Morris
45 members found (show all)
-
Anni Morris
New Zealand
-
Michelle Morris
United States
-
Sharon Morris
United States
420 creative works found
-
Window
by Ivy IzzardI decorated this with some William Morris patterns and turned it into a window.
-
A Morris Minor Motor vehicle on the banks of the Murray River. Echuca, Victoria, Australia.
-
Oil on Canvas I felt in the mood for something stunning. / This spurred a conversation about what people are comfortable with. Apparently people tend not to buy paintings where the subject is staring at you. They say it makes you uncomfortable. / So feel uncomfortable. Get over it. I say push yourselves with what you’re uncomfortable with. You can’t get a more intense stare than this one. I used JayCougar’s beautiful photo as a reference.
-
Pencil drawing on paper. Changed to sepia tone in post. / / This is one piece out of my newest series, Perpetual Motion. Each drawing is drawn entirely with the numbers 1 – 12, marking the hours of the clock. There are no lines, no shading other than shading from the numbers. I call this style “Numberism” We’re constantly moving in one of four directions. Even if we choose to do nothing at all, we are still moving through time. Because of this, we can never go back to where we started. Every frame, there is a new “you”, fully formed in the present moment in time, built on our past and hoping for the future, but only truly existing in this moment. It is only this moment that actually exists or ever will exist, and it’s the only point in which our actions and choices will have any effect on the world, and it will be gone as quickly as it came. These drawings are attempts to show just how fleeting these moments are, these moments that so quickly become our long kept memories, and things that despite how much we might like to, are moments we can never relive. My hope is that when we look at these drawings, we will be reminded of the importance of now and possibly take more advantage of it than we might have without the reminder.
-
THE ORIGINAL HAS BEEN SOLD. PRINTS STILL AVAILABLE. / Drawn with pencil on velum paper. Listen to an orchestra play this song Here While I was working on another piece from this series, I heard this beautiful piano playing. It was so clear, I thought it had to be a record. When I remembered we didn’t have a record player, I went into the back room and saw that my Mother in Law was playing it on the piano. It turns out she was once a classical pianist. Life and being a mom got in the way of the competitions she used to join, but since they all grew up, she’s gotten back to it and is sounding beautiful. This is taking advantage of the moment now. No regrets, just do what you can with the present. Bravo Kay. This is one piece out of my newest series, Perpetual Motion. Each drawing is drawn entirely with the numbers 1 – 12, marking the hours of the clock. There are no lines, no shading other than shading from the numbers. I call this style “Numberism”
-
She looks down at her swollen belly, feeling her child move inside her. She knows that soon she will give birth and life will seem to rush by. In no time at all, her little girl will be all grown up, graduating high school, getting married, having children of her own, and it will all go by in blur. For now, she thinks of nothing else but this moment, with her baby safe inside her, close and connected to her. She cherishes this moment; peaceful and united.
-
Original Vector Illustration for Raven Grimaldi’s book cover for “UnFrosted”
-
Sixth in my “Perpetual Motion” Numberism series. Somewhere she has a list of things to do filled with words like “bill”, “late” and “memo”, but for now she doesn’t care. She knows this feeling. It has something to do with freedom. The sun is warm on her face. She gets back to business, trying to make a bigger bubble. These drawings are drawn entirely with the numbers 1 -12, marking the hours of the clock. Reference Photo
-
Graphite pencils on cartridge paper. / Reference / the floral pattern can be blamed upon my dead school teacher who brain washed me with her obsession in William Morris wall paper. Is a bit funky though. he he. / I know the 12 o clock shadow is an odd thing to do a conceptual drawing about but the whole background and title came to me while i was drawing the portrait so I went with it. / Have you ever seen a man so pretty!? especially with stubble! ha ha!
-
From my own photography. with my added magic. Frank Morris the master mind behind The escape from Alcatraz.
-
I researched the life of Joseph Merrick know to the populous as ‘The Elephant Man. His story was astonishing and his courage was indescribable. The words below have been attributed to him…......... .....’Tis true my form is something odd, / But blaming me is blaming God; / Could I create myself anew / I would not fail in pleasing you. / If I could reach from pole to pole / Or grasp the ocean with a span, / I would be measured by the soul; / The mind’s the standard of the man….. by Joseph Merrick (1862 -1890) Music – John Morris Painting using acrylics, inks, pigment, graphite and gold leaf 16th February 2009
-
In preparation for the 50th anniversary of the mini I am releasing some designs based on the little car. Here is the first and more will follow. I hope you like them. This design is also available in other colours Make sure you also check out my Bubble Site or my profile for more great designs, examples of which you can see below.
