Motion photography
293 creative works found
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This is the sequel to The Approach It was captured at the same station in Shepparton, just facing in opposite directions! / Used a Sony Alpha with a 28 – 70mm in B&W mode. Post prod involved contrasting, a little “neating” and a slight crop to the bottom of the frame. / . / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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From a shoot on 27-01-08 with Alateia and others from the Shooters Gallery / She organised absolutely everything, from the location, model and also managed all the artistic direction whilst on location. / / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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Captured digitally using a Sony Alpha 100 at the Southern Cross Station in Melbourne.. This image was the winner of the “best alternative medium” at the ” Artbeat 2006 – Hung Art Competition and Exhibition ” August 2006. Also the winner of “Peoples Choice Award” at The Digital/Hardcopy exhibition at The Gasworks Gallery in Albert Park October 2006. / —-—-—-—-—-—-—-—- / This image will be on display and for sale at the Strathcona Art show 7th – 9th September 2007 at Tay Creggan in Hawthorn. / The image will be presented framed, matted & signed. All my signed work comes limited in Edition. / —-—-—-—-—-—-—-—- / This and another three images are to be featured in an exhibiton themed “4 World Photographers” where four photographers have been chosen to exhibit four of their best works. The exhibition is being held at the GaleriaZero in Barcelona Spain from 21st September to 18th October 2007. The four images I have chosen to exhibit are 1 2 3 4 / . / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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Location: Beirut, Lebanon
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Captured digitally using a Sony Alpha 100 at Shepperton Station in Victoria. Was selected as a finalist for the Julie Millowick Acquisitive Photographic Prize 2007 and was on display at the Old Castlemaine Goal during the Castlemaine State Festival April 2007. / —-—-—-—-—-—-—-—- / This image will be on display and for sale at the Strathcona Art show 7th – 9th September 2007 at Tay Creggan in Hawthorn. / The image will be presented framed, matted & signed. All my signed work comes limited in Edition. / —-—-—-—-—-—-—-—- / This and another three images are to be featured in an exhibiton themed “4 World Photographers” where four photographers have been chosen to exhibit four of their best works. The exhibition is being held at the GaleriaZero in Barcelona Spain from 21st September to 18th October 2007. The four images I have chosen to exhibit are 1 2 3 4 / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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Homepage artwork for January 2008 Hap.pi.ness Noun 1. A state of well being or contentment. It captures a very happy time for me; the end of an old life and the start of a new beginning. Fujifilm Finepix S7000 @ 8mm, 1/8 sec, F/7, ISO 200. Self timer, Tripod. Processing in CS3.
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East 28th Street between Lex and Third, NYC HOME PAGE FEATURE / CHALLENGE WINNER / Motion Blur – People CHALLENGE WINNER / Urban Scene Challenge Finalist – 2nd Place / Fun in Black and White Copyright
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Candid, Washington Square Park, New York Featured / Men Appreciation group SOLD Copyright
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Some hints on shooting at the beach
by Mel BrackstoneI typed all this out for Ben, who asked for some help, since he doesn’t live near any beach, and didn’t want to waste his time when he fi…
I typed all this out for Ben, who asked for some help, since he doesn’t live near any beach, and didn’t want to waste his time when he finally made the long trek. Thought others might appreciate the info. I use my Canon 5D with Lee ND grads, mostly the darkest ones, for sunrise. I’ve never tried to shoot the ocean much after an hour or so after sunrise, and not been all that successful, unless it’s a cloudy day. You’ll need a tripod and cable release. The tripod just needs to be stable, and the cable release working. Then I set my camera on AV and start shooting with aperture at around f/8 or so while it’s dark, and closing it down as the light gets stronger, with ISO mostly 50….. There’s no formula I use, other than using AEB, to see if I can snag one that gets the sky right, then I look for the one with the right wave patterns. Sometimes I combine the two, sometimes I run them through photomatix. Sometimes they’re perfect. I use my 16-35mm nearly ALL the time when shooting seascapes, very rarely I’ve used the 70-200, and that’s only if there’s a detail that’s worth getting, like the shipwreck or some waterfalls over rocks from the surf…. Here the light is generally best till around 20mins after the sun goes down, or 30 mins before the sun comes up. If you have