Multicolour
339 creative works found
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All work in this portfolio is © Stephanie Rachel Seely. / These materials (images and poems) may NOT be edited, copied, reproduced, printed, distributed, displayed, performed, or used in any way, in whole or in part, without my written permission. Please respect copyright and do not save or upload any images or poems to Photobucket, Flickr, Myspace, Facebook etc. These creative materials are NOT public domain. Check out my autumn art A shot of a purplish plant in the front yard made all the more cool by Photoshop. / A newer version can be seen here
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Potfolio : abstract / bw / landscape / portrait / graphic design / plant / flower / mixed media / china
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Canon EOS 40D / Focal Length: 17mm / Shutter: 30secs / Aperture: f/18 / ISO: 320 Title: Electric Vespers / Artist: Chris White / Medium: Signed Photographic Print / Technical Help: / Model: Throw caution to the universe…
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Those are some of my collection of front doors from different countries.
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All work in this portfolio is © Stephanie Rachel Seely. / These materials (images and poems) may NOT be edited, copied, reproduced, printed, distributed, displayed, performed, or used in any way, in whole or in part, without my written permission. Please respect copyright and do not save or upload any images or poems to Photobucket, Flickr, Myspace, Facebook etc. These creative materials are NOT public domain. This work was featured in A Fascinating Purple Check out my autumn art A new version of Stardust
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Another classic tattoo design…hand drawn and coloured (including type)
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A fractal generated in Tierazone and modified in PhotoImpact.
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Something bright and cheerful. A fractal made in Tierazon and postprocessed in PI12. /
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Gonna keep on trying till i reach my highest ground! Features; MIA, Abstract Art, Feminine intent Higher ground People keep on learnin / Soldiers keep on warrin / World keep on turnin / Cause it wont be too long Powers keep on lyin / While your people keep on dyin / World keep on turnin / Cause it wont be too long Im so darn glad he let me try it again / Cause my last time on earth I lived a whole world of sin / Im so glad that I know more than I knew then / Gonna keep on tryin / Till I reach the highest ground Teachers keep on teachin / Preachers keep on preachin / World keep on turnin / Cause it wont be too long / Oh no Lovers keep on lovin / Believers keep on believin / Sleepers just stop sleepin / Cause it wont be too long / Oh no Im so glad that he let me try it again / Cause my last time on earth I lived a whole world of sin / Im so glad that I know more than I knew then / Gonna keep on tryin / Till I reach my highest ground…whew! / Till I reach my highest ground / No ones gonna bring me down / Oh no / Till I reach my highest ground / Dont you let nobody bring you down (theyll sho nuff try) / God is gonna show you higher ground / He’s the only friend you have around
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Film Camera! / Holga!
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‘I want the fine, kindling wine-sap of spring, / gold, and of inconceivably fine, quintessential brightness, / rare almost as beams, yet overwhelmingly potent, / strong like the greatest force of world-balancing.’ / (DH Lawrence from ‘Craving for Spring’) Fractal created in Tierazon and postprocessed in PhotoImpact
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I’m getting into the mood for spring. A fractal created in Tierazon and finished in PhotoImpact. Orton effect applied.
