New photographer Wall Art
1136 creative works found
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Blue Lake, St Bathans, New Zealand Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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/ . / I had some requests of a portrait shot of my photo entitled “Luna over Luna Park”. Luckily, I had taken the shot. I’m not great at giving photos titles, hence the title for this one. This was taken on the same night of my other photos “Luna Over Luna Park”, “Luna Harbour” and “Luna PANORAMA”. The photos were taken in quite quick succession. I attempted to combine the full moon, with the Sydney Harbour Bridge. You might be interested in viewing the other photos because this is in Portrait, two are in Landscape, and one PANORAMA. It’s amazing how a similar subject can be photographed in slightly different ways, and produce different results. I will interested in knowing which of the four is you favourite !
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Reflection in a store window in midtown Manhattan, NYC. Featured / Urban Art SOLD Copyright
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Part of a series I’m working on… / o- / -o / o- / -o / Other Autumn Images / o- / -o / o- / -o SEASCAPES / NEW ZEALAND / PEOPLE
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Colour version found here Images from Australia / Architecture / Images from Japan / Sunsets / Water Scenes
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Candid, Washington Square Park, New York Featured / Men Appreciation group SOLD Copyright
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So, I’m out for a bike ride this morning thinking, this wind’s quite strong…..... Got to the Lighthouse at New Brighton to discover I was right! The first waves of winter have come ashore. / / all proceedes from any sales of this go to the Axel Moore Memorial Fund / / Do check out Samantha Rodillas’ great portfolio / / / Do check out pijinlane’s great portfolio / / / She lives in Scotland as well (Och Aye!) /
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“New Growth New Hope” Photography & Artwork / by Holly Kempe © “Young one you know how I’m older than thee?” / said the largest of the trees, / “Another is growing smaller than you / and we must tell it the best thing to do” / “I know, I know”, said the younger tree, / “To grow as tall as the moon. Will it be sibling to me?” / ‘Yes it shall, it will grow by and by.” / And the trees stood and watched / the new reach for the sky…....” Author: adgray / See the rest of adgray’s writing inspired by / New Growth New Hope here. Featured in the: Shoot the Moon Group – April 09 Recent Sales: 1 x Small laminated print (black border) – unknown buyer – America 1 x Small Poster – unknown buyer – Palestine / Thank you so much to everyone. / Profits donated to Starlight Childrens Foundation Australia See “New Hope New Growth” at my website /
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A photograph of a heart shape on a stamen of a small flower. / Diascia Hybrid :)
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Never can get enough of the SS Dicky Canon 5D, 16-35mm at 29mm, f/14, 0.6”, ISO 50, Two Lee ND grad filters (soft) Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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More images from this series can be viewed on my blog / / / / / Canon 40D / 10-22mm
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/ . / Bennelong Restaurant at the Sydney Opera House in Sepia
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Golden reflections, NZ WARNING / ©2008 Globalphotos All rights reserved. / All photographs, text and images by Globalphotos are the exclusive property of Globalphotos – protected under Australian and international copyright laws. / These images may not be reproduced, copied or manipulated without written permission. / No use for Public Domain. / Use of any image for another photographic concept or illustration is a violation of copyright.
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Meow Meow – The Cat that got the Cream. Model: Meow Meow / MUA: Kate Watts aka Diamond Fox / Lighting Co-ordinator & Assistant: Jeff Paine / Personal Assistant: Miserys Malice / Dress by Howard Showers / Boots are model’s own Shot on location in my hotel room Melbourne, Australia – September ‘08. / Yes, I am finally putting it up. - I had the tremendous pleasure and amazing experience of shooting Meow Meow, the cabaret superstar last September when I ventured over to Melbourne. I personally love this image, and can’t believe I am the one that shot it. / What made it even better was when she informed me 3 months later that this image was featured promoting her Christmas season show in the New York Times. / What more could a girl ask for from Santa ;) Meow Meow’s Official site: www.meowmeowrevolution.com / New York Times feature: New York Times Copyright 2009 Harmony Nicholas & Meow Meow Sydney peeps, look out for this in October at the ART Sydney Fair… ;)
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My last sunset in NZ :-)) Hope you like it
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It’s stinking hot here today, humid and sweltering…...so here’s a shot from New Zealand’s Franz Joseph Glacier to help cool things down a little Canon 5D, 16-35mm at 16mm, f/11, 1/50”, ISO 50. New Zealand / Real Estate Series / Lensbaby / Infrared / Beach / Industrial / Spam / Panoramas / Landscapes / People
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Completely different Canon powershot pro1 – infrared, f/3.2, 1/20”, ISO 50 Infrared / Seascapes / New Zealand / Frogs / Lensbaby / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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Riding on a Float, Gay Pride Parade, Summer 2006, New York. Featured / MAJOR EVENT – Photography/Journalism Featured / The Woman Photographer SOLD Copyright