-
Morris Island lighthouse, SC. yes it does lean to one side. Mamiya RB 67 ProSD. Ilford Pan F50.
-
I have just celebrated Beltane, the Celtic festival marking the beginning of Summer on May eve/ Mayday. The town near where I live has a huge Folk festival every Mayday Weekend and I have been down enjoying the dancers and the music and taking photographs of the participents. / I was inspired to do this artwork by the fabulous ‘Beltane Borders morris’ side who are based in Devon, England. Their dances and look are very Pagan and I was delighted to see them perform one of their energetic dances to Loreena McKennitt’s Huron : Beltane Fire Dance , a song which was itself inspired by English mayday parades and celebrations: Beltane Border Morris website: http://www.beltaneborder.co.uk/ “When in the springtime of the year / When the trees are crowned with leaves / When the ash and oak, and the birch and yew / Are dressed in ribbons fair When owls call the breathless moon / In the blue veil of the night / The shadows of the trees appear / Amidst the lantern light We’ve been rambling all the night / And some time of this day / Now returning back again / we bring a garland gay Who will go down to those shady groves / And summon the shadows there / And tie a ribbon on those sheltering arms / In the springtime of the year The songs of birds seem to fill the wood / That when the fiddler plays / All their voices can be heard / Long past their woodland days And so they linked their hands and danced / Round in circles and in rows / And so the journey of the night descends / When all the shades are gone “A garland gay we bring you here / And at your door we stand / It is a sprout well budded out / The work of Our Lord’s hand” The Mummer’s Dance by Loreena McKennitt
-
I did a new border for this to fit A3+. As with the rest I decorated it with a William Morris pattern.
-
Morris Minor Van in Field. HDR treatment: Manual from 2 photographs in photoshop. Original shots: 28mm lens on Nikon D80. ISO 100 F/10 1/80sec and 1/320 sec.
-
9×12 pencil on Strathmore drawing paper This is just a quick sketch I did to study the basic “Jane Morris face style”. Jane Morris was the embodiement of beauty to many of the Pre-Raphaelites including Dante Gabriel Rossetti and her husband William Morris. / I am very intrigued by Jane Morris. In real life pictures of her she is not quite the beauty that Rossetti painted, but still very unique. She was tall and lanky at a time period where curvaceous was the standard and she was bordering on masculine. What did Morris and Rosetti see in her that would later define the Pre-Raphaelite look? / Many of you have probably read that study that stated women are attracted to more masculine looking men when they are ovulating, and more feminine looking men at other times in their monthly cycle. Men tend to always see women from a primal view. In general, our standard of beauty is dictated by our hormones and our primal need to procreate. But I think the Pre-Raphaelites saw something beyond primal in Jane Morris. / Her features, although tending more towards the feminine, are bordering on the androgynous. She is almost a perfect balance of the masculine and feminine. To me, she has the face of what I imagine the angels to have; more feminine but also very masculine. She therefore represents a spiritual ideal, a perfect balance of the divine feminine and the divine masculine. I think this is what captivated the Pre-Raphaelites, and what is still captivating us today.
-
This wonderful 1935–1937 Morris Eight, vintage car was parked near Fingle Bridge, Devon, today. I couldn’t resist taking some shots of it! I love the reflection of the dropped leaves in the paint work on the door. Nikon D40 18-55mm I chose this image, which I desaturated a bit and added a texture to, to try and keep the feel in time with the car….. Did I make the right choice? / I have also added this below in full colour and B&W which do you think is the better image?
RedBubble is a great place to find art, design, photos and writing from over 80,000 talented people.
You can buy their stuff
On stunning greeting cards, awesome t-shirts or beautiful prints to hang on your walls.
Risk Free Returns
It’s really simple. If you’re not happy with your purchase for any reason, we’ll fix it.
About RedBubble
Since February 2007 we’ve shipped over 306,300 items to more than 70 countries around the world.
Join In
Sign up for your free account, upload your work, join some groups and share your creative genius with the world.