clouds, wait longer after sunset….you’ll probably get better colours. If you have clouds in the morning, you might be able to shoot longer after the sun comes up too, especially if the light breaks through…. The IR filter can come in handy once the light is stronger….here in Qld we have strong light for 12 hours a day or more, even in winter….IR is a blessing! I’ve never used a yellow filter….and wide angle with polarisers just don’t give good results, imho. Just keep checking your screen and moving around for different viewpoints. Everything will depend on how much water movement you prefer. This is a case of personal taste, and with practise you will work that out. Setting your camera on AV and using AEB will give you the three different exposures to see which works best, then you just adjust your aperture to slow it down, or speed it up….or add more filters…the darker it is, the longer the exposure…. Be careful of getting too close to the waves, and watch out for slippery rocks, they can be extremely dangerous! Here the tide surges more dangerously an hour before high tide. Make sure of tide times before you go, and be certain you have a way to escape from the beach if the tide is coming up….Rogue waves can, and do cause problems….try to go with someone who has local knowledge…. Wash your tripod off when you leave the beach, and again when you get home. Other than that, have fun!
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Model is Katy T. Part of a series I’ve been working on. / © John Tisbury 2008 all rights reserved.
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Location: Naher el Kaleb, Lebanon
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Wild horses in Utah’s West desert.
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Captured using a Minolta 7000 with a 28 – 75mm using Fuji 35mm film. Southern Cross Station in Melbourne. This image was selected for exhibition at this years (May 2007) Churchie National Emerging Art Exhibition, affectionately known as the “Churchie”. / —-—-—-—-—-—-—-—- / This image will be on display and for sale at the Strathcona Art show 7th – 9th September 2007 at Tay Creggan in Hawthorn. / The image will be presented framed, matted & signed. All my signed work comes limited in Edition. / —-—-—-—-—-—-—-—- / This and another three images are to be featured in an exhibiton themed “4 World Photographers” where four photographers have been chosen to exhibit four of their best works. The exhibition is being held at the GaleriaZero in Barcelona Spain from 21st September to 18th October 2007. The four images I have chosen to exhibit are 1 2 3 4 / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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More images from this series can be viewed on my blog / / / / / Canon 40D / 10-22mm
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This is Port Willunga Jetty in mono. Taken at Port Willunga, South Australia, Australia at sunset. I was going for a high key type image. This was taken on a tripod, no flash, f25, ISO 200, 1.3 sec exposure with a Canon DSLR EOS 350D. I was so fortunate to sell, on redbubble, a large mounted print of this work, with the white border and artist’s details, to a good friend, Nathan. Thank you so much.
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Ford BA XR6 at night Read this to learn how to create rig shots .
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The only things done to this photo: cropping / brightness/contrast / slight saturation change
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Captured digitally using a Sony Alpha 100 at Shepperton Station in Victoria. Tweaked into a negative image and manipulated to include some of the original color capture. This image is spiritually linked to The Departure / These two images were captured from the identical spot just looking 180 Degrees in opposite directions! / . / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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Sisters © Andrew Brown Cards / Urban and Architecture / Panorama / Landscape / Portraiture / Macro
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Location: Naher el Kaleb, Lebanon
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Cold early morning with an incoming tide at the East beach at Lossiemouth, Moray Scotland. Nikon D80 / Manual / 2 sec. at f11.0 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 18mm / 0.3 ND soft Grad. / circular polarizer / tripod / hand release
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This was taken at Oaklawn Zoo in Aylesford, NS. The leopard was pacing back and forth so much I had to follow his movements with the camera as the picture was taken. / ______________ / Check out more of my art from these categories: / Holiday Cards / Abstracts / Sketches / Birds / Seascapes/Landscapes/Sunsets / / / ______________ /
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Orange Holden HG Monaro GTS in action Read this to learn how to create rig shots .
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