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Green green and more green New Farm Park, rose gardens Part of a series I’m working on… / o- / -o / o- / -o / Other Autumn Images / o- / -o / o- / -o /
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Raukokore Anglican Church sits on a lone promontory on the East Cape of New Zealand’s north island. This image was featured in the travel section of “The Age” newspaper here in Melbourne on 21st July 2007 / / Image Details: / Camera – Canon EOS33 / Lens – 24-85mm USM / Film – Fuji Velvia 100 Professional / Focal length – Not recorded / Exposure – Apeture Priority / Aperture – Not recorded / Shutter – Not recorded / ISO – 100 / Tripod and cable release / Transperancy scanned using CanoScan 5000F scanner / / © Andrew Brown Cards / Urban and Architecture / Panorama / Landscape / Portraiture / Macro / / /
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Portrait of Georgia O’Keeffe. Oil on Canvas / American Artist. Georgia O’Keeffe was raised in Wisconsin, educated in Chicago and Virginia, taught, painted, and lived on the east coast until her early sixties when she moved to Abiquiu, & Santa Fe, New Mexico. Close to one hundred when she died in 1986, living alone and painting in scenery that inspired her famous flowers in closeup with strong sexuality, voluptuous lilies and poppies, stark desert landscapes and animal skeletons. She worked in charcoal, water color, and finally oils, and worked large. I’m not sure her story is known well outside the states. She was photographed, courted, and married (1924) by famed 1920’s photographer Alfred Stieglitz who adored her, left his wife and family for her, and made her more famous than he was. She too, was madly in love with him. His black and white photographs of O’Keeffe filled Stieglitz’s famed “291” gallery in New York and caused a sensation with portraits focused on her beautiful bone structure and striking looks, and spectacular nudity. He took over 300 portraits of her from 1918 to 1937. Stieglitz may have been in love, but smart enough of a businessman to cause O’Keeffe’s work to skyrocket in price, averaging $100,000 a painting, monumental for a living artist and a woman in that time. What he did for her career lasted, interest waned some but revived and her work is priceless now. Every girl painter can use a Stieglitz, few get one. Stieglitz died in 1946 and she moved permanently to New Mexico three years later after cataloguing his work and papers. She was 59, began a new life in a landscape she claimed as her own. “God said I may have that mountain,” she’d written, “if I paint it enough.” So she did. / I painted this from one of Alfred Stieglitz’s famous photographs of Georgia O’Keeffe. / When you do portraits, you start to hear conversations from that time, get a sense of the thinking of the subject, smells and impressions wander through you or assault you inescapably. It’s a fascinating and somewhat dangerous occupation because when you put down the brush and turn away you wonder where the hell you’ve been and question your sanity. I’ve come to accept it as just what happens and there it is. One cannot help but see Stieglitz’s fascination with O’Keeffe’s profound physical symmetry. It bothered me. I thought it annoyed Georgia, too, that he was making more of it than in truth was there. Certainly a thoughtfully bright, introspective & solid woman. But he did not capture the O’Keeffe who stood in the desert in thunderstorms alone in the middle of the night to draw the electricity in the air into her being, which she was notorious for doing. Or the O’Keeffe who lived alone on her Ghost Ranch, and drove in her Model A Ford recklessly to plateaus and mountains of New Mexico to soak in the wilderness. DH Lawrence, Ansel Adams, the Lindberghs were visitors. / It’s not the last portrait I’ll do of her, but I wanted to see more in her than Stieglitz’s precision, no matter how beautiful that is to see. / I think he was incredibly kind and thoughtful about this woman’s life, and helped her reach a financial independence undreamt of for an artist of her time and sex. Stieglitz said of the first drawings of Georgia O’Keeffe that he saw: “Finally, a woman on paper!” He admired her, and he loved her. I can’t blame him for thinking her perfect. I’m just not so sure he saw the savage in Georgia. Other US photographers who did some earlier radical work in b/w, nature, and nudes you might want to visit: Ansel Adams. Brett, Edward, and Cole Weston. Edna St Vincent Millay wrote: “My candle burns at both ends; / It will not last the night; / But ah, my foes, and oh, my friends— / It gives a lovely light!” / Which, published in 1918 became an anthem to end constraints on overwatched Victorian girls. A wild, free life… edged with death. / The Hawks Perch
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Spry, grizzled tap dancer in Washington Square Park, New York, May 2007. Featured / Elderly Copyright
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Rotorua, New Zealand WARNING / ©2008 Globalphotos All rights reserved. / All photographs, text and images by Globalphotos are the exclusive property of Globalphotos – protected under Australian and international copyright laws. / These images may not be reproduced, copied or manipulated without written permission. / No use for Public Domain. / Use of any image for another photographic concept or illustration is a violation of copyright.
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View other work from this series Uralla, Northern Tablelands, New South Wales, Australia. Best viewed LARGE
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