on top of keeper’s dwelling, and is 48 feet above ordinary sea level; it is of the 6th order, fixed white, and is supplied with Franklin lamps. The dwelling is of brick, two stories high, and one-story kitchen adjoining east end, which is also used as oil-room. The first story is divided into two rooms and a hall, with stairway to second story, which is divided in the same way. There is a cellar under whole house, which is wet in very high tides; it contains a cedar water-tank of a capacity of 700 gallons.” / / Another NJ Lighthouse / / Featured in New Jersey Scenery 12-9-09
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To All at RedBubble,,,All our Hosts & All who work hard all year @ RedBubble,,To make it all work so very well,,and make it a great enjoyment,,For all of us to enjoy ourselves through the Years,,,Thank You All A Million Times,,,,,,,,,,,,Pictured just past the Roundabout outside Cahir County Tipperary,Ireland. 19-12-2009.
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Copyright 2009 – 2010 © Sharon Mau / All Rights Reserved “I heard the spring wind whisper / Above the brushwood fire, / “The world is made forever / Of transport and desire. / “I am the breath of being, / The primal urge of things; / I am the whirl of star dust, / I am the lift of wings. “I am the splendid impulse / That comes before the thought, / The joy and exaltation / Wherein the life is caught. “Across the sleeping furrows / I call the buried seed, / And blade and bud and blossom / Awaken at my need. “Within the dying ashes / I blow the sacred spark, / And make the hearts of lovers / To leap against the dark.” I heard the spring light whisper / Above the dancing stream, / “The world is made forever / In likeness of a dream. “I am the law of planets, / I am the guide of man; / The evening and the morning / Are fashioned to my plan. “I tint the dawn with crimson, / I tinge the sea with blue; / My track is in the desert, / My trail is in the dew. “I paint the hills with colour, / And in my magic dome / I light the star of evening / To steer the traveller home. “Within the house of being, / I feed the lamp of truth / With tales of ancient wisdom / And prophecies of youth. “I heard the spring rain murmur / Above the roadside flower, / “The world is made forever / In melody and power. “I keep the rhythmic measure / That marks the steps of time, / And all my toil is fashioned / To symmetry and rhyme. “I plow the untilled upland, / I ripe the seeding grass, / And fill the leafy forest / With music as I pass. “I hew the raw, rough granite / To loveliness of line, / And when my work is finished, / Behold, it is divine! “I am the master-builder / In whom the ages trust. / I lift the lost perfection / To blossom from the dust.” Then Earth to them made answer, / As with a slow refrain / Born of the blended voices / Of wind and sun and rain, / “This is the law of being / That links the threefold chain: / The life we give to beauty / Returns to us again.” poetry by: Bliss Carman (1861-1929) Canon EOS Digital Rebel XTi / 27 December 2009
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Barnegat Lighthouse After Sunset, captured 10 minutes after sunset with a Nikon N70 and a 50 mm lens. Scanned print. The light was activated on January 1, 1859, reference and is in the National Park Maritime Program link / / / My other lighthouses: / Cape May Lighthouse / / Eastpoint Lighthouse / / Gasparilla Island / / Boca Grande /
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Sydney, New South Wales, Australia / / (ref fotoWERNER 3H0901.1153) / Nikon D300 | Nikon 12-24DX @ 22mm / 1/40s f/6.3 ISO200 /
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Kelp on rockshelf / Kaikoura, South Island, New Zealand / / (ref fotoWERNER 3H0808.7413) / Nikon D300 | Nikon 18-200VR @ 150mm / 1/125s f/6.3 ISO200 /
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