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Artwork from Ireland. (Original painting has been done in Acrylics on board) / A summer scene in my hometown of Galway which is on the west coast of Ireland. This was my first ever painting of my own subject matter and I did it in acrylics when I was about 18 years old. I’ve done it in a ‘pointillist’ style as I am very influenced by the French post-Impressionist painters and most particularly, Georges Seurat (1855-1891) who invented the post-impressionist style of ‘Pointillism’ and influenced Signac to paint in the same style. I completed this painting after completing a replica of one of Georges Seurat’s paintings – ‘The Seine at La Grande Jatte’. It was for a college assignment. We were to firstly pick a painting from a great Master, replicate it then do a painting of a similar subject matter using the same style. Pointillism is use of complementary coloured dots placed adjacent to each other or slightly overlapping to create extra colours while viewed from a distance. In a sense it is like optical colour mixing and a study of light. The effect that is created is what Seurat referred to as ‘emotion. This particular scene (my interpretation of Seurat’s ‘Pointillist’ style) is of ‘The University College Boat Club’ in Galway. Galway is a small city in the west of Ireland and is my hometown, so where better to start for an interesting subject matter. In the background, you’ll see some red pre-fabricated buildings and because this was painted many years ago, these pre-fabs no longer exist. In fact there is quite a large building there now. I love lots of colour and I find that when painting in the pointillist style it is possible to put almost every colour in the rainbow into a blur of dots and that this intensity of multi-colour dots helps the whole scene come to life. / Hope you like it. :) Featured in: The Patchwork 9th March 2009. / Featured in: From Masterpiece 10th March 2009. / Featured in: First Things 24th March 2009. / Featured in: ! * Irish Eyes * ! 7th June 2009. / Featured in: Landscape Painting – 12th August 2009. Example of Framed Print: /
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Life is like a rainbow. You need both the sun and the rain to make its colors appear. ~Unknown Samsung GX20 Pentax 50mm macro
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A fractal design created in Apophysis and postprocessed in PhotoImpact.
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Fractal created in Apophysis, postprocessed in PhotoImpact.
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Taken in Perth, Western Australia on St George’s Terrace Nikon D700, 105mm macro lens, ISO 800, f/5.6, 1/640 sec, -.3 step. Tonal contrast tweaked in colour efex pro FEATURED IN / CANON VS NIKON GROUP / REFLECTIONS IN BUILDING WINDOWS / PERTH / and WESTERN AUSTRALIA! /
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It started out, this did, as a simple, fun bit of drawing on Art Rage 2.5. Later on, I went and edited it, over hours, through Corel Photo-paint 8. There was a lot of layering, using the alchemy pre-sets, some painting, some drawing. Twas a lot of hard work for one little eye. Glad I didn’t have to do the whole rest of the face, let alone the body, or I’d still be working on it! As to the symbolism, well, it is definitely a religious teaching that the eyes are the windows of the soul .. and that’s as far as I’m going in explaining. I don’t believe symbolism should have to be explained, so long as you, the artist, know that it’s there; but, I’ve gone and done it, anyway.
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This is a special request of images chosen from my Asia Series for a friend of mine on RedBubble :) Front cover image Legend of Little Geisha / art and story by K Taylor (4/09) / .....in the village of Ishekawa by the Sea of Japan lived a poor couple who wove and carved for a living. The couple had no real possessions but were content with the beauty of the mountains and the sea surrounding them, and happy to be together. The only thing they wished for and did not yet have, was a child to call their own. One day, an ancient crone visited their home and as always, the couple offered their hospitality, gave her rice cakes and sake to warm her belly. The old crone, in return for their kindness, bestowed upon the couple the ability to have a girl child. The child grew from a seed into a strong and beautiful young woman, glowing with pride and joy, she was the delight of Ishekawa by the Sea of Japan, and many young suitors came to visit and pay her homage. But as is the way with old crones, you can never quite trust them to do you a favour without some twist in the tale. Unfortunately, the seed from which the child grew, began to sprout roots, and she was bound to the earth. In time the beautiful young girl became a majestic tree and all the birds from near and far came to perch and nest in her branches, she gave them shelter from the wind and rain, and everyone who knew the legend realised the tree was actually the Little Geisha…. the end
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Incendia 1.2
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“Hole of Horcum “ / The Hole of Horcum is a section of the valley of the Levisham Beck in the North York Moors of northern England, upstream of Levisham and Lockton. The hollow is 400ft deep and stretches 3/4 of a mile across. A “Devil’s Punchbowl” type feature, local legend has it that the amphitheatre was made by a giant, who scooped up a large ball of earth and tossed it aside to create a nearby hill, Blakey Topping. The location earned 11th place on the list for Rude Britain / North Yorkshire / Nikon D3x / Lens 14-24 / HDR / 3 shots /
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Stump Pass Beach State Park, Florida This photo from the trip to the Beach State Park with a lovely girls Kathy and Gina whom I met at redbubble site and where we had a nice pleasant day with a beautiful view of Florida! Nikon D3x / Lens 70-200 / ISO100 / 1/500 / f/7.1 / HDR / one shot
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