Motion water
1018 creative works found
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This photo was taken just south of Fraser Island in Queensland. With a 30 second exposure at f10 this gave the picture a fairly surreal feel about it.
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Blue water drop
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Small clawed Asian otter / / / / Portfolio Areas / Tigers / Wildlife / Macro / Landscape / Birds / Abstracts / Cats~wild and domestic
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Fluid
by Naomi Frost/ / / / / / / / / / / / / / / / /
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Last one for the series. Similar to Fluid but different. / / I really liked the darkness at the top and bottom of this one. / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / /
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Newcastle Canoe Pool, NSW, Oz. Camera: FujiFilm FinePix S7000 / Date: 23/01/2008 8:16PM / ISO200 / f/8 / 6.5sec exposure / Cir Polarising Filter / ND4 / Bloody sensational tripod / / / / / / / / / / / / / / / / / / / /
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From a shoot on 27-01-08 with Alateia and others from the Shooters Gallery / She organised absolutely everything, from the location, model and also managed all the artistic direction whilst on location. / / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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Location: Naher el Kaleb, Lebanon
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Aspen leaves, like silver dollars, cover the mossy ground all around. Taken in Big Cottonwood Canyon near Salt Lake City, Utah. Shot with Canon Rebel XTi 1.3 sec. at f20 ISO 200
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Sunday, September 21 – Buckley Falls I’ve been here a few times but never during sunrise. It’s great to get a different perspective on a familiar setting, had some nice light fall on the falls!
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Location: Beirut, Lebanon
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Morning mist rising off Lake Burley Griffin on a brisk Winter Morning is a classic and quite picturesque sight in Canberra. On this morning, I photographed a crew of rowers who appear as ghostly figures as they disappear into the mist. This is one of my earlier images, taken with a fairly simple point and shoot, but the capture was spot on despite the difficult light conditions. I cropped it in post processing, converted it to black and white and made very minor contrast adjustments. © 2008 A Spence. All Rights Reserved.
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WHat particularly drew me to this scene were the patterns of light and shadow on the rocks and leaves. Taken on an Autumn afternoon in Jacob’s Fork River, South Mountain State Park, NC. Figuring out a way to get from one slippery and mossy rock to another in order to take the photo was a real challenge too-especially carrying tripod and camera equipment. / Nikon D50, 42mm,F22 ,2 sec / /
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A moment of youthful exuberance.
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Some hints on shooting at the beach
by Mel BrackstoneI typed all this out for Ben, who asked for some help, since he doesn’t live near any beach, and didn’t want to waste his time when he fi…
I typed all this out for Ben, who asked for some help, since he doesn’t live near any beach, and didn’t want to waste his time when he finally made the long trek. Thought others might appreciate the info. I use my Canon 5D with Lee ND grads, mostly the darkest ones, for sunrise. I’ve never tried to shoot the ocean much after an hour or so after sunrise, and not been all that successful, unless it’s a cloudy day. You’ll need a tripod and cable release. The tripod just needs to be stable, and the cable release working. Then I set my camera on AV and start shooting with aperture at around f/8 or so while it’s dark, and closing it down as the light gets stronger, with ISO mostly 50….. There’s no formula I use, other than using AEB, to see if I can snag one that gets the sky right, then I look for the one with the right wave patterns. Sometimes I combine the two, sometimes I run them through photomatix. Sometimes they’re perfect. I use my 16-35mm nearly ALL the time when shooting seascapes, very rarely I’ve used the 70-200, and that’s only if there’s a detail that’s worth getting, like the shipwreck or some waterfalls over rocks from the surf…. Here the light is generally best till around 20mins after the sun goes down, or 30 mins before the sun comes up. If you have clouds, wait longer after sunset….you’ll probably get better colours. If you have clouds in the morning, you might be able to shoot longer after the sun comes up too, especially if the light breaks through…. The IR filter can come in handy once the light is stronger….here in Qld we have strong light for 12 hours a day or more, even in winter….IR is a blessing! I’ve never used a yellow filter….and wide angle with polarisers just don’t give good results, imho. Just keep checking your screen and moving around for different viewpoints. Everything will depend on how much water movement you prefer. This is a case of personal taste, and with practise you will work that out. Setting your camera on AV and using AEB will give you the three different exposures to see which works best, then you just adjust your aperture to slow it down, or speed it up….or add more filters…the darker it is, the longer the exposure…. Be careful of getting too close to the waves, and watch out for slippery rocks, they can be extremely dangerous! Here the tide surges more dangerously an hour before high tide. Make sure of tide times before you go, and be certain you have a way to escape from the beach if the tide is coming up….Rogue waves can, and do cause problems….try to go with someone who has local knowledge…. Wash your tripod off when you leave the beach, and again when you get home. Other than that, have fun!
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A re edit of a pic I already have on here which was a HDR image, trying to steer away from it unless I find it appropriate. I like this one better in a lot of ways sometimes it’s better not to see all the hidden details. Processed in Adobe Lightroom 2. Gear out in the field – Canon 400D, Velbon tripod, 10-22mm lens, shutter release, nd grad filter. Enjoy :) This image was the winner of the “Part of the Sun” (Sunset or Sunrise) Challenge in the “Mornings & Evenings—Sunbeams & Storms” Group on the 7th of April 2009. Click here for my other seascapes
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Under the pier at Cowes, Phillip Island, Victoria, Australia at Dawn. Taken at the same time as Beginning of a new day for something a little bit different. It was pretty chilly, windy and way too early in the morning for me, it’s amazing how much lens distortion you get with a wide angle lens! / Settings Canon 40D, 10-22mm EF-S. FL: 10 mm 25 seconds @ f16, ISO 100 No filters Adobe Lightroom 2 & Adobe Photoshop CS4 Sales 1 Greeting Card Featured in the Wall Art section of RedBubble on April 14th 2009 _ Featured in the Technical Photography Group on the 11th of May 2009_ One of the photos in my Phillip Island series, please click here to see the rest of my images in the series
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Canon 50D + Sigma 10-20mm / 1/4 second exposure @ f11 / White balance adjusted in Adobe Lightroom. Don’t forget RedBubble etiquette, feel free to talk rubbish! :)
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Canon 450D, ND400, ISO100, f/9.0, 6sec exposure. Newcastle Beach @ 9:47AM
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Lake Falls in Matthiessen State Park is possibly the most magical, spiritual waterfall I have ever photographed. It is special and always blesses me with a wonderful spiritual feel to it. It inspires me to be religous in some way that I cannot explain. / The whirlpool is like God. He has no beginning and no end.
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Looking out to sea at Llandulas at Colwyn Bay , North Wales.
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A pool left as the tide went out late one evening on Alnmouth Beach I have added a large version (Beach Curves 2) if anyone would like a bigger print as this one has a small file size.
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Cianco creek down stream of the little bridge. / Great Otway National Park. / Canon 40D 10_22mm Lens at 12mm
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