Motion photography Wall Art

377 creative works found

  • This was the support act to Pony Up taken at the Annandale hotel in Sydney in September last year. I can’t remember the bands name but they used Starky’s drum kit. they were really wild and energetic which made this shot all the more enjoyable for me as one of the few frames that had some element to it other than chaos.

  • Taken Tsim Sha Tsui

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  • Photograph made at Shooters gallery event ‘Move me’ Photo courtesy of Art House productions. / This photograph was voted fourth in the Freedom to Shine challenge ‘Jump’ /

  • The winter snows are melting, and the once babbling brooks now run a little quicker. Columbia Gorge

  • Central Florida Fairgrounds. April 2008. Also from the fair: More Photography: / /

  • Central Florida Fairgrounds. April 2008. Could you imagine if it really spun this fast?! Photography 101 Info: Camera: Canon PowerShot S5 IS / Shutter Speed: 2 sec. / Aperture: 8.0 / ISO: 80 / White Balance: Fluorescent Also from the fair: More Photography:

  • “The Rainbow” ride. Central Florida Fairgrounds. April 2008 More from the fair: More Photography: /

  • © Andrew Brown / / Cards / Urban and Architecture / Panorama / Landscape / Portraiture / Macro / Street

  • A ‘Favorite’ selection of several RedBubble members! A duck caputured just at the moment of take-off by JD Brummer for As Eye See Photography in Gilbert, Arizona..

  • Blossom’s_Photo_Gallery The Sea Below the Cliffs of Moher On the west coast of Ireland, the Cliffs of Moher are one of the most outstanding coastal features of Ireland and biggest Tourist Attraction. The Cliffs of Moher are located just south of the Village of Doolin in County Clare, Ireland. Rising slowly from Doolin they ascend to over 700 feet (213 metres) stretching south for nearly five miles (8km) to Hags head. Canon EOS 350D SLR

  • An icecream salesman in Plaza San Martin, Buenos Aires (Argentina). This is one of my first attempts at panning. The settings I used are 1/25s @ f/14, with a focal lenght of 75 mm and ISO 100.

  • Peopled tunnel underpass in NYC’s Central Park. Digitally repixelated photograph. Click once on image to enlarge. / / /

  • Ever feel like the world was just whizzing by? An experiment with a long(ish) exposure on a moving walkway. © Sara Lamond 2009. All rights reserved.

  • Waves crashing on the rocks at Coral Cove Beach in Jupiter, FL – Revised for a b/w challenge. / Nikon D70s / 18-50mm / F8, 1/1600 / 10/27/08 – 271/50bw Placed in the Top Ten in the Dramatic Nature in B/W challenge in the Mood & Ambiance group – 7/4/09 / Placed in the Top Ten in the Black & White Free Choice challenge in the 4 Winners Only group – 7/4/09 / Featured in Florida the Sunshine State – 4/11/09 / Featured in the Outsiders – 4/13/09 / / / / Color version / / Chroma Negative version / /

  • This little boy turned around at the exact moment I took this picture. The pictures has a light softness to it, but I think its fine.

  • Unmanipulated photo of St Paul’s Cathedral taken at night at Federation Square, Melbourne, with a long exposure. / /

  • High tide washes the slipway. Canon 5d Mk II, EF 24-105mm f/3.5 105mm <br />ND1000, 20sec f/9

  • Bay Head Beach, New Jersey still feeling the force of the NorEaster, November 14, 2009. / Nikon D80 W/24-120mm VR At one of my favorite jetties, that I love hanging out at, and have quite a few images of it in my gallery. I was able to have beach access here, unlike at Mantoloking Beach. What a different perspective getting at eye level with the waves. I had to keep checking to make sure I was far enough away. Didnt want to get my camera wet! :)

  • Jersey Shore / Bay Head Beach, New Jersey the force of the NorEaster, November 14, 2009. / Nikon D80 W/24-120mm VR

  • The Melancholy Tides / / And now to ponder, / of a life, left drifting in the desolate swell. / To dine the final moments with the fishes / and the closing hours, seems / unsettling yet strangely serene. / / They often say, don’t they, / that you flash back, back to all the people / and the places and the things that mark you. / Yet for everything that passed, for everything / that seemed important, I only remember one thing. / We were sat on a northern rock, staring at the sea. / / I spoke to her once, or twice, that day / in a conversation on the sadness of her eyes, / like melancholy tides being drawn into shore. / And in a few moments, when I finally slide / from this wretched sphere, I’m thinking / it’s those melancholy tides I’ll miss the most. / / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- Location: Dunottar, by Stonehaven, Aberdeenshire, Scotland © Donald Cameron 2009 / Monophotography.co.uk

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